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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Bodleian
                        Library, MS Eng. Lett. c. 22.  Previously  published: Charles Cuthbert
                        Southey (ed.), Life and Correspondence of Robert
                            Southey, 6 vols (London, 1849–1850), I, pp. 254–257 [in
                        part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="141" type="letter">
<head>141. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1795-11-21">[21–] 22 November
                        [1795]</date>
<note place="foot" resp="editors" type="headnote">Address:
                        Grosvenor Charles Bedford Esq<hi rend="sup">r</hi>/ New Palace Yard/
                        Westminster<lb/>Stamped: S<hi rend="sup">T</hi>. COLUMB<lb/>Postmark: BNO/
                        25/ 95<lb/>Watermarks: [Obscured by MS binding]<lb/>Endorsements: Rec<hi rend="sup">d</hi>. Nov<hi rend="sup">r</hi>. 25. 1795; Ans<hi rend="sup">d</hi>. Nov<hi rend="sup">r</hi>. 26. &amp; sent, 3<hi rend="sup">d</hi> Ode/ of 1<hi rend="sup">st</hi> Book of Horace<lb/>MS: Bodleian
                        Library, MS Eng. Lett. c. 22<lb/>Previously published: Charles Cuthbert
                        Southey (ed.), <title level="m">Life and Correspondence of Robert
                            Southey</title>, 6 vols (London, 1849–1850), I, pp. 254–257 [in
                        part].</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>Nanswithin. near S<hi rend="sup">t</hi> Columbs.</placeName>
</address>
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</opener>
<p rend="indent1"> Grosvenor! what should that necromancer deserve who would
                    transpose our souls for half an hour, &amp; make each the inhabitant of the
                    others tenement? there are so many curious avenues in mine, &amp; so many
                    closets in yours of which you have never sent me the key.</p>
<p rend="indent1"> here I am — in a huge &amp; handsome mansion — not a finer
                    room in the county of Cornwall than the one in which I write — &amp; yet
                    have I been silent — &amp; retird into the secret cell of my own heart. this
                    day week <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref>! there
                    is a something in the bare name <del rend="strikethrough">that is</del> now
                    mine, that wakens sentiments I know not to describe. never did man stand at the
                    altar with such strange feelings as I did. can you <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> by any effort
                    of imagination shadow out my emotions — days before my departure — when I felt
                    her tears trickle down my cheek? yet <ref target="people.html#FrickerEdith">Edith</ref> did not shed a tear when I left her. she returned the pressure
                    of my hand — &amp; we parted in silence. — zounds what have I do with
                    supper!</p>
<p rend="indent11"> Saturday.</p>
<p>
<date when="1795-11-22">Sunday morning. Nov 22.</date>
</p>
<p rend="indent1"> I am writing for two reasons. one to escape church the other
                    because to write to a dear friend is to me like escaping from prison. <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> — my <del rend="strikethrough">xxx</del> &lt;mind&gt; is confined here. there
                    is no point of similarity between my present companions &amp; myself. but
                    “if I have freedom in &amp;c”<note n="1" place="foot" resp="editors">Richard
                        Lovelace (1618–1658; <title level="m">DNB</title>), ‘To Althea from prison’
                        (1642), lines 29–30, ‘If I have freedom in my love/And in my soul are
                        free’.</note> you know the quotation.</p>
<p rend="indent1"> this is a foul country. the tinners inhabit the most agreable
                    part of it <del rend="strikethrough">becaus</del> for they live underground.
                    above it is most dreary — desolate. my Sans Culotte<note n="2" place="foot" resp="editors">Southey’s nickname for his walking-stick.</note> like
                        Johnsons<note n="3" place="foot" resp="editors">Samuel Johnson (1709–1784;
                            <title level="m">DNB</title>), <title level="m">A Journey to the Western
                            Islands of Scotland</title> (1775).</note> in Scotland becomes a
                    valuable piece of timber — &amp; I — a<del rend="strikethrough">s</del> most
                    dull &amp; sullenly silent fellow. such effects has place! I wonder what
                        M<hi rend="sup">r</hi> Hoblyn<note n="4" place="foot" resp="editors">Probably Rev. Robert Hoblyn (1751–1839), a contemporary of Southey’s uncle,
                        Herbert Hill, at Christ Church, Oxford. He was the owner of Nanswhydden
                        House, where Southey and Hill stayed on their way to Falmouth in November
                        1795. Hoblyn was a relative and namesake of the well-known Cornish
                        bibliophile, Robert Hoblyn (1710–1756; <title level="m">DNB</title>).</note>
                    thinks of me — <del rend="strikethrough">he has seen my poems in the B
                        Critic</del> — he mentiond that he had seen my poems in the B Critic.<note n="5" place="foot" resp="editors">Southey’s and Lovell’s <title level="m">Poems</title> (1795) had been reviewed in the <title level="m">British
                            Critic</title>, 6 (August 1795), 185–187.</note>
<ref target="people.html#HillHerbert">my Uncle</ref> answerd tis more than I
                    have. never had man so many relations so little calculated to inspire
                    confidence. my character is open even to a fault — guess <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> what a
                    Kamschatkan climate it must be to freeze up the flow of my thoughts — that you
                    have know more frisky than your spruce beer! — my bones are very thinly
                    cushioned with flesh, &amp; the jolting over these rough roads has made them
                    very troublesome. — <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> they are at this minute uttering aristocracy &amp; I am
                    silent! — two whole days was I imprisoned in stage coaches — cold as a dogs nose
                    — hungry — &amp; such a sinking at the heart — as you can little conceive.
                    should I be drowned on the way — or by any other means take possession of that
                    house where anxiety never intrudes — there will &lt;be&gt; a strange
                    page or two in your life of me.</p>
<p rend="indent1"> my Joan of Arc must by this time be printed. the first of next
                    month it comes out. to me it looks like something that has concerned me, but
                    from which my mind is now compleatly disengaged. the sight of pen &amp; ink
                    reminds me of it. you will little like some parts of it, for me I am now
                    satisfied with the poem — &amp; care little for its success.</p>
<p rend="indent1"> You suppd upon <ref target="people.html#GodwinWilliam">Godwin</ref> &amp; oysters with <ref target="people.html#CarlisleAnthony">Carlisle</ref>. have you then read <ref target="people.html#GodwinWilliam">Godwin</ref> &amp; that with
                    attention? give me your thoughts upon his book — for faulty &amp; false as
                    it is in many parts — there is a mass of truth in it that must make every man
                    think. <ref target="people.html#GodwinWilliam">Godwin</ref> as a man is very
                    contemptable. I am afraid that most public characters will[MS torn] ill endure
                    examination in their private lives — to venture upon so large a theatre, much
                    vanity is necessary — &amp; vanity is the bane of virtue. tis a foul Upas
                    tree &amp; no healing herb but withers beneath its shade. — what then had I
                    to do with publishing? this <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> is a question to which I can give myself no self-satisfying
                    solution. for my Joan of Arc then is an obvious reason. here I stand acquitted
                    of any thing like vanity or presumption. <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> what motive
                    created the F.?<note n="6" place="foot" resp="editors">
<title level="m">The
                            Flagellant</title> (1792), a controversial schoolboy magazine,
                        involvement in which had led to Southey’s expulsion from Westminster School.
                        Grosvenor Charles Bedford had also been one of its founders and
                        contributors.</note> certainly it was not a bad one.</p>
<p rend="indent1"> they are gone to church. — the children in the next room are
                    talking — a harpsichord not far distant annoys me grievously. but then there are
                    a large company of rooks — &amp; their croak is always in unison with mine.
                    What is going on in my thorax? I have a most foul pain suddenly seizd me there.
                        <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> — if a man
                    could but make pills of philosophy for the mind! but there is only one <del rend="strikethrough">pill</del> kind of pill that will cure mental disorders
                    — &amp; a man must be labouring under the worst before he can use that.</p>
<p rend="indent1"> What says <ref target="people.html#WynnCharlesWW">Wynn</ref> to
                    politics. to this Bill &amp; the measure taken by the D. Bedford &amp;c
                    to oppose it.<note n="7" place="foot" resp="editors">A reference to the ‘Two
                        Acts’ (the Treasonable Practices Act and the Seditious Meetings Act)
                        introduced by the government in early November 1795. Francis Russell, 5th
                        Duke of Bedford (1765–1802; <title level="m">DNB</title>), chaired a meeting
                        at the Whig Club on 11 November 1795, at which Charles James Fox (1749–1806;
                            <title level="m">DNB</title>) called for nationwide protests and
                        petitions against the government’s proposals.</note> does he approve of
                    convening a mob or to speak more properly a popular assembly? or do such
                    proceedings make [Southey inserts a sketch consisting of a series of crosses and
                    dashes]. I am waiting for the packet &amp; shall be here ten days. direct to
                    me at Miss Russells<note n="8" place="foot" resp="editors">Unidentified; she was
                        Southey’s landlady during his stay in Falmouth in 1795.</note> — Falmouth.
                    there I shall find your letter. &amp; remember that by writing you will give
                    some pleasure to one who meets now with very little.</p>
<closer>
<salute rend="indent3">farewell.</salute>
<signed rend="indent4">yr RS.</signed>
</closer>
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