<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Carl Stahmer</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2009-03-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce1</idno>
<idno type="edition">letterEEd.26.1</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2009-02-20">March 15, 2009</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>MS untraced; text is taken
                        from Warter .  Previously  published: John Wood Warter, Selections From the Letters of Robert Southey, 4 vols (London,
                        1856), I, pp. [1]–3. Warter, I, p. [1] n. * implies that his text was taken
                        not from the original MS but from a set of ‘copies’ of Southey’s letters to
                        Lamb that ‘came into my possession amongst the MSS. of the late Mrs. Southey
                        [i.e. Caroline Bowles]’. Although many of these inherited MSS are now in the
                        British Library, these papers are not included. </p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="#EEd.26.1.names"/>
<catRef scheme="#places" target="#EEd.26.1.places"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2009-03-10" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-03-02" n="3">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#LM" when="2009-02-20" n="2">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-02-20" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>TEI Encoding</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="1" type="letter">
<head>1. Robert Southey to <ref target="people.html#LambThomasPhillipps">Thomas
                        Phillipps Lamb</ref>, <date>
<choice>
<corr>
<date resp="editors" when="1791-06-01">[c. June 1791?]</date>
</corr>
<orig>
<date when="1790"/>
</orig>
</choice>
</date>
<note place="foot" resp="editors" type="headnote">MS: MS untraced; text is taken
                        from Warter<lb/> Previously published: John Wood Warter, <title level="m">Selections From the Letters of Robert Southey</title>, 4 vols (London,
                        1856), I, pp. [1]–3. Warter, I, p. [1] n. * implies that his text was taken
                        not from the original MS but from a set of ‘copies’ of Southey’s letters to
                        Lamb that ‘came into my possession amongst the MSS. of the late Mrs. Southey
                        [i.e. Caroline Bowles]’. Although many of these inherited MSS are now in the
                        British Library, these papers are not included. </note>
</head>
<opener>
<dateline rend="indent11">
<address>
<placeName>
<ref target="places.html#DukeStBath">Bath,</ref>
</placeName>
</address>
<date when="1790">1790.</date>
<note n="1" place="foot" resp="editors">Warter dates 1790, but this is
                            unlikely given that in a letter to his daughter Edith May Warter, 5 June
                            1838, Southey recalled only two holidays at Rye, both at Whitsun, in
                            1791 and 1792. The description of the journey from Rye to London given
                            here does not match that sent to Grosvenor Charles Bedford on 11 June
                            1792 (see Letter 13). This letter to Lamb was therefore probably written
                            after Southey’s visit to Rye at Whitsun 1791, and should be dated c.
                            June 1791.</note>
</dateline>
<salute>Dear Sir,</salute>
</opener>
<lg>
<l rend="indent4">We arrived very safely in Town,</l>
<l rend="indent2">Without once overturning, or once breaking down.</l>
<l rend="indent2">Next morning I mounted full early the box,</l>
<l rend="indent2">And set off for Bath with <ref target="people.html#LambThomasDavis">Tom</ref>’s friend, young Simcox;
                            <note n="2" place="foot" resp="editors">Simcox (first name and dates
                            unknown), a friend of Thomas Davis Lamb.</note>
</l>
<l rend="indent2">Long before we arrived at the jolting stones’ end,</l>
<l rend="indent2">The name of <ref target="people.html#LambThomasDavis">Tom
                            Lamb</ref> made the coachee my friend.</l>
<l rend="indent2">Good horses – good roads (and the weather was fine) –</l>
<l rend="indent2">With only one jump brought me safe here by nine.</l>
<l rend="indent2">Down hill fell a leader – a terrible fall!</l>
<l rend="indent2">And I thought coach must tumble, and coachman and all.</l>
<l rend="indent2">Off fled I from the box, but the harness was weak,</l>
<l rend="indent2">And so we were safe when we saw the pad break.</l>
<l rend="indent2">New harness – a can of most charming strong beer –</l>
<l rend="indent2">Set us off: on we went without stopping to fear.</l>
<l rend="indent2">But such a long ride on the box shook my head,</l>
<l rend="indent2">So I eat a small supper and hurried to bed.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">At the end comes the song – sir, I wish it were better,</l>
<l rend="indent2">But it seems very nicely to finish the letter.</l>
<l rend="indent2">God knows song and letter are both bad enough;</l>
<l rend="indent2">One thing – <hi rend="ital">there’s no sentiment</hi> –
                        horrible stuff!</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">When Miss in a new novel writes to her friend,</l>
<l rend="indent2">You don’t know the subject when you come to the end.</l>
<l rend="indent2">A rout, masquerade, private party and ball,</l>
<l rend="indent2">Fashion, sentiment, love, all make nothing at all.</l>
<l rend="indent2">The rich sentimentalist dreams of a grove,</l>
<l rend="indent2">Purling streams, sighing zephyrs, and countrified love.</l>
<l rend="indent2">Such love such as his ne’er can stoop to be mean,</l>
<l rend="indent2">So Sentiment flies to the famed Gretna Green.</l>
<l rend="indent2">For the poor sentimentalist, wealth is but care;</l>
<l rend="indent2">Let me marry and live upon love and sea air.</l>
<l rend="indent2">Or often when Sentiment reigns, traitor power,</l>
<l rend="indent2">Reason flies, and credulity mourns her sad hour,</l>
<l rend="indent2">Till husbandless, houseless, without wealth or land,</l>
<l rend="indent2">Poor Sentiment closes by walking the Strand.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Does Sentiment ever turn out any better?</l>
<l rend="indent2">Yes, it makes eighteen lines, and so fills up my letter.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">At <ref target="places.html#DukeStBath">No. 9. Duke St.</ref>,
                        Bath, my dear sir, when you’ve time,</l>
<l rend="indent2">Right glad shall I be to hear from you in rhyme.</l>
<l rend="indent2">Where’er they are due my best wishes express,</l>
<l rend="indent2">And believe me your much obliged servant,</l>
</lg>
<closer>
<signed rend="indent9">R. S.</signed>
</closer>
<postscript>
<p rend="indent5"> –––––––––––</p>
<lb/>
<lg type="stanza">
<l rend="indent2">The fault of new wine, sure, you need not be told,</l>
<l rend="indent2">Since wine’s good for nothing unless it be old,</l>
<l rend="indent2">So experience will tell us, deny it who can;</l>
<l rend="indent2">And if old wine is best, pray why not an old man?</l>
<l rend="indent9"> Derry down.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Age mellows the spirit and softens the whole,</l>
<l rend="indent2">Ripens wisdom, and purifies spirit and soul.</l>
<l rend="indent2">Wisdom, wit, wealth, and wine, thus it always amends;</l>
<l rend="indent2">So allow than an old man is best, my dear friends!</l>
<l rend="indent9"> Derry down.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">If the wine should turn sour, why the fault lies not there
                            –</l>
<l rend="indent2">The thunder got in, or too warm is the air.</l>
<l rend="indent2">’Tis a well known old truth, and deny it who can,</l>
<l rend="indent2">’Tis heat and ’tis rage make a crabbed old man.</l>
<l rend="indent9"> Derry down.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Common lamb you may bake, boil, broil, stew, roast, or
                            fry,</l>
<l rend="indent2">But fish, flesh, and fowl, here’s a Lamb can supply;</l>
<l rend="indent2">In December as merry and jovial as June,</l>
<l rend="indent2">Can sing a new song to a famous old tune.</l>
<l rend="indent9"> Derry down.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">How rarely you see a fine sturdy old oak,</l>
<l rend="indent2">That unhurt from the duns is secure from the stroke.</l>
<l rend="indent2">But the axe cuts the trees down and murders the heir,</l>
<l rend="indent2">So old oaks and old men now are equally rare.</l>
<l rend="indent9"> Derry down.</l>
</lg>
<lb/>
<lg>
<l rend="indent2">Thus like an old oak to maturity grown</l>
<l rend="indent2">I behold here around a young grove of my own:</l>
<l rend="indent2">May every young shoot stand like me age’s shock,</l>
<l rend="indent2">And prove sturdy chips from the sturdy old block.</l>
<l rend="indent9"> Derry down.</l>
</lg>
</postscript>
</div>
</body>
</text>
</TEI>
