Gipsy Prince, "In here, in here—" Thomas Moore Editor, Frederick Burwick Technical Editor, Laura Mandell Technical Editor, Justin Tonra Romantic Circles General Editor, Neil Fraistat General Editor, Steven E. Jones 2012-10-12 Romantic Circles, http://www.rc.umd.edu, University of Maryland College Park, MD October 12, 2012

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 The Gypsy Prince Thomas Moore Frederick Burwick Technical Editor Justin Tonra. Encoding and Proofreading Deborah K. Wright Romantic Circles at the University of Maryland College Park Maryland May 1, 2011

Speaker element names have been regularised across this file and the Manuscript file, according to the names reproduced in the Dramatis Personae printed in the Historical Narrative: Don Roderic; Don Dominic; Gipsy Prince; Rincon; Old Jew; Alcaide; Alguazil(s); Officer(s); Messenger; Gipsies; Diego; Antonia; Poppee; Lachimee; Blanch; Alguazils, Peasants, Gipsies, etc. Note: the regularisation takes place only within speaker elements; it does not occur in the stage directions, text of the play or Dramatis Personae.

All dashes have been represented with an emdash: —, and surrounding whitespace has been deleted (except where dash is preceded by a full stop).

All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.

Incorrect and idiosyncratic spelling has not been regularised; instances are marked by a sic element.

 NINES categories for Genre and Material Form at http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on 2009-02-26 Architecture Artifacts Bibliography Collection Criticism Letters Drama Life Writing Politics Folklore Ephemera Fiction History Leisure Manuscript Reference Works Humor Education Music nonfiction Paratext Perodical Philosphy Photograph Citation Family Life Poetry Religion Review Visual Art Translation Travel Book History Law Deborah K. Wright TEI-encoded using P5 Justin Tonra Minor changes and corrections of Deborah K. Wright's initial encoding. Justin Tonra Some further changes: matter omitted from performance; editorial notes for illegible text; changes to cast list. Deborah K. Wright Some further changes, including adding to the cast list to account for the Chorus, other changes/comments in response to Justin's questions/comments. Justin Tonra One minor change - removing superfluous square brackets from transcription, and adding tags to deleted word. Justin Tonra Several minor changes: I have inserted corrections to the transcript that were identified by Deborah K. Wright after comparison against manuscript images. Justin Tonra Regularisation of speaker names, detailed above in normalization. Regularisation of dashes to em dashes. Detailed above in hyphenation. Justin Tonra Incorrect and idiosyncratic spellings from ms encoded with sic. Justin Tonra This file is a modification of the original 'gipsy_ms' file. The change consists of the removal of the dramatic text from the file, and the encoding of songs using parallel segmentation. The dramatic text is encoded in a separate file entitled 'gipsy_ms_drama,' which contains anchor elements for the songs.
Thomas Moore, The Gipsy Prince, A Comic Opera in Two Acts, Now Performing with Universal applause at the Theatre Royal, Haymarket, Compos'd & Selected by Michael Kelly (Printed for Michael Kelly, to be had at his Music Warehouse, No. 9 New Lisle Street, Leicester Square, & at all Music Shops [1801]). Thomas Moore, Songs, Duets, Trios, and Choruses, in the Gipsy Prince, a Musical Entertainment in Two Acts, first performed at the Theatre-Royal, Hay-Market, July 24, 1801. The Overture and Musick Composed and Selected by Mr. Kelly (London: Printed by T. Woodfall, Little Russell Street , Covent Garden, for Mssrs. Cadell and Davies in the Strand, 1801). The Gipsy Prince; or, The Loves of Don Sebastian de Nurillo, and the Fair Antonia, translated from the Spanish. By C. Moor, Esq. To which is added, The Corsair; or The Italian Nuptials. (London: J. Roach. 1801). 64pp. -- Front. dated Sept. 7, 1801. [BL shelfmark: 12330.e.37.(2.)].
Duett Gipsy Prince In here, in here— Hush, hush, they'll hear Antonia Yes, for thee too charming stranger, I could smile at every danger. Gipsy Prince 'Tis for me, a lonely stranger, Thou dost smile at every danger. Antonia Far, oh far, thy steps may wander Ere thou find a heart that's fonder. Gipsy Prince Far, oh far, my steps may wander Ere I find a heart that's fonder. Antonia No, no, whatever fate is thine, Thou canst not meet a love like mine— Gipsy Prince No, no, whatever fate is mine, I ne'er can meet a love like thine.