New York

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42.3481810333

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-75.1889929444

Vol 7. No. 13 - Index

February, 2005

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Cardoso, "Children Playing by the Sea: the Dynamics of Appropriation in the Brazilian Romantic Novel"

For the romantics in nineteenth-century Brazil, who lived in a recently independent nation, the novel had the mission of creating a national identity. This identity, however, was intensely relational, being built up on the absorption of literary models generated in Europe, and on the playful appropriation of these models. This essay appears in _Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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LeFavour, "Acting 'Natural': Vanity Fair and the Unmasking of Anglo-American Sentiment"

Taking Vanity Fair's popular success in the United States as one of many signals that an enclosed body of American 'domestic fiction' is untenable, LeFavour takes Thackeray's mockery of the genre as a signal to reconsider the naivite of American readers and the American fiction they read. This essay appears in _Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (http://www.rc.umd.edu/), University of Maryland.

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Credits and Acknowledgements

October, 1997

Credits and Acknowledgements


The text of Mary Shelley's The Last Man used in this hypertext edition was digitized from microfilm of a copy of the first edition of 1826 in the Charles Deering McCormick Library of Special Collections, Northwestern University. Materials from the Keepsake were also taken from the set in this collection. For permission to use these materials (and for expert help and general encouragement), I wish to thank the Curator, R. Russell Maylone.

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Bibliography

October, 1997

Bibliography:

Works incorporated in the hypertext (and a selected list of works cited)


Alkon, Paul K. The Origins of Futuristic Fiction. Athens and London: University of Georgia Press, 1987.

Anonymous ("XB"). "The Last Man." Blackwood's Edinburgh Magazine. March 1826. 284-86.

Bebbington,A. G. "The Shelleys' House?" Notes & Queries 216 (May 1971), 163-65.

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