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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<date>2009-03-15</date>
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<idno type="nines">rce134</idno>
<idno type="edition">letterEEd.26.134</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
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<sourceDesc>
<p>Bodleian Library, MS Eng. Lett. c. 22.  Previously  published: Kenneth Curry
						(ed.), New Letters of Robert Southey, 2 vols (London and New York, 1965), I, pp. 98–100.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="134" type="letter">
<head>134. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1795-09-01">[started before and continued on] 1 September [1795]</date>
<note place="foot" resp="editors" type="headnote">Address: Grosvenor Charles Bedford Esq<hi rend="sup">r</hi>/ New Palace Yard/
						Westminster./ Single<lb/>Stamped: BATH<lb/>Postmark: BSE/ 7/ 95<lb/>Watermarks: Figure of Britannia; G R<lb/>Endorsements:
							Rec<hi rend="sup">d</hi>. Sept<hi rend="sup">r</hi>. 5./ 1795; Ans<hi rend="sup">d</hi>. Sep<hi rend="sup">t</hi>. 16.
						1795; 5 Sept<hi rend="sup">r</hi> 1795<lb/>MS: Bodleian Library, MS Eng. Lett. c. 22<lb/>Previously published: Kenneth Curry
						(ed.), <title level="m">New Letters of Robert Southey</title>, 2 vols (London and New York, 1965), I, pp. 98–100.</note>
</head>
<p rend="indent1"> Hope deferred maketh the heart sick.<note n="1" place="foot" resp="editors">
<title level="m">Proverbs</title> 13: 12.</note> said Solomon. Statius says </p>
<p rend="indent3"> quâ non gravior mortalibus addita cura</p>
<p rend="indent2">Spes ubi longa venit<note n="2" place="foot" resp="editors">Publius Papinius Statius (c. AD 45–96), <title level="m">Thebaid</title>, Book 2, lines 320–321. The Latin translates as: ‘hope, than which the heart can bear no heavier burden,
						when ’tis long deferred’.</note>
</p>
<p>
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> when you have lived upon that cameleon fare so long as I have
					done — you will acknowledge the wisdom of Solomon &amp; feel the poetry of Statius.</p>
<p rend="indent1"> I expect <ref target="people.html#HillHerbert">my Uncle</ref> daily. his determination is of such consequence to my
					immediate happiness or even comfort — that I feel heavings of heart strangely uncomfortable. yet have I little to fear. that he
					will enable me to study either law or physic is more than probable. <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I shall be happy. there is not one feeling in my heart that militates against happiness.</p>
<p rend="indent1"> before Xmas. or a long long vagabond life. by the Lord I will disguise myself &amp; turn butler or footman. if
					I am not settled &amp; married before Xmas. this I will do. clean shoes — light fires &amp; wait at table by day — by
					night — rise — or sink into Robert Southey.</p>
<p rend="indent1"> If my Joan of Arc succeeds (— &amp; my calm &amp; sober judgement approves the poem—) whatever I write
					afterward will find a ready sale. the poems are delayed till January for <ref target="people.html#CottleJoseph">my
					booksellers</ref> convenience. a most worthy little fellow <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> — whom
					you must know &amp; love. a poet himself<note n="3" place="foot" resp="editors">Joseph Cottle, <title level="m">Poems,
							Containing John the Baptist. Sir Malcolm and Alla, A Tale, ... War a Fragment. With a Monody to John Henderson</title>
						(1795).</note> — public too on Tuesday next hot pressd &amp; fine paper — <hi rend="ital">to be had at Robinsons</hi>
<note n="4" place="foot" resp="editors">Joseph Cottle’s <title level="m">Poems</title> (1795) were published by Cottle and G. G.
						and J. Robinson of Paternoster Row in London. The Robinsons were a dynasty of booksellers, printers and publishers, at this
						time headed by George Robinson II (d. 1801; <title level="m">DNB</title>), George Robinson III (d. 1811; <title level="m">DNB</title>) and John Robinson (1753–1813; <title level="m">DNB</title>).</note> containing John the Baptist Monody on John
					Henderson &amp;c — &amp; if you buy the volume for the sake of the author — you will find an elegant volume quoad
					typography — &amp; in the Monody at least some very beautiful lines, <ref target="people.html#CottleJoseph">Cottle</ref> wrote
					them in the inspiration of friendship to the memory of one he loved<note n="5" place="foot" resp="editors">John Henderson
						(1757–1788; <title level="m">DNB</title>), student and eccentric, had known Cottle when the latter was a pupil at the school
						run by Henderson’s father, at Hanham, near Bristol.</note> — they are of such merit that I should not believe them written by
					the same person who wrote all the rest did I not positively know it. <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> has used the pruning knife with me over them — nil ultra.<note n="6" place="foot" resp="editors">The Latin
						translates as ‘nothing beyond’.</note>
</p>
<p rend="center">———</p>
<p>
<date when="1795-09-01">September 1<hi rend="sup">st</hi>. Tuesday.</date>
</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I have quitted Bristol after lodging there seven months. I had
					determined on leaving it last night. <ref target="people.html#FrickerEdith">Edith</ref> dined with me &amp; my departure was
					fixed for five o clock. <ref target="people.html#SawierMrs">M<hi rend="sup">rs</hi> Sawier</ref> sent to desire our company to
					tea. I mentioned my intention of setting off — but <hi rend="ital">her</hi> cheek was flushd with hope &amp; she turned her
					head away to hide tears from me — I slept there last night. I do not think any circumstance ever affected me like those tears. it
					was not a painful sensation — but God preserve me from its repetition! — in the words of <del rend="strikethrough">the</del>
					Snorro Sturleson “do you or do you not understand this”?<note n="7" place="foot" resp="editors">The Icelandic historian and
						antiquarian Snorri Sturluson (1178–1241), author of the prose <title level="m">Edda</title>. Southey is quoting from an
						account of the <title level="m">Edda</title> in Thomas Percy’s (1729–1811; <title level="m">DNB</title>) translation of Paul
						Henri Mallet (1730–1807), <title level="m">Northern Antiquities: or, a Description of the Manners, Customs, Religion and Laws
							of the Ancient Danes, and Other Northern Nations</title>, 2 vols (London, 1770), II, p. 50.</note>
</p>
<p rend="indent1"> oh for one of the Nourjahads naps!<note n="8" place="foot" resp="editors">In Frances Sheridan (1724–1766: <title level="m">DNB</title>), <title level="m">The History of Nourjahad</title> (1767), the central character is gifted with a
						long life, but one interspersed with prolonged periods of sleep.</note>
</p>
<p rend="center">———</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I have a curiosity for you. two sonnets by <ref target="people.html#JenningsJames">James Jennings</ref> — seriously intended. upon Metaphor &amp; Personification.<note n="9" place="foot" resp="editors">The sonnets appeared under the signature ‘J.J.’ in the first number of Southey’s <title level="j">Annual Anthology</title> (Bristol, 1799), pp. 148–149.</note> he had personified a Catastrophe once &amp;
					upon my noticing it as <hi rend="ital">bold</hi> introduced it here.</p>
<p rend="indent5"> Metaphor.</p>
<p rend="indent5"> ————</p>
<lg type="stanza">
<l rend="indent2">When Earth was young &amp; Nature Mans delight,</l>
<l rend="indent3"> The Protean friend of Poesy arose.</l>
<l rend="indent3"> His eyes around in wonder wild he throws</l>
<l rend="indent2">And soars a Mountain. high in æther bright</l>
<l rend="indent2">His summit nods. then as electric fire</l>
<l rend="indent3"> With swift mutation, from the earth he rangd</l>
<l rend="indent3"> To Heaven a massive pillar; soon he changd</l>
<l rend="indent2">To lion-fronted pard, growld &amp; retird</l>
<l rend="indent2">An Ocean. nor remaind he Ocean long,</l>
<l rend="indent3"> For loud in thunder roard his awful voice</l>
<l rend="indent3"> With lightning instantaneous. as her choice</l>
<l rend="indent2">Sweet Poesy directs in numbers strong</l>
<l rend="indent2">Or soft or fluent, so he drives her car</l>
<l rend="indent2">And later Minstrels call him Metaphor.</l>
</lg>
<lb/>
<p rend="indent5"> Personification.</p>
<lg type="stanza">
<l rend="indent2">Nor did sweet Poesy long time defer</l>
<l rend="indent3"> To ask the aid of him who hand in hand</l>
<l rend="indent3"> With Metaphor arose. at his command</l>
<l rend="indent3"> Rocks mountains vallies living souls appeard:</l>
<l rend="indent3"> Catastrophe his saddening front upreard.</l>
<l rend="indent3"> And Virtue stood erect &amp; Patience smild</l>
<l rend="indent3"> And Joy Love Hope &amp; Fear Amazement wild</l>
<l rend="indent3"> And Heaven assumd a virile form, whilst stood</l>
<l rend="indent3"> Ocean contracted to a man. the brood</l>
<l rend="indent3"> Of Vice in black-browd frown, Revenge &amp; Hate</l>
<l rend="indent3"> Discord &amp; Death &amp; stern defying Fate</l>
<l rend="indent2">Walkd oer the earth destroying — such is Per</l>
<l rend="indent3"> Sonification. he whom she employs</l>
<l rend="indent3"> To deck her labors &amp; increase her joys</l>
</lg>
<p>poor <ref target="people.html#JenningsJames">Trauma</ref> is famous for Abbreviating words &amp; actually wrote</p>
<p rend="indent2">Oh how my bosom glows with <hi rend="ital">pathic</hi> fire</p>
<p>as a happy alternative for <hi rend="ital">pathetic</hi>!</p>
<p>after these specimens — you will difficultly believe (what is really the case — that Jennings taken from poetry possesses more than
					common abilities. that he has without assistance acquired considerable information — learns Latin &amp; a little Greek,
					&amp; that I have always been pleased with his company &amp; frequently instructed. he is foreman to a Chemist. about 23.
					— What is most valuable in him is the purity of his moral character.</p>
<p rend="indent1"> direct to me <ref target="places.html#WestgateBath">Westgate Buildings</ref>.</p>
<p rend="indent2">
<hi rend="ital">my opinion of French politics.</hi>
</p>
<table cols="3" rows="6" width="740" border="0" align="left">
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<cell width="200"/>
<cell width="200">Deputy Ruhl</cell>
<cell width="340">} — he shot himself. <note n="10" place="foot" resp="editors">Jacques-Philippe Ruhl (1737–1795), a deputy
								for Bas-Rhin to the National Convention, had recently committed suicide.</note>
</cell>
</row>
<row>
<cell width="200"/>
<cell width="200">Was a very great fool</cell>
<cell width="340">} </cell>
</row>
<row>
<cell width="200">NB.</cell>
<cell width="200">Delegate Rumps</cell>
<cell width="340">} in prison<note n="11" place="foot" resp="editors">Pierre-Charles Ruamps (1751–1807), a Jacobin member of
								the Convention, was imprisoned on 21 May 1795.</note>
</cell>
</row>
<row>
<cell width="200">not <hi rend="ital">Delicate</hi> Rumps.</cell>
<cell width="200">Must be in the dumps</cell>
<cell width="340">} </cell>
</row>
<row>
<cell width="200"/>
<cell width="200">And Jacobine Bo</cell>
<cell width="340">} he is denounced<note n="12" place="foot" resp="editors">Jean-Baptiste-Jerome Bo (1743–1814), a Jacobin
								member of the Convention, was denounced on 9 August 1795.</note>
</cell>
</row>
<row>
<cell width="200"/>
<cell width="200">Will very soon go.</cell>
<cell width="340">} </cell>
</row>
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