University of Washington
In 2010, the Museum of Modern Art in New York hosted Marina Abramović’s performance, The Artist is Present. For seventy-five days, Abramović sat in a chair while a succeeding rotation of museumgoers sat parallel to the artist and gazed into her face. Some patrons stared at Abramović for hours at a time; meanwhile, no words were exchanged. How can we characterize this strange encounter between artist and audience?