July 2008

The carbon-free medium is the carbon-free message

Hi Everyone,

Click here for an account of a green videoconference I just did for ASLE UK (the Association for the Study of Literature and the Environment). Science has just done a piece about it.

It seems so obvious that in the future we will need to reconfigure conferencing so that their dates overlap! That way keynote speakers can be shared by videoconference without wasting carbon.

Polycom is a pretty neat, cheap application on the new pcs that supports excellent videoconferencing (better than Skype).

Advantages: saving money, carbon; getting 1+n lots of feedback for the price of one; no jet lag.

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Wilding and Roosting

Tim's reflections on Coleridge's mariner keep reminding me of Thoreau's willful essay "Walking": "I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil-to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society." We need precisely such a model of "wildness," a sentiment Thoreau echoed often throughout his writings. The word he emphasized was not "wilderness." He never said, "In wilderness in the preservation of the world," as more than 600 mistaken web-pages claim he did.

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The ecological thought, part fifth

Synethiaphobia: that's my Greek invention for “phobia of intimacy,” the basic feeling of The Rime of the Ancient Mariner. “I fear thee ancient Mariner! / I fear thy skinny hand! (4.224–225). Nothing excites synethiaphobia more than the horrifying vulnerability of Life-in-Death. Coleridge hits the synethiaphobic bullseye in part 3.

Pleasingly, synethiaphobia contains the word ethos, which here implies being-with, ethics at the profoundest level.

The ecological thought is, I claim, anti-synethiaphobic. In Lévinas's language, not “allergic” to the other.

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The ecological thought—mission statement

Hi Everyone.

Very kindly, Ron asked me to post a synopsis of my doings here. Writing it was very helpful.

I'm quite jazzed from having just come out of a theory class where I was teaching Althusser, so you may recognize some things Lacanian in here. But I hope I've made the language fairly obvious.

It was one of those happy classes when you allow yourself to think, hey, this critique thing might just be possible...

If you still want to find out more, go to my blog Ecology without Nature.

Here we go:

The ecological thought—mission statement
Timothy Morton

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Romantic Natural History

As Tim Morton and I have noted in our early posts for the new Romantic Circles blog (and as Tim argues so persuasively in Ecology Without Nature), we now need to rethink our uses of the word “nature” and its cognates, perhaps to the point where the very concept vanishes, not because it has “ended” (as Bill McKibben proposed in 1989) but because it now provides only a vague idea that is neither accurate nor useful. Likewise, the replacement of anthropocentrism with ecocentrism in the world we now inhabit becomes a necessity one we accept the fact that Heideggerian “building,” “dwelling,” and “thinking” (Bauen Wohnen Denken, 1951) keep us firmly planted in the nonhuman world even when we speak and write as humans. I prefer to think of us as “roosting” rather than dwelling, an idea I will take up in a subsequent post. But in recent years, these reflections have led me to create a hypertext resource, Romantic Natural History: see

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Animals in poetry

Tim Morton’s blog entries on Coleridge’s Rime have me thinking about animals and representation. Does an animal depiction in a fable or allegory retain some trace of its animal referent-sign’s animality? Or, put differently, can animals be used in such a way that their animal nature is eradicated and they become fable as such? Can their materiality, that sublime ‘other side’ of the metaphorical equation, be supplanted by cultural reference—reference toward a human moral, political dispute, event, and so on? What then of Akira Lippit’s intriguing Freudian notion of “animetaphor”:

The animal world opens up behind the dreamwork, establishing a kind of originary

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The ecological thought, part fourth

We hailed it in God's name.

(Samuel Taylor Coleridge, The Rime of the Ancient Mariner, 1.66)

We made it! And, as you probably guessed, we're going to look at the various significances of “hailing,” not to mention “in God's name.” This means getting busy with Heidegger and Lévinas.

Note that the Albatross is still an “it.” (See my previous posts for analysis.)

On the shelf above my computer a printout from the Oxford English Dictionary has been sitting since February 2005. It's a printout concerning the word “Hello.” Yes, I've been meaning to think this through for three and a half years! Thank you, Romantic Circles!

Here's the second edition of the Oxford English Dictionary: “An exclamation to call attention; also expressing some degree of surprise, as on meeting any one unexpectedly.”

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The ecological thought—an infinite interlude

Cantor set

I've been writing a bit about infinity, so I thought it might be good to take a step aside and look at this some more.

Imagine a line. Now remove the middle third. You have two shorter lines with an equal-sized space between them. Now remove the middle thirds of the two lines you have left. Keep going!

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