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New RC edition: The Letters of Robert Bloomfield and His Circle

September 8th, 2009
A sample letter from Bloomfield's letters. The edition includes annotations; contextual materials, including a chronology, images, reviews, and selected poems by Bloomfield; indexes of the people and places mentioned in the letters; and an Introduction by Tim Fulford.

A sample letter from Bloomfield's letters. The edition includes annotations; contextual materials, including a chronology, images, reviews, and selected poems by Bloomfield; indexes of the people and places mentioned in the letters; and an Introduction by Tim Fulford.

Romantic Circles is very pleased to announce the publication of a new electronic edition, The Letters of Robert Bloomfield and his Circle, edited by Tim Fulford and Lynda Pratt, with Associate Editor John Goodridge and Technical Editor Laura Mandell.

The Suffolk farmhand turned London shoemaker Robert Bloomfield was the most popular poet of the early nineteenth-century before Byron, admired not just for the authenticity that stemmed from his childhood experience as a rural labourer, but accepted as a master of narrative and versification—the living continuation of the Georgic and ballad traditions epitomised by James Thomson and Robert Burns. This edition of Bloomfield’s correspondence makes fascinating reading for anyone interested in what it was like to be a professional poet in the early nineteenth century.  Intimate, humorous, self-analytical, Bloomfield’s letters show from the inside what it was like to work in the rapidly expanding book market.  They reveal the power of the publisher, and show Bloomfield struggling, as Wordsworth and Clare also did, with gentlemen patrons who resented the independence that sales gave their protègés.   Throughout, they demonstrate Bloomfield’s difficulties in straddling the labouring-class culture from which he came and the polite culture of his readers and supporters.  This is partly a matter of what they discuss—work in garrets, poor relief, popular songs and political protest, for example. Bloomfield meets the radical shoemaker Thomas Hardy and converses with Hardy’s fellow-accused in the 1794 treason trials, John Horne Tooke; he also corresponds with Paine’s admirer Thomas Clio Rickman.

Invaluable resources for the social historian, like the memoirs of Francis Place and the more passing comments of William Blake, Bloomfield’s letters open up a world not recorded in print at the time, and absent from most twentieth-century histories.   With Clare and Rogers among his correspondents, and with Moore and Wordsworth among his admirers, Bloomfield emerges here as a writer who was for a while central to the poetic culture of the Romantic era. Intended as a resource for scholars of Bloomfield and of labouring-class writing, this edition includes an introduction and extensive editorial apparatus and features transcriptions of Bloomfield’s unpublished poems, critical remarks and children’s writings.  It incorporates over forty reproductions of illustrations to his poems (Bloomfield was one of the most heavily illustrated poets of the day).  Also collected are contemporary reviews of his poems and the texts of poems by his brothers George and Nathaniel.

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New at RC for the New Year

January 14th, 2006

New resources this month at Romantic Circles include Shelley Sites/Sights, a pictorial essay of locations associated with Shelley, Fictions of Byron: An Annotated Bibliography, edited by G. Todd Davis, and two new volumes in the Praxis Series, Gothic Technologies, edited by Robert Miles, and Historicizing Romantic Sexuality, edited by Richard Sha. At the Poets on Poets MP3 archive and podcast this week, Robert Thomas reads Keats’s “On First Looking Into Chapman’s Homer.”

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New Edition at Romantic Circles: British War Poetry in the Age of Romanticism

September 4th, 2004

Romantic Circles is very pleased to announce the publication of British War Poetry in the Age of Romanticism: 1793-1815 by Betty T. Bennett, digital text edited by Orianne Smith.

http://www.rc.umd.edu/editions/warpoetry/

This is a new electronic edition of Bennett’s valuable 1976 book, in which she collected 350 poems from among over 3000 she discovered in newspapers, journals, and books of the time, together representing the complex and shifting attitudes of Britons during the French Revolutionary and Napoleonic Wars. Over the years since it was first published in 1976, this collection has been prized by several generations of Romantic-era scholars who owned or, after it went out of print, were fortunate to find an extant copy.  This electronic edition of Bennett’s British War Poetry was created in order to give current and future scholars access to this significant work of scholarship.  Besides hypertext annotations and menus allowing the user to access the poems by date, title, and author, and a keyword search engine covering the collection as a whole, the edition includes Bennett’s original introductory essay and bibliography, as well as a new bibliography listing 1030 additional war poems not included in the original book.

SJ

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New at Romantic Circles: Wat Tyler

August 24th, 2004

Romantic Circles is very pleased to announce a new electronic edition of Robert Southey’s historical dramatic poem about the 1382 Peasants’ Rebellion, Wat Tyler. This important play was written in 1794, at an important moment politically, but remained unpublished until 1817, when a series of pirated editions appeared, printed by publishers intent on embarrassing the now-Poet Laureate Southey. The subsequent public legal battles over the work’s publication and its extremely partisan reception make it worth studying, both as an example of early Romantic drama and as an episode in the political upheavals that followed Waterloo. The electronic edition was produced by a team of graduate students** at the University of Maryland, College Park under the guidance of Neil Fraistat. Matthew Hill oversaw the project through most of its stages. Michael Gamer (U Penn) stepped in to provide final assistance, reworking and finishing the project, expanding and rewriting its content.

**General Editors: Anne Benvenuto, Eric Berlatsky, Matthew Hill, Lisa Delucia Lewnes, Erin Sadlack, Ingrid Satelmajer. Contributing Editors: Claudia Bowe and Jonna Perillo.

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New: Romantic Circles Pedagogies

March 2nd, 2004

Next month, Romantic Circles will launch a special section called Romantic Pedagogies, which will continue to expand well into the summer. Within this section, we plan to set up a “Romantic Commons” in which teaching issues can be discussed and teachers’ materials shared with one another.

We plan to establish the section on a firm scholarly footing, including peer-review and MOO conference participation as part of each thematic-based “issue” or site produced. All Romantic Circles materials are peer-reviewed, of course, but we add this by way of indicating that we would work to ensure that people’s work “published” and discussed in this site will be adequately valued by their home institutions.

Leaders would serve as editors of thematically named issues within the Pedagogy Commons. For example, we could imagine a special issue called “Wordsworth’s Pedagogy,” or, say, one on Romantic Ecology. We had originally planned to launch the Commons with the theme “Romantic Women Writers,” asking in particular our continental associates how they teach British Romantic women writers. Those interested in helping to establish Romantic Pedagogy Commons as part of the RC Pedagogies section should contact us.

Laura Mandell
Ron Broglio
Tilar Mazzeo

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New Edition: Hemans’s The Sceptic

January 21st, 2004

Romantic Circles has just published The Sceptic: A Hemans-Byron Dialogue, edited by Nanora Sweet and Barbara Taylor, with Adriana Craciun as Consulting Editor and Andrew Elfenbein and Anne Hartman as Contributors.

This edition excavates the text and context of Felicia Hemans’s 1820 pamphlet-poem, The Sceptic. Neglected by Hemans’ pervious editors, this 550-line poem places her in direct contention with Byron over questions of doubt and belief in a time of personal and national uncertainty. Essays incorporated in the digital edition by Anne Hartman, Andrew Elfenbein, Barbara Taylor, and Nanora Sweet present Hemans’s inclinations toward philosophical and theological scepticism, her immersion in the topics and stylistic experiments of the day, and her challenges to Byronic genre, style, and theme. Featuring images, letters, and reviews, the edition includes a “guided tour” of the poem that follows its Sceptic’s “progress” through a cosmos spanning heaven and earth.

RC Eds.

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