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British Academy Symposium: "Romanticism and Science"

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The British Academy is hosting a one-day symposium on "Romanticism and Science," in association with the British Association for Romantic Studies to be held on 15th September 2006 at the British Academy, 10 Carlton House Terrace, London, SW1. All are welcome.

In the past, Romanticism has been seen as opposed to science, held as promoting the transcendental and otherworldly above the material and physical. This symposium seeks to interrogate this view, exploring a time before the sciences and the arts had been divided into "two cultures." Science pervaded every aspect of Romantic life and literature, as the secondary object of exploration detailed in travel narratives, the emergence of new print technologies, the use of anatomy in religious arguments for evidence of Design in nature, or physiological accounts of the effects of an encounter with the sublime in aesthetic theories. The speakers in this symposium will challenge traditional notions of Romanticism, revealing that even the most canonical Romantic writers were aware of and interested in scientific knowledge and discoveries.

9.30-10am: Registration and Tea/coffee

10-11am: Professor Richard Holmes (FBA, University of East Anglia),
'Scientific discovery and the poets'

11am-12pm: Dr Neil Vickers (King's College, London), 'Carcase Coleridge or
Coleridge and the rhetoric of the eighteenth-century medical case'

12-1pm: Lunch

1-2pm: Dr Sharon Ruston (University of Wales, Bangor), 'Natural Rights and
Natural History'

2-2.30pm: Tea/coffee

2.30-3.30pm: Professor Peter Kitson (University of Dundee), 'The Limits of
the Human: Frankenstein, Anatomy and Racial Science'

3.30-4.30pm: Professor Timothy Fulford (Nottingham Trent University), 'The
Anatomy of Racism: What Natural History Saw in Native People's Skulls'

Organiser: Sharon Ruston, University of Wales, Bangor

To register for this event, please contact:
The Meetings Department
Telephone: 020 7969 5246
For further details and to book, please refer to

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CFP: "The British Periodical Text, 1796-1832"

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Centre for Romantic Studies, University of Bristol

Plenary Speakers: Gregory Dart (University College London), John Strachan
(University of Sunderland), Tim Webb (University of Bristol)

A one-and-a-half-day conference organized by the Department of English, taking place in Bristol on Thursday 28th and Friday 29th September, 2006.

"Is there no stopping the eternal wheels of the Press for half a century or two, till the nation recover its senses? Must we magazine it and review [it] at this sickening rate for ever? Shall we never again read to be amused? but to judge, to criticise, to talk about it and about it": "Lepus" (Charles Lamb), "Readers Against the Grain," The New Times (January, 1825).

We welcome papers discussing any aspect of magazine publication during a period marked by a highly prolific, competitive, and innovative milieu.

Subjects could include: the city, the country, and the periodical; modes and uses of advertising; the general cultural status of the periodical; juxtapositions of worded and visual texts; cartoons and satire; travel writing and foreign correspondence; the commercial and other implications of technological innovation; inter-periodical rivalries and disputes; reporting the war; the periodical and reform; sport and leisure and the periodical; the critical issues surrounding periodical texts later revised for book-publication.

Proposals for 20-minute papers are now invited, from new scholars and established academics alike. These proposals should take the form of a title and 200-word abstract and should be submitted electronically to Simon Hull at: in the body of an email or as an attachment in .doc format. Please include institutional affiliation and position in the body of the text.

Deadline for submission: 30 June, 2006

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Turner Watercolor breaks record

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A J.M.W. Turner watercolor, "The Blue Rigi: Lake of Lucerne, Sunrise," has sold at auction for £5.832m--a record for a British watercolour. The painting was sold to an anonymous telephone bidder at Christie's in London.

(from BBC News)

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Tate Britain: Constable, The Great Landscapes

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A new exhibit at Tate Britain opens this month and runs through August 28, 2006: "Constable, The Great Landscapes."

"This major exhibition offers the first opportunity to view John Constable's seminal six-foot exhibition canvases together. The 'six-footers' are among the best-known images in British art and comprise the famous series of views on the river Stour, which includes The Hay Wain (1820–21), as well as more expressive later works such as Hadleigh Castle (1829) and Salisbury Cathedral from the Meadows (1831)."

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'Wild Irish Girls': A bicentenary conference to mark the publication of Sydney Owenson’s (Lady Morgan) The Wild Irish Girl and Maria Edgeworth’s Leonora. To be held at Chawton House Library on the 20th & 21st July 2006.


Professor James Chandler, University of Chicago, ‘Edgeworth and the Edgeworthians’.

Ms Norma Clarke, ‘Laetitia Pilkington: The Original Wild Irish Girl’.

Dr Claire Connolly, Senior Lecturer, Cardiff University, ‘Theorising affectivity in Irish Romanticism’.

The event will take place at Chawton House Library, the centre for the study of early women’s writing, which holds first editions of both novels, as well as many other editions of works by Edgeworth and Owenson. It is jointly organised by Chawton House Library and the English Department at the University of Southampton.

CONFERENCE FEES: Full-time employed: £120 / Student, retired, unwaged: £65.

Accommodation is available at an additional cost. Details will be on the Registration Form.

BOOKING DEADLINE: 23 June 2006. Please contact: Kathy Quinn at Chawton House Library:

T: +44 (0)1420 541010

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CFP: "Up-To-Date With a Vengeance"

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Inspired by Bram Stoker's innovative narrative forms and themes in Dracula--and in particular by Jonathan Harker's statement in his journal that he is witnessing the "nineteenth-century up-to-date with a vengeance"--this conference will explore the thoroughly modern forms of communication, technological development, and scientific discovery that emerged in the period.

This conference will explore the thoroughly modern forms of communication, technological development, and scientific discovery that emerged in the period. We also encourage investigations of twenty-first century scientific and technological legacies and media representations of nineteenth-century subjects.

* Inventions: Telegraphs, Electric Lights, Typewriters, Railroads and Other New Forms of Transportation
* Print Culture: Scientific Periodicals, Political Pamphlets, Illustrated Newspapers, and Penny Magazines
* The "Pseudo-Sciences": Phrenology, Physiognomy, and Eugenics
* Technology and Empire
* Amateur Scientists, Scientific Tourism, and Collectors
* Botany and Geology; Darwin and Evolution Controversies
* Innovation and Popular Entertainment; Photography, Magic Lantern Shows, and Moving Pictures
* Gendered Uses of Technology
* Science Fiction; Responses to "Modernity" in Literature and Art
* Nursing, Medicine, and Psychology
* The "Nineteenth-Century Up-to-Date" in Recent Film and Fiction

Longer versions of INCS conference papers are regularly published in the affiliated Nineteenth-Century Contexts: An Interdisciplinary Journal.

Send 250-500 word abstracts in .pdf or .doc format by December 1, 2006 to

Please include your name, institutional affiliation, and contact information within that document, as well as within the body of your email.

For more information, see the conference Website.

Questions? Please contact

ORGANIZERS (at the University of Missouri-Kansas City):
Jennifer Phegley and Daniella Mallinick

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Conference: Home and Abroad; Transnational England, 1750-1850

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"Home and Abroad: Transnational England, 1750-1850," A One-Day, Summer Conference at Oxford University, Friday, 28 July 2006

Invited Speakers Include:
Fiona Stafford (Somerville College, Oxford University)
Michael Eberle-Sinatra (Université de Montréal)

This interdisciplinary conference aims to examine discourses between England and other countries from 1750-1850 through the lens of the national and the global. ‘Home and Abroad: Transnational England’ invites discussions concerning the formation of English identity or ‘Englishness’ through its distinction from and dialogue with other nations. In addition, it asks us to consider the role, influence, and representation of foreign cultures in England. Further, it offers the opportunity to understand how distinctions between England and other nations collapsed, as multinational cultural, ideological, political, and commercial trends merged, were filtered, and dispersed.

Papers are not limited to literary investigations, but their relevance for the study of literature between 1750 and 1850 should be addressed.

We invite abstracts for 20-minute papers on any topic pertaining to “Home and Abroad: Transnational England.” Possible topics may include:

Art, Architecture, Landscape
Sculpture, Paintings, Cathedrals, Palaces, Factories, Gardening, Design,

History, Politics and Society
Reform Movements, Revolution, State Constitutions, Trade, Slavery, Colonialism, Gender, Fashion, Conduct, Education, Journalism, Media, Theaters, Museums, Migration, Travel,

Literature and Drama
Sensibility, Sentimentality, Nature, Self, Poetic Genius, Theatre, Performance, Performativity, Novels, Poetry, Literary Criticism,

Empiricism, Idealism, Aesthetics, Common Sense, Rationalism, Skepticism,

Religion & Theology
Religious Dissent, Anglicanism, Methodism, Pietism, Unitarianism, Calvinism, Catholicism …

Please submit proposals via email (no more than 300 words) by Friday, 26th May to both of the conference organizers:

Monika Class (Balliol College, Oxford University)


Terry F. Robinson (University of Colorado at Boulder)

Conference Web Page:

Sponsored by the Oxford University English Faculty.

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Conference: Romantic Spectacle

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7-9 July, 2006

Centre for Research in Romanticism, Roehampton University, London, in association with The Centre for Romantic Studies, University of Bristol

Venue: Roehampton University, London

Registration forms are now available for the forthcoming Romantic
Spectacle Conference at:

Plenary papers:

Professor Iain McCalman, 'De Loutherbourg, Beckford and the Virtual
Saturnalia of 1781'

Professor Saree Makdisi, 'The Fading Spectacle of the Orient'

Professor John Barrell, 'Radicalism, Visual Culture and Spectacle in the

Professor Anne Janowitz, 'Skygazing in London: Spectacular Nights'

To register or for further information log onto:


J Halliwell,
Research Assistant,
Centre for Romantic Studies,
University of Bristol.

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CFP: Romantic Textualities

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Romantic Textualies: Literature and Print Culture, 1780-1840
(formerly Cardiff Corvey: Reading the Romantic Text)

Call for Papers:

As of Issue 15, Cardiff Corvey: Reading the Romantic Text carries the new title Romantic Textualities: Literature and Print Culture, 1780-1840, in order to reflect its widening remit and international presence. Romantic Textualities is a fully peer-reviewed academic journal, which appears on a biannual basis in the Summer and Winter of each year. This periodical is only as substantial as the material it contains: therefore, we more than welcome any contributions that members of the academic community might wish to make.

Romantic Textualities carries 3 types of submitted publications:

Articles we would be most interested in publishing include those addressing Romantic literary studies with an especial slant on book history, textual and bibliographical studies, the literary marketplace and the publishing world, and so forth. Submissions for articles (5-8,000 words) should be sent to the Editor (

We also supply reports on ongoing research, in the form of author studies, snapshots of research, bibliographical checklists, and so on. This material is not peer-reviewed, but provides a useful platform for scholars to disseminate information about their collaborative or individual research projects. Submissions for reports should be sent to the Editor (

As of Issue 15, the journal carries reviews of recent publications relating to Romantic literary studies. In the first instance, publishers of suitable texts or potential contributors should contact the Reviews Edito (

Any essays supplied for prospective publication will be seriously considered, undergoing a process of assessment by members of the Romantic Textualities Advisory Board: Peter Garside (Chair, Edinburgh); Jane Aaron (Glamorgan), Stephen Behrendt (Nebraska), Emma Clery (Sheffield Hallam), Benjamin Colbert (Wolverhampton), Ed Copeland (Pomona College), Caroline Franklin (Swansea), Isobel Grundy (Alberta), David Hewitt (Aberdeen), Gillian Hughes (Stirling), Claire Lamont (Newcastle), Robert Miles (Stirling), Rainer Schoewerling (Paderborn), Christopher Skelton-Foord (Durham), Kathryn Sutherland (Oxford).

You can see the latest issue of Romantic Textualities (no. 15, Winter 2005) online by visiting
Anthony Mandal (Editor)


Dr A A Mandal ( )

Centre for Editorial & Intertextual Research, Cardiff School of
English, Communication and Philosophy, Cardiff University, Humanities
Building, Colum Drive, Cardiff CF10 3EU (

'Cardiff Corvey: Reading the Romantic Text' [ISSN 1471-5988]

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Samuel Palmer at the Met

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Exhibtion at New York's Metropolitan Museum: "Samuel Palmer (1805-1881): Vision and Landscape." March 7-May 29, 2006.

An audio file on the exhibit is available here.

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