Edoardo Zuccato, Coleridge in Italy. New York: St. Martin's Press, 1996. xix + 256pp. $55.00 (Hdbk; ISBN: 0-312-16572-2).
Morton D. Paley
University of California, Berkeley
This erudite and valuable study should really have been called Coleridge and Italy, for it does not attempt to re-chronicle Coleridge's time south of the Alps but instead breaks new ground in studying Coleridge's intellectual relation to Italian poetry, art, philology, and philosophy. Contesting the view that among foreign cultures Germany alone was significant for Coleridge, Zuccato shows that Italy ran a surprisingly strong second when all the aspects of its importance to him are considered. He argues that while Byron and Shelley reversed the values of the British view of Italy, they did so within the traditional binary system, with the "pagan" South now positively valorized. Coleridge's Italy, in contrast, was "Christian, Platonic, sublime." The subject matter itself is divided into "internal" and "external" history, referring to "the influence Italian culture exerted in Coleridge's intellectual life" and "Coleridge's place in the history of Anglo-Italian literary relationships."