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_Blackwood's Edinburgh Magazine_ Review of _Valperga_, March 1823, Feb 18, 1826

March, 1998
Blackwood's Edinburgh Magazine, XIII (March 1823), p. 283-293.
Review of Valperga

Valperga; or the Life and Adventures of Castruccio, Prince of Lucca. By the Author of "Frankenstein." In Three Volumes. London: Printed for G. and W.B. Whittaker, Ave-Maria-Lane. 1823.

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Newman, "Introduction: A History of Transatlantic Romanticism"

Newman argues that Romanticism was a definitively international cultural movement, and that most literary scholarship examining the period has been deformed by rigid disciplinary boundaries that follow national borders. While early scholars of Transatlantic Romanticism either overemphasized literary nationalism or attempted to argue it out of existence, a third wave, including Richard Gravil and Paul Giles, has emerged that sets a new standard for empirical cultural analysis, freed of nationalist distortions but closely attentive to the power of nationalism as one of the most fundamental structures of identity during the Romantic century. The essays in Sullen Fires Across the Atlantic show that Romanticism was a complex and multivalent response to the combined and uneven rise of capitalist social relations around the Atlantic Rim. This essay appears in _Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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Almeida, "London-Kingston-Caracas: The Transatlantic Self-Fashioning of Simón Bolívar"

This article argues that transatlantic readings of Romanticism must go beyond the limits imposed by a monolingual, Anglophone definition of the transatlantic. An analysis of the bilingual presentation of Simón Bolívar's persona and writings for a London public in publications such as the Jamaica Gazette, Variedades, and the New Monthly Magazine shows how this amplified notion of the transatlantic helps us better understand Britain's political and literary interests in the Americas. This essay appears in _Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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Van Kleeck, "Editioning William Blake's VALA/The Four Zoas"

In this article, I examine the editorial history of Blake's VALA/Four Zoas manuscript in order to show how individual editors have influenced our understanding of the work through their editorial biases and their editions. I argue that we must make such critical examinations of editions when using them. Finally, I discuss how electronic editions provide more freedom and more critical methods for engaging with Blake's work. This essay appears in _Editing and Reading Blake_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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Lee & McGhee - "'The productions of time': Visions of Blake in the Digital Age"

Our article discusses the preparation of an electronic edition of Blake's manuscript, An Island in the Moon, in the context of collaborative editing and digital humanities scholarship. As project assistants on the William Blake Archive, we have been forced to reconsider the reader of Blake as a user in a new digital landscape in which manuscript images, digital transcripts, and editorial annotations can appear simultaneously--or not, as the user chooses. In this complex electronic environment, we strive to offer the reader/user flexibility and sustainability while maintaining the editorial policies of the Blake Archive. This essay appears in _Editing And Reading Blake_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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