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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<resp>General Editor, </resp>
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<resp>General Editor, </resp>
<name>Carl Stahmer</name>
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<p>.  Previously  published: Kenneth Curry (ed.), New Letters of Robert
							Southey, 2 vols (London and New York, 1965), I, pp. 6–8 [where it is dated 30 May 1792].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<head>11. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1792-05-31">[c. 31 May 1792]</date>
<note place="foot" resp="editors" type="headnote">Address: G C Bedford Esq<hi rend="sup">r</hi>/ Old Palace Yard/ Westminster<lb/>
						Stamped: [illegible]<lb/> Postmark: MA/ 31/ 92<lb/> Watermark: Crown with G R beneath and figure of Britannia<lb/> MS:
						Bodleian Library, MS Eng. Lett. c. 22<lb/> Previously published: Kenneth Curry (ed.), <title level="m">New Letters of Robert
							Southey</title>, 2 vols (London and New York, 1965), I, pp. 6–8 [where it is dated 30 May 1792].</note>
</head>
<opener>
<salute>Dear Bedford</salute>
</opener>
<p rend="indent1"> At last I can sit down &amp; write the confession of my sins — I have left undone those things which I ought to
					have done. but a long journey to Brighton two days hard drinking there &amp; (if I do not mind a lie) two days repentance
					after one day returning no post the next may plead my excuse &amp; acquire absolution or remission of my sins. I have observed
					every man I saw with the eye of a periodical writer &amp; noted him in my pocket book. I have likewise wrote a paper upon wigs
					but alas the only chance my paper upon wigs has of ever seeing the public is in the fag end of the Flagellant when we reprint it.
						<ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> when I left you last I thought that we might print all the
					letters we received at the end &amp; so make a pretty sized volume.</p>
<p rend="indent1"> you understand music. as I am ignorant of the tune I beg you will practise Lillabullero<note n="1" place="foot" resp="editors">A satirical ballad set to a march, included in Thomas Percy (1729–1811; <title level="m">DNB</title>), <title level="m">Reliques of Ancient English Poetry</title>, 2nd edn, 3 vols (London, 1767), II, pp. 374–376.</note> to teach me.
					you see I have been reading Tristram Shandy &amp; I want that whistle as bad as ever Toby did.<note n="2" place="foot" resp="editors">In Laurence Sterne (1713–1768; <title level="m">DNB</title>), <title level="m">The Life and Opinions of
							Tristram Shandy, Gentleman</title> (1759–1767), Uncle Toby avoided painful subjects by whistling tunes.</note> Watsons
					Chemical Essay<note n="3" place="foot" resp="editors">Richard Watson (1737–1816; <title level="m">DNB</title>), <title level="m">Chemical Essays</title> (1781–1787). Watson was later Bishop of Llandaff.</note> are my present study &amp; I hope to
					practice a little chemistry at Oxford when I get there.</p>
<p rend="indent1"> have you settled the accounts with Jeffery<note n="4" place="foot" resp="editors">Edward Jeffrey (dates unknown), a
						bookseller and printer with a shop in Pall Mall, London. He printed issues 6–9 of <title level="j">The Flagellant</title>
						(April 1792).</note> &amp; <ref target="people.html#EgertonThomasJohn">Egerton</ref>?</p>
<p rend="indent1"> Look ye I am lazy. I cannot write a decent letter so take this to fill up.</p>
<p rend="indent3"> The adieu to Birch</p>
<p rend="indent4"> in imitation of</p>
<p rend="indent4"> Della Crusca.<note n="5" place="foot" resp="editors">The pseudonym of Robert Merry (1755–1798; <title level="m">DNB</title>). The verse that follows is an imitation of his ‘The Adieu and Recal to Love’ (1787).</note>
</p>
<lg>
<l rend="indent2">Go purple twig I scorn thy power</l>
<l rend="indent2">Thornful &amp; sharp without a flower</l>
<l rend="indent2">The quivering pang the thrilling smart</l>
<l rend="indent2">Wake not the crimson anguish of my heart</l>
<l rend="indent2">No more upon thy trembling side</l>
<l rend="indent2">Sits Hope with jaundiced Fear allied</l>
<l rend="indent2">The sable majesty of unborn hair</l>
<l rend="indent2">Scorns not terrific now my prayer.</l>
<l rend="indent2">Now may each wandering saffron gale</l>
<l rend="indent2">“The essence of the morn exhale</l>
<l rend="indent2">And pour the Empurpling slumbers on my breast</l>
<l rend="indent2">And fan my Latin &amp; my Greek to rest —</l>
<l rend="indent2">Yes reckless I may sleep of thee</l>
<l rend="indent2">“So fare thee well, for I am free.</l>
</lg>
<p rend="indent3"> ________________</p>
<p>Remember I think Della Crusca frequently affected. but in spite of the cry of criticism I think him often beautiful. Watts<note n="6" place="foot" resp="editors">Isaac Watts (1674–1748; <title level="m">DNB</title>), hymn-writer.</note> I have already
					imitated. &amp; almost finishd Spenser. Shenstone<note n="7" place="foot" resp="editors">William Shenstone (1714–1763; <title level="m">DNB</title>). The verses that follow are an imitation of his ‘Pastoral Ballad, in Four Parts. Written in
					1743’.</note> I attempt next.</p>
<lg type="stanza">
<l rend="indent2">Yes now I may view the white sheep</l>
<l rend="indent3"> In search of their provender stray</l>
<l rend="indent2">Up the side of the steep hillock creep</l>
<l rend="indent3"> Or wind by the fountains their way —</l>
<l rend="indent2">I may view the groves mountains &amp; dale</l>
<l rend="indent3"> And in distance declining the church</l>
<l rend="indent2">I may wander all day in the vales</l>
<l rend="indent3"> For I am not afraid of the birch &amp;c &amp;c</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> So gruffly he sent me away</l>
<l rend="indent4"> I thought he had bid me come back</l>
</lg>
<p>all this is the very first sketch which twenty minutes will fill up. you see in spite of laziness here is a to-le<del rend="strikethrough">r</del>-ra-bly long letter but breakfast is ready the tea making <ref target="people.html#LambThomasDavis">Tom Lamb</ref> tying up his boots &amp; his mother pouring out the tea — so quicks
					the word — yours.</p>
<closer>
<signed rend="indent8">R Southey.</signed>
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