Samuel Lyndon Gladden, Shelley's Textual Seductions: Plotting Utopia in the Erotic and Political Works. Studies in Major Literary Authors Series. New York: Routledge, 2002. xviii + 351pp. $90.00 (Hdbk; ISBN: 0-415-93702-7).
Samuel Lyndon Gladden's Shelley's Textual Seductions itself presents a seductively engaging study of the political implications of Shelley's major "erotic" works, including Oedipus Tyrannus, The Cenci, Julian and Maddalo, Epipsychidion, Laon and Cythna, and Prometheus Unbound. Throughout the book, Gladden demonstrates how Shelley's "processes of textual seduction model political strategies for displacing larger oppressive social structures" (xvi ). "Time and again," Gladden states, "Shelley stages the erotic as a device for renegotiating power and privilege, so that every context in which the erotic figures must be understood as a resolutely political one" (xvii). Acknowledging that the erotic has traditionally been associated with the apolitical and private, Gladden draws upon a "range of interpretive strategies" (xv) as well as an impressive range of critical authorities, to reveal the ways in which, for Shelley, the physical (or public, exterior world) and the psychological (or private, interior world) "dissolve into a radical contingency" (xvi). Shelley's dissolution of boundaries between the private and the public, which Gladden playfully and appropriately terms "ooziness," expresses at once the most definitive characteristic of the erotic while exploiting its subversive potential for exposing, and offering alternatives to, oppressive social relations. Gladden contends that Shelley, perhaps to avoid charges of treason, transposed "the language of radical politics into a discourse of eroticism," developing "a parallel language for the production of anti-hegemonic texts [which enabled him] to speak about political engagements even amidst seemingly apolitical retreats to pleasure, love, and aesthetics" (18).