Romantic Circles Blog

New at Romantic Circles: Wat Tyler

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Romantic Circles is very pleased to announce a new electronic edition of Robert Southey's historical dramatic poem about the 1382 Peasants' Rebellion, Wat Tyler. This important play was written in 1794, at an important moment politically, but remained unpublished until 1817, when a series of pirated editions appeared, printed by publishers intent on embarrassing the now-Poet Laureate Southey. The subsequent public legal battles over the work's publication and its extremely partisan reception make it worth studying, both as an example of early Romantic drama and as an episode in the political upheavals that followed Waterloo. The electronic edition was produced by a team of graduate students** at the University of Maryland, College Park under the guidance of Neil Fraistat. Matthew Hill oversaw the project through most of its stages. Michael Gamer (U Penn) stepped in to provide final assistance, reworking and finishing the project, expanding and rewriting its content.

**General Editors: Anne Benvenuto, Eric Berlatsky, Matthew Hill, Lisa Delucia Lewnes, Erin Sadlack, Ingrid Satelmajer. Contributing Editors: Claudia Bowe and Jonna Perillo.

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Romantic Circles Redesigned

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The Romantic Circles Website is pleased to announce officially what many of you will have noticed already--our new site design, the fine work of Site Manager Joseph Byrne and the first complete redesign since 1996. Click on the logo above, visit the site, and send us your feedback.

Besides the new look, you'll notice some organizational changes, including the recent addition of the already-announced Pedagogies section, under the editorship of Ron Broglio, Laura Mandell, and Tilar Mazzeo. This exciting new section, along with this blog--now a year old--adds new kinds of content to the Website and also takes over most of what was formerly under the heading of Features & Events (Editors' Dispatches, for example, which was in many ways the prototype for this blog.) The former Publications section is now superseded by a new Bibliographies section, under the editorship of Kyle Grimes and the Electronic Editions section is now under the editorship of Tilar Mazzeo. Other frequently-updated sections, such as Romantic Circles Praxis and Romantic Circles Reviews, as well as the Villa Diodati MOO, remain under the able direction of their wonderful section editors, Orrin Wang, Jeff Cox, Charles Snodgrass, Jeff Ritchie, and Ron Broglio. Among the features of the new design are two prominent "circles" for displaying and linking to forthcoming and new materials.

The General Editors
Romantic Circles

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Keats-Shelley Association of America Grants

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This notice came today courtesy of Doucet Fischer of the Keats-Shelley Association of America:

As in previous years, The Keats-Shelley Association of America will award two Carl H. Pforzheimer Jr. Research Grants of $2,500 each this year to advanced graduate students, independent scholars, or untenured faculty members pursuing research on British Romanticism and literary culture between 1789 and 1832, with preference given to projects involving authors and subjects featured in the Keats Shelley Journal Bibliography. The deadline is 1 November 2004. Further information and application forms may be obtained at the KSAA Website, or applicants may write to Grants Committee, Keats-Shelley Association of America, Inc., New York Public Library, Room 226, 476 Fifth Ave., New York, NY 10018-2788.

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Romulus Linney to give Marchand Lecture

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The Byron Society of America is pleased to announce that the playwright Romulus Linney will deliver the 5th Annual Leslie A. Marchand Memorial Lecture at the University of Delaware on Friday, 8 October 2004, at 4:00 p.m. A reception for all in attendance will follow from 5:15 until approximately 7:30 p.m.

(note: previously, this entry reported the date erroneously as 8 September. The correct date is 8 October.)

Many of you know Romulus Linney as the author of the successful play "Childe Byron," and some of you will recall that he and his daughter, the actress Laura Linney, read a scene from that play at the Hofstra Byron Conference some years ago. Linney's lecture will be "My Life with Byron."

The Theatre Conference recently offered the following summary of Linney's career:

Romulus Linney is the author of three novels, and five anthologies of over forty plays, staged throughout the United States and abroad. They include The Sorrows of Frederick, Holy Ghosts, Childe Byron, Heathen Valley and "2". They have won two Obie Awards, two National Critics Awards, three DramaLogue Awards, fellowships from the NEA, Rockefeller and Guggenheim Foundations, and both the Award in Literature and the Award of Merit Medal for Drama from the American Academy of Arts and Letters, to which he was elected in 2002. He is also the reciptient of the 2003 Edward Albee Last Frontier Playwright Award. He is also a member of the American Academy of Arts and Sciences and has taught at many universities, including the Universities of North Carolina, Princeton, Columbia, and the Actors Studio Drama School at The New School University. He holds Honorary Doctorates from Oberlin College, Appalachian State University, and Wake Forest University. He lives in New York City and Germantown, NY.

Charles E. Robinson, Executive Director
The Byron Society of America
robinson@udel.edu

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SoHo Rep Production of Frankenstein

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It has just been announced that Soho Rep theater company in New York in conjunction with the Brooklyn troupe, The Flying Machine, will co-present a new theatrical adaptation of Mary Shelley's Frankenstein, to run Dec. 9, 2004-Jan. 8, 2005. The treatment was written by Joshua Carlebach, and the show was developed during a July 24–26, 2003, workshop. The production will make use of mime, dance, music, puppets and props.

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4 August 1792

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On yesterday's date in 1792 Percy Bysshe Shelley was born in Sussex. See this review by Nora Crook of The Shelleys of Field Place, as well as an earlier Romantic Circles Editors' Dispatch column by the book's author. In textual commemoration, Neil Fraistat makes available the following opening stanzas of Queen Mab, Canto IX (a sneak preview of Volume II of The Complete Poetry of Percy Bysshe Shelley, now at press, to be published in December), which imagine nothing less than the utopian renovation of the world.

O happy Earth! reality of Heaven!
To which those restless souls that ceaselessly
Throng through the human universe, aspire;
Thou consummation of all mortal hope!
Thou glorious prize of blindly-working will! 5
Whose rays, diffused throughout all space and time,
Verge to one point and blend forever there:
Of purest spirits thou pure dwelling-place!
Where care and sorrow, impotence and crime,
Languor, disease, and ignorance dare not come: 10
O happy Earth, reality of Heaven!

Genius has seen thee in her passionate dreams,
And dim forebodings of thy loveliness
Haunting the human heart, have there entwined
Those rooted hopes of some sweet place of bliss 15
Where friends and lovers meet to part no more.
Thou art the end of all desire and will,
The product of all action; and the souls
That by the paths of an aspiring change
Have reached thy haven of perpetual peace, 20
There rest from the eternity of toil
That framed the fabric of thy perfectness.

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NASSR 2004 in Colorado (reminder)

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This seems a good time to post a reminder of the NASSR 2004 conference, "Romantic Cosmopolitanism," to be held at the University of Colorado, Boulder, 9-12 September 2004. The conference Website contains a program, registration form (which must be printed out and mailed), and information on lodging, special events, etc.

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Holmes to edit Gilchrist on Blake

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Gilchrist on Blake, a new edition of the 1863 Life of William Blake by Alexander Gilchrist, will be published by Harper Collins in August, edited by biographer Richard Holmes.

This is from the description on the Harper Collins Website:

. . . the first biography of William Blake ever written, at a time when the great visionary poet and painter was generally forgotten, ridiculed or dismissed as insane. Wonderfully vivid and outspoken (one chapter is entitled ‘Mad or Not Mad’), it was based on revealing interviews with many of Blake’s surviving friends. . . . Gilchrist adds detailed descriptions of Blake’s beliefs and working methods, an account of his trial for high treason and fascinating evocations of the places in London, Kent and Sussex where he lived. The book transformed Blake’s reputation.

Last spring the Guardian printed an excerpt from Holmes' introduction, which is available here.

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Blue Plaque unveiled for Mary Wollstonecraft

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Author Claire Tomalin recently unveiled another blue plaque to honor the Godwin-Shelley circle, this time Mary Wollstonecraft, who lived at number 45 Dolben Street in London in 1788.

See a brief story and a series of pictures on the London SE1 community Website:

http://www.london-se1.co.uk/news/view.php?ArtID=1084

You can compare here another post on this blog about a recent blue-plaque ceremony to honor her daughter.

* * *

On this day in 1822 Percy Shelley drowned off the coast of Lerici, a fact that made it on to several "on this day" lists on the Web for today.

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Blake Archive: Visions of the Daughters of Albion

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The William Blake Archive is pleased to announce the publication of electronic editions of Visions of the Daughters of Albion, copy A (British Museum) and proof copy a (Library of Congress). Like all the illuminated books in the Archive, both the texts and images of these new publications are fully searchable and are supported by our Inote and ImageSizer applications.

Like copies C and J, previously published in the Archive, copy A was produced in Blake's first printing session for Visions in 1793. Probably to lend variety to his stock of copies on hand, Blake used three ink colors in this first printing: yellow ochre (as in copy A), raw sienna (copy C), and green (copy J). All three copies exemplify his use of semi-transparent washes to color his illuminated books in the early 1790s. Like several other illuminated books in the British Museum collection, the leaves of copy A are mounted close to the image in windows cut in thick paper. The inner edges of these mounts appear in some of our reproductions.

Proof copy a is an unusual, and probably fragmentary, remnant of Blake's typical proofing of his illuminated prints in black ink (which takes on a brownish hue when thinly printed). This group of just 6 proofs was printed in 1793; they are probably the earliest extant impressions of Visions of the Daughters of Albion. All but the frontispiece and title page have been trimmed within the platemarks to the designs only. Blake very probably printed the entire plates, to check the progress of his work, and a later owner was responsible for trimming off the texts. Yet, even if reduced after they left Blake's hands, these impressions offer a glimpse into his etching and printing methods.

Morris Eaves, Robert N. Essick, and Joseph Viscomi, editors
Andrea Laue, technical editor
The William Blake Archive

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