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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<resp>General Editor, </resp>
<name>Steven E. Jones</name>
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<resp>General Editor, </resp>
<name>Carl Stahmer</name>
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<date when="2009-02-20">March 15, 2009</date>
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<p>Bodleian Library, MS Eng. Lett. c. 22. .  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="16" type="letter">
<head>16. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1792-06-21">[c. 21 June 1792]</date>
<note place="foot" resp="editors" type="headnote">Address: G C Bedford Esq<hi rend="sup">r</hi>/ Old Palace Yard/ Westminster<lb/> Stamped: BATH<lb/> Postmark: DJU/ 21/ 92<lb/> Watermark: [Obscured by MS binding, possibly W S]<lb/> Endorsement: Rec<hi rend="sup">d</hi>. June 21<hi rend="sup">st</hi>. 1792<lb/> MS: Bodleian Library, MS Eng. Lett. c. 22.<lb/> Unpublished.</note>
</head>
<opener>
<salute>My dear Bedford</salute>
</opener>
<p rend="indent1">		This is a damnd world &amp; the sooner I quit it the better. God gave me the happiest disposition ever mortal was blessd with had he not I must have sunk long ago — but all will not do I am tired of life I am disgusted with three parts of mankind — one half are knaves those I detest I despise the fools &amp; where am I to seek the residue! reflection <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> will not do for me so I fly from it — I roam the fields while my strength lasts &amp; return to my pen or my book — what will conversation do where the only subject is damnable.</p>
<p rend="indent1">	not one reproach have I heard concerning Westminster. it does not hurt me for I have not acted improperly — <ref target="people.html#VincentWilliam">Dr V</ref> is a fool &amp; a knave both. forgive me for my hurrying home. to take leave of friends is terrible — particularly so when it is doubtful whether you may ever see them again. if I could get an appointment to the East Indies I should like it. the church is a hypocritical line of life — the law a<del rend="strikethrough">s</del> dishonest one — my friends the Doctors have no interest at Calcutta —</p>
<p rend="indent1">	I am at <ref target="places.html#DukeStBath">No 9 Duke Street Bath</ref> — write to me if you can forgive my neglect — but I am not composed enough to write decently since I left Rye the moment I mounted the coach I smelt London &amp; it sickend me. when I left London I smelt a charnel house &amp; when I got home old Nicks brimstone.</p>
<p rend="indent1">	I have been looking for wild flowers &amp; found a beautiful one of an unknown species to me — such employments pass the time. I have begun “an improbable tale”<note n="1" place="foot" resp="editors">The manuscript of an ‘Improbable Tale’ is in the Bodleian Library, MS Eng. Misc. e. 22.</note> — why it is calld so I will tell you — the world is so bad that any uncommon virtue or <hi rend="ital">tolerant</hi> sentiment is unnatural therefore improbable — I will copy some verses which I have just wrote for it</p>
<lg type="stanza">
<l rend="indent2">Lo where emerging from the womb of night</l>
<l rend="indent3">	Yon glorious orb exalts his brightening ray</l>
<l rend="indent2">The clouds assume the livery of light</l>
<l rend="indent3">	And pearly dewdrops glimmer in the day</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">The choir of Nature raise their chearing sound</l>
<l rend="indent3">	The tender stalk uprears its glistening head</l>
<l rend="indent2">Awd by the morn each reptile flies around</l>
<l rend="indent3">	And wolves in grim retreat go seek their secret bed.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Yet now when Natures universal frame</l>
<l rend="indent3">	Feels the bright joy of life &amp; light &amp; day</l>
<l rend="indent2">Still miserys sable cloud remains the same</l>
<l rend="indent3">	Still Melancholy glooms the darkling lay</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">To me the purple radiance of the air</l>
<l rend="indent3">	To me the choral harmony of song</l>
<l rend="indent2">Weak to dispell the shade of deep despair</l>
<l rend="indent3">	That haunts each culturd plain or forest wild among.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Fixd sullen tyrant still thy iron chain</l>
<l rend="indent3">	Corrodes my heart &amp; rankles in my breast</l>
<l rend="indent2">Youth — Hope — would fly — but ah all hope is vain</l>
<l rend="indent3">	To seek with thee for happiness or rest.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Sweet are to me the Convents gloomy walls</l>
<l rend="indent3">	Where Contemplation trims the midnight lamp</l>
<l rend="indent2">To rove the high archd solitary halls</l>
<l rend="indent3">	Or tread the cloyster gloom with weeds oergrown &amp; damp</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Sweet is at Nights most secret hour to rise</l>
<l rend="indent3">	And pour my spirit in energic prayr</l>
<l rend="indent2">Till full Devotion soar above the skies</l>
<l rend="indent3">	And Hope expands her wings &amp; flies beyond Despair — </l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Sad Memorys hand withdraws the distant viel</l>
<l rend="indent3">	And points a father to my streaming eyes</l>
<l rend="indent2">Friendless &amp; chill as weak &amp; worn &amp; pale</l>
<l rend="indent3">	Far from his wife his son the captive lies — </l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">No chearing sun there darts his glorious day</l>
<l rend="indent3">	Nor perfumd morning breathes her orient breath</l>
<l rend="indent2">Nor Hope emits to him her gladsome ray</l>
<l rend="indent3">	Nor Freedom voice exalts — she only leads to Death</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Spirit of Ella<note n="2" place="foot" resp="editors">Possibly the eponymous hero of Thomas Chatterton (1752–1770; <title level="m">DNB</title>), ‘Ella, A Tragical Interlude’ (1768–1769).</note> from yon azure sky</l>
<l rend="indent3">	Look down support the sorrows of thy child</l>
<l rend="indent2">Let Resignation lift my hopes on high</l>
<l rend="indent3">	With Friendships softer voice &amp; Pitys influence mild.</l>
</lg>
<p>your <ref target="people.html#BedfordHoraceWalpole">brother</ref> I hear has tyed his hair — there is a plot to crop &amp; dock him.</p>
<p rend="indent1">	if you have heard of the fox without a tail — did you ever hear of the Ass in the same situation —</p>
<closer>
<salute>x Tell <ref target="people.html#CollinsCharles">Collins</ref> my direction — &amp; pray write.</salute>
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