Romantic Circles is delighted to announce the publication of a new volume in its Praxis series: Visuality's Romantic Genealogies, edited by Theresa M. Kelley and Jill H. Casid.
The volume is dedicated to both excavating the Romantic genealogies of visuality and charting directions for the ways in which the study of Romantic visual culture may redraw the geographic, temporal, and disciplinary bounds of Romanticism, bringing diverse, and in some instances new, objects and their ethical, political, and aesthetic stakes into view. The essays investigate three broad inquiries: 1) technologies of vision and objectivity’s slippages; 2) the indigenous or transplanted fruits of visuality’s New World Genealogies and 3) the role of proto-photography, panopticism, and slavery in the spectral formation of Romantic visuality. Emphasizing the ways we interpret visuality in romantic culture, the volume invites reconsideration of media, practices, and discourses that would seem to belong to earlier and later periods—from the artifacts and modes of viewing attached to curiosity and to technologies and ways of imaging and imagining that have become aligned with photography and the digital. The volume includes an editor's introduction by Theresa M. Kelley and Jill H. Casid, with essays by Sophie Thomas, Marcus Wood, Matthew Francis Rarey, Kay Dian Kriz, and Lucy Kamiko Hawkinson Traverse.
You can find Visuality's Romantic Genealogies here: http://www.rc.umd.edu/praxis/visualities/