Romantic Circles Blog

Romantic Circles is very pleased to announce a new volume in the Romantic Circles Praxis series, Robert Bloomfield: The Inestimable Blessing of Letters, edited by John Goodridge and Bridget Keegan.

Robert Bloomfield’s letters document one artist’s struggles (and sometimes his victories) to share his unique voice and vision; the online publication of his extant letters (a companion to this collection of essays) reveals new and exciting insights into Bloomfield the artist and the man.The essays included in this Praxis volume highlight and draw attention to aspects of Bloomfield’s literary production that would likely not be possible without the full access to his letters that the edition provides, and make a strong case for why Bloomfield continues to be worthy of study.They suggest how much more remains to be said about this prolific poet.

This volume makes use of the previously published edition at Romantic Circles, The Letters of Robert Bloomfield and His Circle, edited by Tim Fulford and Lynda Pratt. This edition of Bloomfield”s Collected Letters constitutes every known letter by Bloomfield himself, plus a selection of the letters sent to him by literary correspondents and those exchanged between members of his circle.

We are pleased to announce the second part of an eight-part electronic edition of the Collected Letters of Robert Southey. Part Two is edited by Lynda Pratt and Ian Packer.

Robert Southey, as many of our readers know,  was one of the best-known, controversial and innovative writers in late eighteenth- and early nineteenth-century Britain. Based upon extensive new archival research, this Collected edition makes available for the first time all his surviving letters, freshly edited, annotated and introduced.

Part One covers 1791-1797, turbulent years which saw the forging of Southey’s career and reputation, his involvement in radical politics, and the beginning of his friendships with Wordsworth and Coleridge.

Part Two, which covers 1798-1803, includes his public and private responses to Lyrical Ballads (1798); his reaction to the rise of Napoleon and the continuing conflict between Britain and revolutionary France; his second and final visit to Portugal and the resultant hardening of his anti-Catholicism; his unhappy stint as a secretary to the Irish Chancellor Isaac Corry, and his emotional bludgeoning by the deaths in relentless succession between 1801-1803 of three Margarets, his cousin, mother and first child. Part Two comprises 596 letters, of which 199 are published for the first time, and 107 are published in full for the first time. In addition, 5 letters that appeared pseudonymously in the Monthly Magazine are here newly attributed to Southey.

A sample letter from Bloomfield's letters. The edition includes annotations; contextual materials, including a chronology, images, reviews, and selected poems by Bloomfield; indexes of the people and places mentioned in the letters; and an Introduction by Tim Fulford.

Romantic Circles is very pleased to announce the publication of a new electronic edition, The Letters of Robert Bloomfield and his Circle, edited by Tim Fulford and Lynda Pratt, with Associate Editor John Goodridge and Technical Editor Laura Mandell.

The Suffolk farmhand turned London shoemaker Robert Bloomfield was the most popular poet of the early nineteenth-century before Byron, admired not just for the authenticity that stemmed from his childhood experience as a rural labourer, but accepted as a master of narrative and versification—the living continuation of the Georgic and ballad traditions epitomised by James Thomson and Robert Burns. This edition of Bloomfield’s correspondence makes fascinating reading for anyone interested in what it was like to be a professional poet in the early nineteenth century.  Intimate, humorous, self-analytical, Bloomfield’s letters show from the inside what it was like to work in the rapidly expanding book market.  They reveal the power of the publisher, and show Bloomfield struggling, as Wordsworth and Clare also did, with gentlemen patrons who resented the independence that sales gave their protègés.   Throughout, they demonstrate Bloomfield’s difficulties in straddling the labouring-class culture from which he came and the polite culture of his readers and supporters.  This is partly a matter of what they discuss—work in garrets, poor relief, popular songs and political protest, for example. Bloomfield meets the radical shoemaker Thomas Hardy and converses with Hardy’s fellow-accused in the 1794 treason trials, John Horne Tooke; he also corresponds with Paine’s admirer Thomas Clio Rickman.

Invaluable resources for the social historian, like the memoirs of Francis Place and the more passing comments of William Blake, Bloomfield’s letters open up a world not recorded in print at the time, and absent from most twentieth-century histories.   With Clare and Rogers among his correspondents, and with Moore and Wordsworth among his admirers, Bloomfield emerges here as a writer who was for a while central to the poetic culture of the Romantic era. Intended as a resource for scholars of Bloomfield and of labouring-class writing, this edition includes an introduction and extensive editorial apparatus and features transcriptions of Bloomfield’s unpublished poems, critical remarks and children’s writings.  It incorporates over forty reproductions of illustrations to his poems (Bloomfield was one of the most heavily illustrated poets of the day).  Also collected are contemporary reviews of his poems and the texts of poems by his brothers George and Nathaniel.