Bristol.
Friday.
My dear Wynn
Your letter followed me here, where I came to pass some 5 or 6
days, & enjoy my earthly elysium — a printers office. I immediately
ordered old Sir Edward, [1]
& the moment he arrives I shall begin closely & wholly to study
him.
Have you a compleat Amadis de Gaul? if so there is a passage
which I wish to quote & Tressans book [2] is not so fit a one to quote from. it is the
circumstance of the horse of Amadis being pierced by a spike on the pointral or
chafron of another horse, in th one (I believe
the first) of the engagements with Lisvart after he attacks the Firin Island to
recover Oriana for Patin. it happened immediately after Amadis had defeated
Gasquiline — I write from memory — but I believe state it accurately.
I have been reading old Froissart. [3] after Sir Walter Manny & about a dozen Knights with
three hundred archers had sallied out & broken an engine than annoyed
them — the Countess of Montford met them in the
on their return, & she kissed them all three or four times, like a noble
& valiant Lady.
I have a great love for this plain quaintness of speech — it is
often ludicrous, but it as often beautiful — & one who wishes to write
good poetry now should read old prose.
Do you know Rousseaus Levite of Ephraim? [4] if not — you will find a poem that has not
a word too much. I see Roughs
Lorenzino [5] reviewed. I had not expected much —
& yet was surprized to find the extracts so very bad. do you not think
too meanly of my friend Miss Anna Sewards lines to me? [6] the lines upon Crecy &
the first in which she describes Henry show an acquaintance with at least the
language of poetry. gospel faith & piety to be sure limp a little.
Mrs Barbauld [7] has written some lines to Coleridge advising him to
abandon metaphysics. the poem is not good. if however you are inclined to see it
I will copy it for you.
Coleridge has written a
tragedy [8] — by request of Sheridan. [9] it is uncommonly fine — tho every
character appears to me to possess qualities totally which can not possibly exist in the same mind. but there is a
man, whose name is not known in the world — Wordsworth — who has written
great part of a tragedy, [10] upon a
very strange & unpleasant subject — but [MS obscured] is equal to any
dramatic which pieces, [MS obscured] I have ever
seen.
God bless you.
yrs affectionately
R Southey.
Notes
* Address: To/ C W Williams Wynn
Esqr/ Wynnstay/ Wrexham/ Denbighshire
Stamped:
BRISTOL
Postmark: [illegible]
Endorsement: Sept 22/ 1797
MS:
National Library of Wales, MS 4811D
Previously published: Kenneth Curry
(ed.), New Letters of Robert Southey, 2 vols
(London and New York, 1965), I, pp. 147–149. BACK
[1] Edward Coke
(1552–1643; DNB), Commentarie upon
Littleton (1628), the first part of his four part Institutes of the Laws of England (1628–1644). BACK
[2] Louis-Élisabeth de la Vergne, Comte de Tressan (1705–1783),
who in 1779 published an abridgement of the romance Amadis
of Gaul. BACK
[3] Jean Froissart (c. 1337–c. 1410), Le Premier
(-Quart) Volume De Messire Jehan Froissart Lequel Traicte de Choses
Vingts de Memoire Advenues Tant es Pays de France, Angleterre, Flandres,
Espaigne que Escoce, ets Aus Tres Lieux Circonvoisins
(1530). BACK
[4] Jean-Jacques Rousseau (1712–1778), La Lévite
d’Ephraim (1781), a prose-poem based on Judges 19–21. BACK
[5] William Rough (1772–1838;
DNB), Lorenzini di
Medici (1797). BACK
[6] Anna Seward (1747–1809; DNB),
‘Written by Anna Seward, After Reading Southey’s Joan of
Arc’, published in the Morning
Chronicle, 5 August 1797. BACK
[7] Anna Letitia Barbauld (1743–1824; DNB), ‘To S. T. Coleridge, 1797’, appeared unsigned as ‘To Mr
C_____ge’ in the Monthly Magazine, 7 (April 1799),
231–232. BACK
[8] Samuel Taylor Coleridge’s
play Osorio. BACK
[9] Richard Brinsley Sheridan (1751–1816;
DNB). BACK
[10] William
Wordsworth’s drama, The Borderers. BACK