Robert Miles, Romantic Misfits (New York: Palgrave Macmillan, 2008). 256pp (Hdbk., $75.00; ISBN: 9781403989932).
SUNY Empire State College
Robert Miles’s Romantic Misfits is an erudite, far-ranging reconsideration of Romanticism that cleverly fuses both old and new conceptualizations of the period. Miles recuperates a more conservative (in more than one sense) reading of Romanticism, returning to older sites of scholarly interest in order to defamiliarize them with recent work on theatre, science, and hitherto unrecognized writers and genres. Miles writes for an advanced audience familiar with major theorists, scholars, and arguments within Romantic studies. Even graduate students may find portions of Romantic Misfits difficult to parse without aid, especially the discussion of Coleridge’s Biographia Literaria and its political context (which arrives with minimal explanation), or the ongoing presumption that the reader has internalized the thought of Jürgen Habermas as fully as Miles. This is not to say, however, that Romantic Misfits is an abstruse, arcane book—at its best, the prose is lucid, even lyrical.