<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
	<teiHeader>
		<fileDesc>
			<titleStmt>
				<title type="main">Thoughts in Prison / Imprisoned Thoughts: </title>
				<title type="subordinate">Works Cited</title>
				<author>Rzepka, Charles J.</author>
				<sponsor>Romantic Circles</sponsor>
				<respStmt>
					<resp>General Editor, </resp>
					<name>Neil Fraistat</name>
				</respStmt>
				<respStmt>
					<resp>General Editor, </resp>
					<name>Steven E. Jones</name>
				</respStmt>
				<respStmt>
					<resp>Technical Editor</resp>
					<name>Laura Mandell</name>
				</respStmt>
			</titleStmt>
			<publicationStmt>
				<idno>poetryEEd.28worksCited</idno>
				<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
				<pubPlace>College Park, MD</pubPlace>
				<date when="2010-09-01">September 1, 2010</date>
				<availability status="restricted">
					<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any manner without
						authorization unless it is for purposes of criticism, comment, news reporting, teaching, and/or classroom use as provided by
						the Copyright Act of 1976, as amended.</p>
					<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the author/editor and may be
						shared only in accordance with the Fair Use provisions of U.S. copyright law. Except as expressly permitted by this statement,
						redistribution or republication in any medium requires express prior written consent from the author/editors and advance
						notification of Romantic Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
						<address>
							<addrLine>Romantic Circles</addrLine>
							<addrLine>c/o Professor Neil Fraistat</addrLine>
							<addrLine>Department of English</addrLine>
							<addrLine>University of Maryland</addrLine>
							<addrLine>College Park, MD 20742</addrLine>
							<addrLine>fraistat@umd.edu</addrLine>
						</address></p>
					<p>By their use of these texts and images, users agree to the following conditions: <list>
							<item>These texts and images may not be used for any commercial purpose without prior written permission from Romantic
								Circles.</item>
							<item>These texts and images may not be re-distributed in any forms other than their current ones.</item>
						</list></p>
					<p>Users are not permitted to download these texts and images in order to mount them on their own servers. It is not in our
						interest or that of our users to have uncontrolled subsets of our holdings available elsewhere on the Internet. We make
						corrections and additions to our edited resources on a continual basis, and we want the most current text to be the only one
						generally available to all Internet users. Institutions can, of course, make a link to the copies at Romantic Circles, subject
						to our conditions of use.</p>
				</availability>
			</publicationStmt>
			<sourceDesc>
				<biblStruct>
					<analytic>
						<title level="a">Thoughts in Prison / Imprisoned Thoughts: </title>
						<title level="a">Works Cited</title>
						<author>
							<persName>
								<forename>Charles</forename>
								<forename>J.</forename>
								<surname>Rzepka</surname>
								<addName type="loc">Rzepka, Charles J.</addName>
							</persName>
						</author>
					</analytic>
					<monogr>
						<title level="m">Thoughts in Prison</title>
						<editor>
							<persName>
								<forename>Charles</forename>
								<forename>J.</forename>
								<surname>Rzepka</surname>
								<addName type="loc">Rzepka, Charles J.</addName>
							</persName>
						</editor>
						<imprint>
							<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
							<pubPlace>College Park, MD</pubPlace>
							<date when="2010-09-01">September 1, 2010</date>
						</imprint>
					</monogr>
				</biblStruct>
			</sourceDesc>
		</fileDesc>
		<encodingDesc>
			<editorialDecl>
				<quotation>
					<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
				</quotation>
				<hyphenation eol="none">
					<p>Any dashes occurring in line breaks have been removed.</p>
					<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard</p>
					<p>Dashes have been rendered as —</p>
				</hyphenation>
				<normalization method="markup">
					<p>Spelling has not been regularized.</p>
					<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded in brackets.</p>
				</normalization>
				<normalization>
					<p>&amp; has been used for the ampersand sign.</p>
					<p>£ has been used for £, the pound sign</p>
					<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity decimals.</p>
				</normalization>
			</editorialDecl>
			<tagsDecl>
				<rendition xml:id="indent1" scheme="css">margin-left: 1em;</rendition>
				<rendition xml:id="indent2" scheme="css">margin-left: 1.5em;</rendition>
				<rendition xml:id="indent3" scheme="css">margin-left: 2em;</rendition>
				<rendition xml:id="indent4" scheme="css">margin-left: 2.5em;</rendition>
				<rendition xml:id="indent5" scheme="css">margin-left: 3em;</rendition>
				<rendition xml:id="indent6" scheme="css">margin-left: 3.5em;</rendition>
				<rendition xml:id="indent7" scheme="css">margin-left: 4em;</rendition>
				<rendition xml:id="indent8" scheme="css">margin-left: 4.5em;</rendition>
				<rendition xml:id="indent9" scheme="css">margin-left: 5em;</rendition>
				<rendition xml:id="indent10" scheme="css">margin-left: 5.5em;</rendition>
				<rendition xml:id="center" scheme="css">text-align: center;</rendition>
				<rendition xml:id="left" scheme="css">text-align: left;</rendition>
				<rendition xml:id="right" scheme="css">text-align: right;</rendition>
				<rendition xml:id="small" scheme="css">font-size: 12pt;</rendition>
				<rendition xml:id="large" scheme="css">font-size: 16pt;</rendition>
				<rendition xml:id="largest" scheme="css">font-size: 18pt;</rendition>
				<rendition xml:id="smallest" scheme="css">font-size: 10pt;</rendition>
			</tagsDecl>
			<classDecl>
				<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="genre">
					<bibl>NINES categories for Genre and Material Form at
						http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on 2009-02-26</bibl>
					<category xml:id="g1">
						<catDesc>Architecture</catDesc>
					</category>
					<category xml:id="g2">
						<catDesc>Artifacts</catDesc>
					</category>
					<category xml:id="g3">
						<catDesc>Bibliography</catDesc>
					</category>
					<category xml:id="g4">
						<catDesc>Collection</catDesc>
					</category>
					<category xml:id="g5">
						<catDesc>Criticism</catDesc>
					</category>
					<category xml:id="g7">
						<catDesc>Letters</catDesc>
					</category>
					<category xml:id="g6">
						<catDesc>Drama</catDesc>
					</category>
					<category xml:id="g8">
						<catDesc>Life Writing</catDesc>
					</category>
					<category xml:id="g9">
						<catDesc>Politics</catDesc>
					</category>
					<category xml:id="g10">
						<catDesc>Folklore</catDesc>
					</category>
					<category xml:id="g11">
						<catDesc>Ephemera</catDesc>
					</category>
					<category xml:id="g12">
						<catDesc>Fiction</catDesc>
					</category>
					<category xml:id="g13">
						<catDesc>History</catDesc>
					</category>
					<category xml:id="g14">
						<catDesc>Leisure</catDesc>
					</category>
					<category xml:id="g15">
						<catDesc>Manuscript</catDesc>
					</category>
					<category xml:id="g16">
						<catDesc>Reference Works</catDesc>
					</category>
					<category xml:id="g17">
						<catDesc>Humor</catDesc>
					</category>
					<category xml:id="g18">
						<catDesc>Education</catDesc>
					</category>
					<category xml:id="g19">
						<catDesc>Music</catDesc>
					</category>
					<category xml:id="g20">
						<catDesc>nonfiction</catDesc>
					</category>
					<category xml:id="g21">
						<catDesc>Paratext</catDesc>
					</category>
					<category xml:id="g22">
						<catDesc>Perodical</catDesc>
					</category>
					<category xml:id="g23">
						<catDesc>Philosphy</catDesc>
					</category>
					<category xml:id="g24">
						<catDesc>Photograph</catDesc>
					</category>
					<category xml:id="g25">
						<catDesc>Citation</catDesc>
					</category>
					<category xml:id="g26">
						<catDesc>Family Life</catDesc>
					</category>
					<category xml:id="g27">
						<catDesc>Poetry</catDesc>
					</category>
					<category xml:id="g28">
						<catDesc>Religion</catDesc>
					</category>
					<category xml:id="g29">
						<catDesc>Review</catDesc>
					</category>
					<category xml:id="g30">
						<catDesc>Visual Art</catDesc>
					</category>
					<category xml:id="g31">
						<catDesc>Translation</catDesc>
					</category>
					<category xml:id="g32">
						<catDesc>Travel</catDesc>
					</category>
					<category xml:id="g33">
						<catDesc>Book History</catDesc>
					</category>
					<category xml:id="g34">
						<catDesc>Law</catDesc>
					</category>
				</taxonomy>
			</classDecl>
		</encodingDesc>
		<profileDesc>
			<textClass>
				<catRef target="#g3" scheme="#genre"/>
			</textClass>
		</profileDesc>
		<revisionDesc>
			<change who="#LM" when="2010-08-16" n="3">
				<label>Changed by</label>
				<name xml:id="LM">Laura Mandell</name>
				<list>
					<item>XSLT Transforming</item>
				</list>
			</change>
			<change who="#CR" when="2010-06-22" n="6">
				<label>Changed by</label>
				<name>Charles Rzepka</name>
				<list>
					<item>Full scholarly editing; materials added</item>
				</list>
			</change>
			<change who="#AF" when="2010-04-06" n="5">
				<label>Changed by</label>
				<name>Allison Fagan</name>
				<list>
					<item>Finished Proofing and TEI encoding of edition</item>
				</list>
			</change>
			<change who="#EC" when="2009-10-27" n="1">
				<label>Changed by</label>
				<name>Erica Chu</name>
				<list>
					<item>Began Proofing and TEI encoding of edition</item>
				</list>
			</change>
		</revisionDesc>
	</teiHeader>
	<text>
		<body>
			<div type="bibliography">
				<list>
					<head>Works Cited:</head>
					<item> Belden, H. M. "The Date of Coleridge's <title>Melancholy</title>," <title>Modern Language Notes</title> 12.7 (1907):
						218-220.</item>
					<item> Beer, John. <title>Coleridge the Visionary</title>. London: Chatto and Windus, 1959.</item>
					<item> Bohn, Henry G., ed. <title>The Works of the Right Honourable Joseph Addison. </title>6 vols. London: George Bell &amp;
						Sons, 1856.</item>
					<item> Bunyan, John. <title>The Pilgrim's Progress from This World to That which is to Come</title>. New York: Hurst &amp; Co.,
						1880.</item>
					<item> Cobbett, William. <title>Rural Rides</title> [. . .] <title>During the Years 1821 to 1832:With Economical and Political
							Observations</title>. Vol. 2. London: Reeves and Turner, 1885.</item>
					<item> Coburn, Kathleen, ed. <title>The Notebooks of Samuel Taylor Coleridge, vol. 2, 1804-1808, Text.</title> Princeton:
						Princeton University Press, 1961.</item>
					<item> Courtney, Winifred. <title>Young Charles Lamb, 1775-1802</title>. New York: New York University Press, 1982.</item>
					<item> Crawford, Rachel. "Accident and Strange Calamity in 'This Lime-Tree Bower My Prison,'" <title>Romanticism</title> 2.2
						(1996): 188-203.</item>
					<item> D'Avanzo, Mario L. "Coleridge's 'This Lime-Tree bower My Prison' and <title>The Tempest</title>," <title>The Wordsworth
							Circle</title> 1.2 (1970): 66-68.</item>
					<item> Dowden, Edward. <title>New Studies in Literature</title>. Boston and New York: Houghton, Mifflin, 1895.</item>
					<item> Durr, R. A. "'This Lime-Tree Bower My Prison' and a Recurrent Action in Coleridge," <title>ELH</title> 26 (1959):
						514-30.</item>
					<item> Engell, James. "Imagining into Nature: This Lime-Tree Bower My Prison." In J. Robert Barth, S. J., and John L. Mahoney,
						eds. <title>Coleridge, Keats, and the Imagination: Romanticism and Adam's Dream</title>. Columbia, MO: University of Missouri
						Press, 1990. Pp. 81-96.</item>
					<item> Fruman, Norman. <title>Coleridge, the Damaged Archangel</title>. New York: George Braziller, 1971.</item>
					<item> Gatrell, V. A. C. <title>The Hanging Tree: Execution and the English People: 1770-1868</title>. Oxford: Oxford University
						Press, 1994.</item>
					<item> Griggs, Earl Leslie, ed. <title>Collected Letters of Samuel Taylor Coleridge, Vol 1: 1785-1800</title>. Oxford: Clarendon
						Press, 1966.</item>
					<item> Gutteridge, John. "Scenery and Ecstasy: Three of Coleridge's Blank Verse Poems." In Donald Sultana, ed. <title>New
							Approaches to Coleridge: Biographical and Critical Essays</title>. Totowa, NJ: Barnes &amp; Noble, 1981. Pp.
						151-171.</item>
					<item> Harper, George Maclean. "Coleridge's Conversation Poems," <title>Quarterly Review</title>, 244 (1925. </item>
					<item> Hitchcock, Susan Tyler. <title>Mad Mary Lamb: Lunacy and Murder in Literary London</title>. New York: Norton, 2005.</item>
					<item> Holmes, Richard. <title>Coleridge: Early Visions, 1772-1804</title>. New York: Pantheon, 1989.</item>
					<item> Ingram, Allan, with Michelle Faubert. <title>Cultural Constructions of Madness in Eighteenth Century Writing: Representing
							the Insane</title>. Houndmills: Palgrave Macmillan, 2005.</item>
					<item> Kirkham, Michael. "Metaphor and the Unitary World: Coleridge and Henry Vaughan," <title>Essays in Criticism</title> 37.2
						(1987): 121-134.</item>
					<item> Knapp, Andrew, and William Baldwin, eds. <title>The Newgate Calendar; Comprising Interesting Memoirs of the Most Notorious
							Characters who have been Convicted of Outrages on the Laws of England . . .</title> Vol. 3. London: J. Robins and Co.
						1825.</item>
					<item> Lucas, E. V. <title>Charles Lamb and the Lloyd: Comprising Newly Discovered Letters of Charles Lamb, Samuel Taylor
							Coleridge, the Lloyds, Etc.</title> Philadelphia, PA: J. B. Lippincott, 1899.</item>
					<item> Magnuson, Paul. <title>Coleridge's Nightmare Poetry</title>. Charlottesville, VA: University Press of Virginia,
						1974.</item>
					<item> Marrs, Edwin W., Jr. <title>The Letters of Charles and Mary Anne Lamb, Vol. 1: 1796-1801</title>. Ithaca: Cornell
						University Press, 1975.</item>
					<item> Matheson, Ann. "The Influence of Cowper's <title>The Task</title> on Coleridge's Conversation Poems." In Donald Sultana,
						ed. <title>New Approaches to Coleridge: Biographical and Critical Essays</title>. Totowa, NJ: Barnes &amp; Noble, 1981. Pp.
						137-150.</item>
					<item> Mays, J. C. C., ed. <title>The Collected Works of Samuel Taylor Coleridge</title>. Vol. 16: <title>Poetical Works</title>,
							<title>Parts I and II: Poems</title>. Princeton: Princeton University Press, 2001.</item>
					<item> Mays, J. C. C., ed. <title>The Collected Works of Samuel Taylor Coleridge</title>. Vol. 16: <title>Poetical Works</title>,
							<title>Part III: Plays</title>. Princeton: Princeton University Press, 2001.</item>
					<item> Mellor, Anne K. "Coleridge's 'This Lime-Tree Bower My Prison' and the Categories of English Landscape," <title>Studies in
							Romanticism</title> 18.2 (1979): 253-270.</item>
					<item> Mileur, Jean-Pierre. <title>Vision and Revision: Coleridge's Art of Imminence</title> (Berkeley: University of California
						Press, 1982.</item>
					<item> Miller, Christopher R. "Coleridge and the Scene of Lyric Description," <title>JEGP</title> 101.4 (2002): 520-539.</item>
					<item> Norris, Cara. "The Suspension of Habeas Corpus and Wordsworth's <title>The Borderers</title>," <title>European Romantic
							Review</title> 17.2 (2006): 197-203.</item>
					<item> Orr, Leonard. "The Accomplishments of Memory in Coleridge's 'This Lime-Tree Bower My Prison." In James Hogg, ed.
							<title>Romantic Reassessment</title> 81.2. Salzburg: Insitut fur Anglistik und Amerikanistik Universitat Salzburg, 1981.
						Pp. 3-13.</item>
					<item> Perry, Seamus. "Coleridge, Bunyan, and the Arts of Bafflement," <title>The Wordsworth Circle</title> 32.2 (2001):
						89-95.</item>
					<item> Perry, Seamus, ed. <title>S. T. Coleridge: Interviews and Recollections</title>. Basingstoke: Palgrave, 2000.</item>
					<item> Potkay, Adam. "Coleridge's Joy," <title>The Wordsworth Circle</title> 35.3 (2004): 107-113.</item>
					<item> Rajan, Tilottama. <title>The Supplement of Reading: Figures of Understanding in Romantic Theory and Practice</title>.
						Ithaca, NY: Cornell University Press, 1990.</item>
					<item> Reiman, Donald H. "Coleridge and the Art of Equivocation," <title>Studies in Romanticism</title> 25.3 (1986):
						325-350.</item>
					<item>Rzepka, Charles. <title>The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats.</title> Cambridge, MA:
						Harvard University Press, 1986.</item>
					<item> Simone, John. "Coleridge and the Sublime: 'This Lime-Tree Bower My Prison," <title>The Charles Lamb Bulletin</title>, New
						Series No. 56 (1986): 260-263.</item>
					<item> Sisman, Adam. <title>The Friendship: Wordsworth and Coleridge</title>. New York: Viking, 2007.</item>
					<item> Taussig, Gurion. <title>Coleridge and the Idea of Friendship, 1789-1804</title>. Newark, DE: University of Delaware Press,
						2002.</item>
					<item> Taylor, Anya. <title>Erotic Coleridge: Women, Love, and the Law Against Divorce</title>. New York: Palgrave Macmillan,
						2005.</item>
					<item> Warren, Robert Penn. "A Poem of Pure Imagination: An Experiment in Reading." In <title>Selected Essays</title>. New York:
						Random House, 1958. Pp. 223-257.</item>
					<item> Weissman, Stephen M. <title>His Brother's Keeper: A Psychobiography of Samuel Taylor Coleridge</title>. Madison, CN:
						International Universities Press, 1989.</item>
					<item> Wordsworth, Jonathan, M. H. Abrams, and Stephen Gill. <title>William Wordsworth: The Prelude 1799, 1805, 1850</title>. New
						York: W. W. Norton, 1979.</item>
				</list>
			</div>
		</body>
	</text>
</TEI>
