<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0"><teiHeader><fileDesc><titleStmt><title type="main">The Letters of Robert Bloomfield and His Circle</title><title type="subordinate">A Romantic Circles Electronic Edition</title><author><name>Robert Bloomfield (1766–1823)</name></author><editor>Tim Fulford</editor><sponsor>Romantic Circles</sponsor><respStmt><resp>General Editor, </resp><name>Neil Fraistat</name></respStmt><respStmt><resp>General Editor, </resp><name>Steven E. Jones</name></respStmt><respStmt><resp>General Editor, </resp><name>Carl Stahmer</name></respStmt><respStmt><resp>Technical Editor</resp><name>Laura Mandell</name></respStmt></titleStmt><publicationStmt><idno type="edition">letterEEd.25.289</idno><publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher><pubPlace>College Park, MD</pubPlace><date when="2009-06-09">July 9, 2009</date><availability status="restricted"><p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p><p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address><addrLine>Romantic Circles</addrLine><addrLine>c/o Professor Neil Fraistat</addrLine><addrLine>Department of English</addrLine><addrLine>University of Maryland</addrLine><addrLine>College Park, MD 20742</addrLine><addrLine>fraistat@umd.edu</addrLine></address></p><p>By their use of these texts and images, users agree to the following conditions: <list><item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item><item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item></list></p><p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p></availability></publicationStmt><sourceDesc><p>BL Add. MS 28268, ff. 338–39; published in Hart, p. 60</p><p>For permission to publish the text of MSS in their possession, the editors wish to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p><p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p></sourceDesc></fileDesc><encodingDesc><editorialDecl><quotation><p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p></quotation><hyphenation eol="none"><p>Any dashes occurring in line breaks have been removed.</p><p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard</p><p>Dashes have been rendered as —</p></hyphenation><normalization method="markup"><p>Bloomfield's spelling has not been regularized.</p><p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p></normalization><normalization><p>&amp; has been used for the ampersand sign.</p><p>£ has been used for £, the pound sign</p><p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p></normalization></editorialDecl><classDecl><taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g"><bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl><category xml:id="g1"><catDesc>Architecture</catDesc></category><category xml:id="g2"><catDesc>Artifacts</catDesc></category><category xml:id="g3"><catDesc>Bibliography</catDesc></category><category xml:id="g4"><catDesc>Collection</catDesc></category><category xml:id="g5"><catDesc>Criticism</catDesc></category><category xml:id="g7"><catDesc>Letters</catDesc></category><category xml:id="g6"><catDesc>Drama</catDesc></category><category xml:id="g8"><catDesc>Life Writing</catDesc></category><category xml:id="g9"><catDesc>Politics</catDesc></category><category xml:id="g10"><catDesc>Folklore</catDesc></category><category xml:id="g11"><catDesc>Ephemera</catDesc></category><category xml:id="g12"><catDesc>Fiction</catDesc></category><category xml:id="g13"><catDesc>History</catDesc></category><category xml:id="g14"><catDesc>Leisure</catDesc></category><category xml:id="g15"><catDesc>Manuscript</catDesc></category><category xml:id="g16"><catDesc>Reference Works</catDesc></category><category xml:id="g17"><catDesc>Humor</catDesc></category><category xml:id="g18"><catDesc>Education</catDesc></category><category xml:id="g19"><catDesc>Music</catDesc></category><category xml:id="g20"><catDesc>nonfiction</catDesc></category><category xml:id="g21"><catDesc>Paratext</catDesc></category><category xml:id="g22"><catDesc>Perodical</catDesc></category><category xml:id="g23"><catDesc>Philosphy</catDesc></category><category xml:id="g24"><catDesc>Photograph</catDesc></category><category xml:id="g25"><catDesc>Citation</catDesc></category><category xml:id="g26"><catDesc>Family Life</catDesc></category><category xml:id="g27"><catDesc>Poetry</catDesc></category><category xml:id="g28"><catDesc>Religion</catDesc></category><category xml:id="g29"><catDesc>Review</catDesc></category><category xml:id="g30"><catDesc>Visual Art</catDesc></category><category xml:id="g31"><catDesc>Translation</catDesc></category><category xml:id="g32"><catDesc>Travel</catDesc></category><category xml:id="g33"><catDesc>Book History</catDesc></category><category xml:id="g34"><catDesc>Law</catDesc></category></taxonomy><taxonomy corresp="people.xml/category[@xml:id='EE25names']"><category xml:id="people"><catDesc>Romantic Circles people: Bloomfield Letters</catDesc></category></taxonomy><taxonomy corresp="people.xml/category[@xml:id='EE25places']"><category xml:id="places"><catDesc>Romantic Circles places: Bloomfield Letters</catDesc></category></taxonomy></classDecl></encodingDesc><profileDesc><textClass><catRef scheme="#genre" target="#g7 #g27"/><catRef scheme="#people" target="#EEd.25.names"/><catRef scheme="#places" target="#EEd.25.places"/></textClass></profileDesc><revisionDesc><change who="#AB" when="2009-07-25" n="6"><label>Changed by</label><name>Averill Buchanan</name><list><item>changes from proofing a final time; new letter discovered and letters renumbered.</item></list></change><change who="#LM" when="2009-06-08" n="5"><label>Changed by</label><name>Laura Mandell</name><list><item>create image wrappers; run edition for last time through xslt.</item></list></change><change who="#AB" when="2009-04-30" n="4"><label>Changed by</label><name>Averill Buchanan</name><list><item>Proofing and TEI encoding of entire edition (further preliminary materials)</item></list></change><change who="#LM" when="2009-03-30" n="3"><label>Changed by</label><name xml:id="LM">Laura Mandell</name><list><item>XSLT Transforming</item></list></change><change who="#AB" when="2009-03-20" n="2"><label>Changed by</label><name xml:id="AB">Averill Buchanan</name><list><item>Proofing, re-coding letters, and TEI encoding of preliminary materials</item></list></change><change who="#KL" when="2008-10-03" n="1"><label>Changed by</label><name xml:id="KL">Kirstyn Leuner</name><list><item>TEI Encoding, first pass, all letters</item></list></change></revisionDesc></teiHeader><text><body><div n="289" type="letter"><head>289. Robert Bloomfield to <ref target="people.html#BloomfieldHannah">Hannah Bloomfield</ref>, <date when="1814-06-04">4 June 1814</date><note place="foot" resp="editors" type="headnote">BL Add. MS 28268, ff. 338–39; published in Hart, p. 60</note></head><opener><dateline rend="right"><date when="1814-06-04">June 4. 1814</date></dateline><salute>My dear Girl</salute></opener><p rend="indent1">	I am going to relate to you a very extraordinary dream from which I am yet scarcely awake, and which fills my mind with unspeakable delight. Methought that I was hurried away to London which I had so lately left, and told to sleep in an attick story in Fleet Street, and to visit half the Sugar Warehouses in Town, climbing up slimy stairs amidst treacle, Figgs, and Barrels of Raisins. Soon after I thought I was whirl'd away 'in the Spirit' to Rochester, and had to gaze from the top of the old Castle, and tried in vain to encompass the works at Chatham amidst a pouring rain! From hence I was compeld to ride or fly through a fog as blue as the smoke of Gunpowder, and was surrounded by tongues speaking every thing but what I understood. Nothing ran in my head but French prisoners, and that I was going with them to Dover! Cossacks in bearskings help'd to fill the crowded road before us, and I once for a moment, which is the case with other dreams, saw as plainly as I ever did awake, the tower of Canterbury Cathedral. After this, night seem'd to close in fast, and with my whole company I was destined to descend steep chalk hills, and go headlong into the Sea. It was in vain to expostulate with the palefaced Spectre who directed our course, I found myself surrounded by a hubbub of voices, and trunks of old clothes, (you know I am always busy in that way in my sleep) and the roar of the Sea-beach, mingled with loud discharges of immense Artillery place'd on Cliffs over our heads. I saw Queen Ann's pocket piece<note n="1" place="foot" resp="editors">See Letter 290 for a description of this artillery piece.</note> as plain as I ever shall, unless I see it when I am awake. My head soon after was full of Music, and I plainly and distinctly heard a band of Angels in Red coats on a Mountain in the Clouds, play on trumpets, the well-known tune 'All's Well'.<note n="2" place="foot" resp="editors">'All's Well: the favourite duett, sung by Mr. Incledon and Mr. Braham, in the comic opera of the English Fleet'.</note> I then saw the flash of Cannon from Ships of War in the Harbour, which were answerd from Stupendous heights by the thunder of Thirty two pounders, and a tripple fire of an Army placed on the beach, whose guns were all directed towards France!!! In short, nothing could excedd the strange scenes and feelings in my dream except the astonishment I felt when I awoke and actualy found myself alive and well at the King's head Inn, at Dover, where I am now writing with one hand and smoking with the other.! If I dare be certain that I am now awake, <ref target="people.html#WestonJoseph">Mr Weston</ref> is now in the room with me, writing to his sister.</p><p rend="indent1">	We hope to see Ramsgate and Margate, and to be home by next Thursday, but we expect to see the great visitors land here on Monday, when all the bustle will be renewd. Yon cannot write to me because after Monday we shall fly round the Coast like Sea-Gulls in search of what we can catch. Pray do not mention my Dream in your letters home, untill I can see you, or pass by you to <ref target="places.html#Shefford">Shefford</ref>.—</p><p rend="indent1">	God bless you, my dear life untill good fortune sends me to you again. These glorious scenes I wish to Heaven you could see, but it cannot be now.—</p><closer><salute rend="indent1">	Yours, with a Father's feelings</salute><signed rend="right">Robt Bloomfield</signed><address><placeName>Dorrevin's French Hotel</placeName></address><address><placeName>&amp; King's Head Inn.</placeName></address><address><placeName>Dover.</placeName></address></closer></div></body></text></TEI>