<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Carl Stahmer</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2009-03-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce125</idno>
<idno type="edition">letterEEd.26.125</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2009-02-20">March 15, 2009</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>British Library, Add MS 30,927.  Previously  published:
                        Kenneth Curry (ed.), New Letters of Robert Southey,
                        2 vols (London and New York, 1965), I, pp. 92–93; Charles Cuthbert Southey
                        (ed.), Life and Correspondence of Robert Southey, 6
                        vols (London, 1849–1850), I, pp. 235–236 [in part]. </p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="#EEd.26.1.names"/>
<catRef scheme="#places" target="#EEd.26.1.places"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2009-03-10" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-03-02" n="3">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#LM" when="2009-02-20" n="2">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-02-20" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>TEI Encoding</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="125" type="letter">
<head>125. Robert Southey to <ref target="people.html#SoutheyTom">Thomas Southey
                        [brother]</ref>, <date when="1795-03-21">21 March [1795]</date>
<note place="foot" resp="editors" type="headnote">Address: Thomas Southey/ Aquilon
                        Frigate/ Spithead<lb/>Stamped: [partial] BAT<lb/>Endorsement: the parcl is
                        just Come<lb/> MS: British Library, Add MS 30,927<lb/>Previously published:
                        Kenneth Curry (ed.), <title level="m">New Letters of Robert Southey</title>,
                        2 vols (London and New York, 1965), I, pp. 92–93; Charles Cuthbert Southey
                        (ed.), <title level="m">Life and Correspondence of Robert Southey</title>, 6
                        vols (London, 1849–1850), I, pp. 235–236 [in part]. </note>
</head>
<opener>
<dateline rend="right">
<date when="1795-03-21">Saturday. March 21.</date>
</dateline>
<salute>My dear Tom</salute>
</opener>
<p rend="indent2"> Hot with walking &amp; warm repentance I do sit me down to
                    repair the apparent coolness of neglect. my dear brother when I have been
                    writing as hard as is necessary to furnish two lectures a week an hour each in
                    recitation, I have been tempted to fling all down &amp; write to you. I am
                    giving a course of historical Lectures at Bristol, teaching what is right by
                    showing what is wrong. <note n="1" place="foot" resp="editors">Southey’s
                        ‘Historical Lectures’ ‘Unconnected with the Politics of the Day’ were
                        advertised — in a printed ‘Prospectus’ (Bodleian Library, Autogr. b. 7 (9))
                        — to take place in the Card Room, Assembly Coffee House, Prince’s Street,
                        Bristol. The tickets cost one guinea for the whole series, or one shilling
                        per lecture. The lectures were not published and seem not to have
                        survived.</note> my company of course is sought by all who love good
                    Republicans &amp; odd characters. <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; I are
                    daily engaged. &amp; moreover my heart has engagements of a dearer nature
                    which it knows not how to dispense with. for the future it shall come in the
                    routine of my writing desk to write you every ten days &amp; tell you how I
                    go on.</p>
<p rend="indent1"> my Joan of Arc goes to the press in about three weeks. a new
                    letter is casting for it. it will be a most elegant volume &amp; you shall
                    receive one as soon as it is out. I shall publish another volume of Poems<note n="2" place="foot" resp="editors">Southey’s next verse collection was <title level="m">Poems</title> (1797).</note> most probably before that will be
                    printed. <ref target="people.html#CottleJoseph">Cottle</ref> the Bookseller (who
                    remembers you when he lived with Bulgin<note n="3" place="foot" resp="editors">Samuel Bulgin (dates unknown), a Bristol printer, bookseller and
                        stationer.</note> &amp; often enquires for you) is to buy the copy right
                    &amp; they will be printed more elegantly than the last.</p>
<p rend="indent1"> John Scott has got me a place of a guinea &amp; half per week
                    for writing in some new work called the Citizen.<note n="4" place="foot" resp="editors">Probably John Scott (dates unknown), editor of the <title level="j">Morning Advertiser</title>. Nothing seems to have come of the
                        ‘Citizen’.</note> of what kind I know not save that it accords with my
                    principles. of this I daily expect to hear more.</p>
<p rend="indent1"> if <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; I can get 150 pounds a year between us, we
                    purpose marrying &amp; retiring into the country as our literary business
                    can be carried on there &amp; practising agriculture till we can raise money
                    for America — still the grand object in view.</p>
<p rend="indent1"> So I have cut my cables &amp; am drifting on the ocean of
                    life — the wind is fair &amp; the port of happiness I hope, in view.</p>
<p rend="indent1"> tis possible that I may be called on to publish my historical
                    Lectures: this I shall be unwilling to do, as they are only splendid
                    declamation. you will however receive whatever I or <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> publish, as soon
                    as it is out.</p>
<p rend="indent1"> We expect your parcel to night — I shall revere the republican
                    hanger.</p>
<p rend="indent1"> my notoriety will not tend to reconcile <ref target="people.html#TylerElizabeth">my Aunt</ref> to me. public speaking is
                    awkward at first — but three lectures have accustomed me to it.</p>
<p rend="indent1"> my mornings are devoted to hard study. my evenings always engaged
                    — &amp; I generally contrive to pass them with my dear <ref target="people.html#FrickerEdith">Edith</ref>.</p>
<p rend="indent1"> I walked over to Bath this afternoon. a good citizen<note n="5" place="foot" resp="editors">Unidentified.</note> is now expecting me at the
                    Greyhound.</p>
<p rend="indent1"> direct to me at <ref target="people.html#SawierMrs">Mrs
                        Sawiers</ref>. <ref target="places.html#CollegeStBristol">25 College Street
                        Bristol</ref>.<note n="6" place="foot" resp="editors">For further
                        information see Tim May, ‘The Pantisocrats in College Street’, <title level="j">Notes and Queries</title>, n.s. 52 (2005), 456–460.</note> you
                    shall hear from me regularly. America is the land of my wishes &amp; we
                    shall <del rend="strikethrough">all there</del> all be happy there</p>
<p rend="indent2"> fare you well</p>
<closer>
<salute rend="indent3"> yr affectionate brother</salute>
<signed rend="indent5"> Robert Southey.</signed>
</closer>
<postscript>
<p>
<ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> would send
                        fraternity were he here. he is <del rend="strikethrough">my fellow</del>
                        with me — we live together &amp; write together.</p>
</postscript>
</div>
</body>
</text>
</TEI>
