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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Bodleian
                        Library, MS Eng. Lett. c. 22.  Previously  published: Charles Cuthbert
                        Southey (ed.), Life and Correspondence of Robert
                            Southey, 6 vols (London, 1849–1850), I, pp. 277–279 [in
                        part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="159" type="letter">
<head>159. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1796-06-12">[started before
                        and continued on 12 June 1796]</date>
<note place="foot" resp="editors" type="headnote">Address: For/ Grosvenor
                        Charles Bedford Esq<hi rend="sup">r</hi>/ New Palace Yard/ Westminster/
                        Single<lb/>Postmark: [illegible; obscured by MS repair]<lb/>Watermarks:
                        Figure of Britannia; W SHARPE<lb/>Endorsement: 12 June 1796<lb/>MS: Bodleian
                        Library, MS Eng. Lett. c. 22<lb/>Previously published: Charles Cuthbert
                        Southey (ed.), <title level="m">Life and Correspondence of Robert
                            Southey</title>, 6 vols (London, 1849–1850), I, pp. 277–279 [in
                        part].</note>
</head>
<lb/>
<p rend="indent1"> Well said Grosvenor! you have hit off the character of our fine
                    Ladies — &amp; <ref target="people.html#WollstonecraftMary">Mary
                        Wollstonecraft</ref> &amp; Robert Southey with all their hearts cry
                    Amen. by the by have you ever read her Rights of Woman?<note n="1" place="foot" resp="editors">Mary Wollstonecraft, <title level="m">A Vindication of the
                            Rights of Woman</title> (1792).</note> but as you think either too
                    little or too much of woman; we will talk of the other sex. yes by the Lord —
                    talk — for is not the tongue of the pen as allowable a phrase as the eye of the
                    mind? By the physiognomy of his name Shee<note n="2" place="foot" resp="editors">Identity not certain, but possibly the portrait painter Martin Archer Shee
                        (1769–1850; <title level="m">DNB</title>).</note> must be a queer bitch. you
                    promise me a good society — &amp; I anticipate the enjoyment of it — yet —
                    will my studies allow so periodical an engagement? — how came <ref target="people.html#DuppaRichard">Duppa</ref> to snarl at <ref target="people.html#GodwinWilliam">Godwin</ref>? Godwin has many dangerous
                    errors in his system, but its excellencies hugely preponderate. have you studied
                    it — or are you of my opinion that systems are good for little &amp;
                    metaphysics for nothing. I have declared war against metaphysics — &amp;
                    would push my arguments as William Pitt<note n="3" place="foot" resp="editors">The Prime Minister, William Pitt, the Younger (1759–1806; <title level="m">DNB</title>).</note> would his <hi rend="ital">successes</hi> — even to
                    the extermination of the enemy.</p>
<p rend="indent1"> Blessd be the hour I scaped the wrangling crew!<note n="4" place="foot" resp="editors">An adaptation of James Beattie (1735–1803;
                            <title level="m">DNB</title>), <title level="m">The Minstrel; or, the
                            Progress of Genius. A Poem. Book the First</title> (1771), Book 1,
                        stanza 42, line 5.</note>
</p>
<p rend="indent1"> I think it may be proved that the material &amp; necessarian
                    controversies are Much ado about nothing. that they end exactly where they
                    began, &amp; that all the moral advantages said to result from them by the
                    Illuminated — are fairly &amp; more easily deducible from religion, or even
                    from Common Sense. there are a great many Goddesses spring up lately — Nature —
                    the Atheists Goddess. Liberty a French Goddess for whom I profess veneration —
                    &amp; Truth — the metaphysicians goddess, in pursuit of whom they would fain
                    send every body on another Pilgrims Progress. but the misfortune is that none of
                    these adventurers <del rend="strikethrough">n</del>ever get beyond Doubting
                    Castle. now my Goddess shall be Common Sense — she has no mysteries &amp;
                    her creed is a comprehensible one.</p>
<p rend="indent1">
<ref target="people.html#AllenRobert">Allen</ref> is indeed married &amp;
                    his marriage is of all others the most quaint “of M<hi rend="sup">rs</hi> A—s
                    income I know nothing. our agreement was to support ourselves seperately. she
                    tells me she has enough to support herself &amp;<hi rend="ital"> her two
                        children</hi>; I am satisfied &amp; enquire no farther.” — they <hi rend="ital">made a bargain</hi>.</p>
<p rend="indent1"> What of <ref target="people.html#CarlisleAnthony">Carlisles</ref>
                    wings? I believe my flying scheme — that of breaking in condors &amp; riding
                    them — is the best — or if a few <hi rend="ital">rocs</hi>
<note n="5" place="foot" resp="editors">Enormous legendary birds of prey that could
                        reputedly carry off an elephant. The roc (or Simorg) would later appear in
                        Southey’s poem <title level="m">Thalaba the Destroyer</title> (1801), in a
                        note added to the 1809 edition, Book ll, line 138n.</note> could be
                    naturalized — tho it might be a <hi rend="ital">hard</hi> matter to <hi rend="ital">break</hi> them —. seriously I am very far from convinced that
                    flying is impossible: <note n="6" place="foot" resp="editors">Southey’s <title level="m">Letters Written During a Short Residence in Spain and
                            Portugal</title> (Bristol, 1797), pp. 246–7, relates the traditional
                        story of a Spaniard who attempted to fly using wings made of bird’s
                        feathers.</note> &amp; have an admirable tale of a Spanish bird for one
                    of my letters which will just suit <ref target="people.html#CarlisleAnthony">Carlisle</ref>.</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor Bedford</ref> — what
                    think you of the Prince of Wales??? his debts twice — &amp; now! <note n="7" place="foot" resp="editors">The massive debts of the future George IV
                        (1762–1830; reigned 1820–1830; <title level="m">DNB</title>) had been paid
                        off by Parliament in 1787, and in 1795 a further £65,000 per annum was added
                        to his annual grant, in order to pay off further debts gradually.</note>
                    “When Pharoah saw that there was respite he hardened his heart.”<note n="8" place="foot" resp="editors">
<title level="m">Exodus</title> 8: 15.</note>
                    good people begin to croak — &amp; I wish that some of the <hi rend="ital">croakers</hi> would go into his bed chamber.</p>
<p rend="indent1"> I mean to pass Saturday with <ref target="people.html#MoreHannah">Hannah More</ref>. you heard from me of my former visit to Cowslip Green.
                        <ref target="people.html#CottleAmos">an elder brother of Cottles</ref> goes
                    there Friday. with whom I shall return. he is a young man of some talents
                    &amp; patronised by Thornton the Friend of the Negroes.<note n="9" place="foot" resp="editors">Henry Thornton (1760–1815; <title level="m">DNB</title>), banker and political economist. He was a cousin of
                        William Wilberforce (1759–1833; <title level="m">DNB</title>) and a leading
                        member of the Clapham Sect. In 1791, Thornton became chairman of the Court
                        of Directors of the newly constituted Sierra Leone Company, dedicated to
                        establishing a colony of freed slaves in Africa. The company aimed to confer
                        on Africa the blessings of European religion and civilization through a
                        trading operation that would be both profitable and free from the taint of
                        slavery.</note>
<ref target="people.html#MoreHannah">Hannah More</ref>
                    educated <ref target="people.html#Cottlefamily">the two eldest daughters</ref> —
                    &amp; very amiable &amp; accomplishd women they are. <ref target="people.html#CottleAmos">Amos</ref> the elder brother is about to
                    take orders.</p>
<lb/>
<p>
<date when="1796-06-12">Sunday. Morning</date> — And behold I did not go. No nor
                    do I go to Meeting this morning — for methinks <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I am better
                    employed in writing a letter than hearing a sermon. public instruction is
                    necessary yet I dislike the tenets of the church — &amp; the forms of the
                    Meeting. however as I can better endure what I think dull — than what I believe
                    blasphemy the Meeting carries the day.</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> — Miss
                        Lodge<note n="10" place="foot" resp="editors">Unidentified; presumably a
                        friend of Grosvenor Charles Bedford and an acquaintance of Southey’s. She
                        might be related to the Mr Lodge whose library Southey mentions in a letter
                        to Horace Walpole Bedford, 13 October 1796 (Letter 182).</note> was in the
                    right &amp; what would she have said to me with a Trinitarian cornerd hat
                    on? &amp; my own unsophisticated seditious hair under it! with respect to
                    women, as to the Mob of them &amp; particularly the Mob of High Life — you
                    are both right — but if there are among the sorry-cattle of mankind such odd
                    animals as ourselves, depend upon the old proverb “every Jack has his Gill.” it
                    is a pity that we do not know as much of women as we do of men they order these
                    things better in France — where friendship (— &amp; ne plus ultra) is common
                    with a woman. the sexes are too much seperated in England — but nothing will be
                    right till You &amp; I have informed the world — &amp; then <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> — provided all
                    words ending in —crat be abolishd — you &amp; I shall agree in our proposed
                    reform.</p>
<p rend="indent1"> Yes your friends shall be mine — but it is We (in the dual
                    number) who must be intimate. if Momus had made a window in my breast<note n="11" place="foot" resp="editors">According to Hesiod (8th century BC),
                            <title level="m">Theogony</title>, Momus (the god of pleasantry)
                        criticised Vulcan (the god of fire) because in manufacturing a human form
                        out of clay, Vulcan had not placed a window in the human breast so that
                        whatever was done or thought could be easily discovered.</note> — I should
                    by this time have had sense enough to add a window shutter. London is not the
                    only place for me. I have an unspeakable loathing for that huge city. “God made
                    the country &amp; Man made the town —”<note n="12" place="foot" resp="editors">William Cowper (1731–1800; <title level="m">DNB</title>),
                            <title level="m">The Task</title> (1785), Book 1, line 749.</note> now
                    as God made me likewise I love the country — here am I in the skirts of Bristol
                    — &amp; in ten minutes in <del rend="strikethrough">th</del> a beautiful
                    country — &amp; in half an hour among rocks &amp; woods with no other
                    company than the owls &amp; jack daws with whom I fraternize in solitude.
                    but London — it is true that you &amp; <ref target="people.html#WynnCharlesWW">Wynn</ref> will supply the place of the
                    owls &amp; jack daws — but <ref target="places.html#Brixton">Brixton</ref>
                    is not the country — the poplers of Pownall Terrace — cannot supply the want of
                    a wild wood — &amp; with all my imagination — I cannot mistake a mile stone
                    for a rock. but there are among the Τα
                    ουκ εφ’
                        ημιν.<note n="13" place="foot" resp="editors">The Greek can be translated as ‘matters not
                        under our control’.</note> it is within doors &amp; not without that
                    Happiness dwells — like a Vestal, watching the fire of the Penates.<note n="14" place="foot" resp="editors">In ancient Rome, the Vestals were priestesses of
                        Vesta, goddess of the hearth. One of their tasks was to keep the fire
                        burning in Vesta’s temple. The Penates were the patron gods of the
                        home.</note>
</p>
<p rend="indent1">
<ref target="people.html#DuppaRichard">Duppa</ref> ( — tho out of his element,
                    which is the water, he being the oddest fish in Nature — &amp; well
                    represented in the Naturalists Miscellan<del rend="strikethrough">n</del>y.)
                        <ref target="people.html#DuppaRichard">Duppa</ref> must be a loss to your
                    society. a Painter is very necessary. one who would make a good picture for the
                    Exhibition from Joan of Arc would do me infinite service, &amp; there are
                    subjects in abundance. is he going to Italy. if not — &amp; I think that
                    very hazardous &amp; very improbable — where can he go — not to Spain if he
                    has any compassion upon himself! not to France — oh the luxury of a trip there
                    after a peace! not to the Low Countries &amp; what other part of the world
                    can tempt a painter? now were it not for that cursed Germany — I should have
                    mathematically proved <ref target="people.html#DuppaRichard">Duppa</ref> would
                    stay in England.</p>
<p rend="indent1"> I have told you what I am about. writing letters to the world is
                    not however quite so agreable as writing to you &amp; I do not love shaping
                    a good thing into a good sentence. when you come down you will see the first
                    part of my correspondence. I am wise enough to have 25 copies printed on good
                    paper &amp; hot-pressed. then <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> for a volume of
                    poems — &amp; then — for the Abridgement of the laws — or the Lawyers pocket
                    companion — in fifty two volumes folio. is it not a pity <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> that I should
                    not execute my intention of writing more verses than Lope de Vega<note n="15" place="foot" resp="editors">Lope Felix de Vega Carpio (1562–1635), prolific
                        Spanish dramatist and poet, who is believed to have written over 1500 plays,
                        of which about 425 survive.</note> — more tragedies than Dryden<note n="16" place="foot" resp="editors">Excluding tragi-comedies, John Dryden
                        (1631–1700; <title level="m">DNB</title>) wrote ten tragedies for the London
                        stage.</note> — &amp; more epic poems than Blackmore?<note n="17" place="foot" resp="editors">Richard Blackmore (1654–1729; <title level="m">DNB</title>) wrote epics which, even by the standards of the genre,
                        were of great length.</note> the more I write the more I have to write — I
                    have a helicon-kind of dropsy upon me &amp; <del rend="strikethrough">xxxx</del> — crescit indulgens sibi.<note n="18" place="foot" resp="editors">Horace (65–8 BC), <title level="m">Odes</title>, Book 2, no.
                        2, line 13. The Latin translates as ‘It grows by being indulged’.</note> the
                    quantity of verses I wrote at <ref target="places.html#Brixton">Brixton</ref> is
                    astonishing — my mind was never more employed — I killed wasps &amp; was
                    very happy — &amp; so I will again <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> tho employed on
                    other themes — &amp; if ever man was happy because he resolved to be so, I
                    will.</p>
<p rend="indent1"> I have heard from <ref target="people.html#SoutheyTom">Tom</ref>
                    since I returned only. he speaks hugely well of you &amp; Miles<note n="19" place="foot" resp="editors">A friend of the Bedford family, he lived at
                        Vanbrugh Fields, Greenwich. His first name is not recorded.</note> even as a
                    couple of oracles. Miles told him he had corresponded with me. do you remember
                    that letter? &amp; the still more celebrated one to <ref target="people.html#CollinsCharles">Signor Carlo Collins</ref> — &amp;
                    the most celebrated one to <ref target="people.html#LightfootNicholas">Nicholas
                        Lightfoot</ref>?</p>
<p rend="indent1"> Of <ref target="people.html#LightfootNicholas">Lightfoot</ref> it
                    is long since I have heard any thing. I conclude that he has taken orders,
                    &amp; christens children out of the POT of abomination. there is something
                    melancholy in knowing nothing of a man with whom I lived so much at one period —
                    &amp; who really had a great regard for me — as I still entertain for him —
                    methinks I ought to write to him — he is a worthy fellow &amp; I believe
                    since the death of our <ref target="people.html#SewardEdmund">Edmund
                        Seward</ref> bears for no one a higher esteem than for me.</p>
<lg type="stanza">
<l rend="indent2">When blew the loud blast in the air</l>
<l rend="indent3"> So shrill — so full of woe</l>
<l rend="indent2">Unable such a noise to bear</l>
<l rend="indent3"> — Down fell Jericho.<note n="20" place="foot" resp="editors">
                    See <title level="m">Hebrews</title> 11: 30.</note>
</l>
</lg>
<p>
<ref target="people.html#LightfootNicholas">Lightfoot</ref> — on the authority of
                    some rum old book, used <del rend="strikethrough">th</del> to assert the
                    existence of a tune that would shake a wall down — by insinuating its sounds
                    into the wall &amp; vibrating so strongly as to shake it down. now <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> to those lines
                    in the 4<hi rend="sup">th</hi> book of Joan<note n="21" place="foot" resp="editors">The lines appeared in Southey’s <title level="m">Joan of Arc,
                            An Epic Poem</title> (Bristol and London, 1796), p. 132.</note> — that
                    allude to Orlando’s magic horn was I going to make a note — which by the help of
                    you &amp; <ref target="people.html#LightfootNicholas">Lightfoot</ref> would
                    have been a very quaint one, &amp; by the help of D<hi rend="sup">r</hi>
                        Geddes<note n="22" place="foot" resp="editors">Dr Alexander Geddes
                        (1737–1802; <title level="m">DNB</title>), Roman Catholic priest, radical,
                        philologist and biblical scholar.</note> not altogether unlearned. not to
                    mention great erudition in quotations from Boyardo Ariosto Archbishop
                        Turpin<note n="23" place="foot" resp="editors">Matteo Maria Boiardo
                        (1434–1494), author of the epic <title level="m">Orlando Innamorato</title>;
                        Ludovico Ariosto (1474–1535), author of <title level="m">Orlando
                            Furioso</title>; Archbishop Turpin (d. 800), a French warrior-priest,
                        who appears in the romance, <title level="m">The Song of
                        Roland</title>.</note> &amp; Spenser.</p>
<p rend="indent1"> farewell <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref>. have you read Count Rumfords Essays?<note n="24" place="foot" resp="editors">Benjamin Thompson, Count Rumford (1753–1814;
                            <title level="m">DNB</title>), <title level="m">Experimental Essays,
                            Political, Economical and Philosophical</title> (1796).</note> — I am
                    ashamed to say that I have not yet. have you read Fawcetts Art of War?<note n="25" place="foot" resp="editors">Joseph Fawcett (<hi rend="ital">c</hi>.
                        1758–1804; <title level="m">DNB</title>), <title level="m">The Art of
                            War</title> (1795).</note> with all the faults of Young<note n="26" place="foot" resp="editors">Possibly a reference to Edward Young (c.
                        1683–1765; <title level="m">DNB</title>), <title level="m">The Complaint,
                            or, Night-Thoughts on Life, Death, and Immortality</title>
                        (1742–1746).</note> it possesses more beauties — &amp; is in many parts
                    — in my opinion — excellent.</p>
<p rend="indent1"> write soon &amp; often &amp; on huger paper —</p>
<closer>
<salute rend="indent2"> remember me to all your <ref target="people.html#Bedfordfamily">good family</ref>
</salute>
<signed rend="indent8"> RS. </signed>
</closer>
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