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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<p>National Library of
                        Wales, MS 4811D.  Previously  published: Kenneth Curry (ed.), New Letters of Robert Southey, 2 vols (London and New
                        York, 1965), I, pp. 119–20.Dating note: The letter is dated from the
                        endorsement; the postmark suggests a date before c. 30 January
                    1797.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="195" type="letter">
<head>195. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1797-01-26">[26 January 1797]</date>
<note place="foot" resp="editors" type="headnote">Address: [MS torn] W Williams
                        Wynn Esq<hi rend="sup">r</hi>/ N<hi rend="sup">o</hi> 5. Stone Buildings/
                        Lincolns Inn/ London/ Single<lb/>Stamped: BATH<lb/>Postmark: [partial] BJ/
                        30/ 97<lb/>Endorsement: Southey/ Jan 26/ 1797<lb/>MS: National Library of
                        Wales, MS 4811D<lb/>Previously published: Kenneth Curry (ed.), <title level="m">New Letters of Robert Southey</title>, 2 vols (London and New
                        York, 1965), I, pp. 119–20.<lb/>Dating note: The letter is dated from the
                        endorsement; the postmark suggests a date before c. 30 January
                    1797.</note>
</head>
<lb/>
<p n="indent1"> I differ from you concerning La Fayette.<note n="1" place="foot" resp="editors">Marie-Paul-Joseph-Roch-Gilbert Motier, Marquis de La Fayette
                        (1757–1834), French general and politician. He was an active supporter of
                        the American side in the War of Independence, but took a moderate position
                        during the French Revolution and eventually fled to Austria, where he was
                        imprisoned.</note> on what pretext is he confined but as the prisoner of the
                    allies? he cannot be supposed the prisoner of the Emperor individually.
                    therefore instead of seeing any impropriety in the interference of England, I
                    think for its own honor this country should wash its hands of so infamous a
                    transaction. La Fayette is not amenable to the Emperor for aught he may have
                    done. I am glad to see the French are opening their eyes to his conduct. how did
                    you like M<hi rend="sup">r</hi> Wyndhams speech<note n="2" place="foot" resp="editors">William Windham (1750–1810; <title level="m">DNB</title>),
                        Secretary of War, 1794–1801, declared in the House of Commons on 16 December
                        1796 that La Fayette’s imprisonment was not a matter for the British
                        government.</note> upon this subject?</p>
<p rend="indent1"> “Mary” is a bad poem<note n="3" place="foot" resp="editors">Southey’s ballad ‘Mary’ was published in his <title level="m">Poems</title>
                        (1797).</note> — but it is generally liked. it has been selected as a
                    favorite by <ref target="people.html#BeddoesThomas">D<hi rend="sup">r</hi>
                        Beddoes</ref> — a hypercritic of the Darwin<note n="4" place="foot" resp="editors">Erasmus Darwin (1731–1802; <title level="m">DNB</title>).</note> school, who writes bad verses himself, &amp; of
                    course criticises <del rend="strikethrough">every body</del> all others
                    severely.</p>
<lg type="stanza">
<l rend="indent2">Si el sabio no aprueba, malo!</l>
<l rend="indent3"> Si el necio aplaude, peor!<note n="5" place="foot" resp="editors">A poem by Tomás de Iriarte (1750–1791), translated by
                            Southey as ‘The Dancing Bear’. Southey’s version of these lines appeared
                            in his <title level="m">Letters Written During a Short Residence in
                                Spain and Portugal</title> (London, 1797), p. 551, as ‘Bad is the
                            censure of the wise/ The Blockhead’s praise is worse’.</note>
</l>
</lg>
<p>I begin to think that our opinions upon poetry are not consonant. I am no friend
                    to the harmony with which we have been cloyed since the days of Pope.<note n="6" place="foot" resp="editors">Alexander Pope (1688–1744; <title level="m">DNB</title>).</note> Churchill<note n="7" place="foot" resp="editors">Charles Churchill (1732–1764; <title level="m">DNB</title>).</note> is too
                    rough: but there is a medium, &amp; I am on the side of Bowles versus
                        Reviewers:<note n="8" place="foot" resp="editors">Negative assessments of
                        the versification and language of William Lisle Bowles (1762–1850; <title level="m">DNB</title>), <title level="m">Hope, An Allegorical Sketch on
                            Recovering Slowly from Sickness</title> (1796) had appeared in the
                            <title level="j">Critical Review</title>, 19 (January 1797), 235–236,
                        and the <title level="j">British Critic</title>, 9 (January 1797),
                        190–191.</note> who by the by are in general a set of stupid fellows. <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> has the Monk to
                    review for the Critical<note n="9" place="foot" resp="editors">Matthew Gregory
                        Lewis (1775–1818; <title level="m">DNB</title>), author of the controversial
                            <title level="m">The Monk</title> (1796), which Samuel Taylor Coleridge
                        reviewed in the <title level="j">Critical Review</title>, 19 (February
                        1797), 194–200.</note> — &amp; I am somewhat curious to see how he will
                    handle Lewis. I am engaged when in town to write for the Analytical &amp;
                    should very much like to begin by dissecting Ambrosio. I do not think the Monk
                    can be praised too highly, or blamed too severely.</p>
<p rend="indent1"> I wish <ref target="people.html#NaresRobert">Bob</ref> would
                    insert a review of my writing in the British Critic. <del rend="strikethrough">there a</del> it is upon a strange poem with still stranger notes, written
                    by a man of brilliant genius &amp; polishd manners who is deranged. it is
                    easy to imply this without doing it in such terms as would wound his feelings.
                    the book is “the Hurricane a Theosophical &amp; Western Eclogue by William
                    Gilbert.” <note n="10" place="foot" resp="editors">William Gilbert’s <title level="m">The Hurricane</title> had been published in 1796.</note>
<ref target="people.html#GilbertWilliam">Gilbert</ref> has been called to the
                    bar. he was clerk to the House of Commons at Antigua, &amp; came to England
                    as Counsel on a celebrated cause in the annals of Military Law. I know him
                    &amp; pity him —</p>
<lg type="stanza">
<l rend="indent4"> where a sight shall Sorrow find</l>
<l rend="indent2">Sad as the ruins of the human mind! <note n="11" place="foot" resp="editors">An adaptation of William Lisle Bowles, <title level="m">Verses on the Benevolent Institution of the Philanthropic
                                Society</title> (Bath, 1790), p. 16. Southey had previously used
                            these lines as an epigraph to the four ‘Botany-Bay Eclogues’ published
                            in his <title level="m">Poems</title> (1797).</note>
</l>
</lg>
<p>My book is done.<note n="12" place="foot" resp="editors">Southey’s <title level="m">Letters Written During a Short Residence in Spain and
                            Portugal</title> (1797).</note> &amp; I wait only to get your copies
                    hot pressed to dispatch them. I was obliged to cancel two complete sheets — such
                    blunders did they make in my absence.</p>
<p rend="indent1"> to night I return to Bristol to visit the only friend I have
                    there. you know that now I do not rashly use the word. we are going to see the
                    skeletons of which you may have seen some account in the papers — you may expect
                    a true &amp; particular account.<note n="13" place="foot" resp="editors">For
                        Southey’s account of the skeletons found in 1797 at Aveline’s Hole in the
                        Mendip Hills, near Burrington Combe, see his letter to the Editor of the
                            <title level="m">Monthly Magazine</title>, 28 January 1797 (Letter 196)
                        and to Charles Watkin Williams Wynn, 29 January [1797] (Letter
                    197).</note>
</p>
<p rend="indent1"> I am about to send a Joan of Arc to St Pierre.<note n="14" place="foot" resp="editors">Jacques-Henri Bernardin de Saint-Pierre
                        (1737–1814), author of <title level="m">Paul et Virginie</title> (1788) and
                            <title level="m">Etudes de la Nature</title> (1784).</note> you know he
                    earnestly recommends the subject — for a drama [MS torn] there is a
                    communication by means of Remnant<note n="15" place="foot" resp="editors">James
                        Remnant (fl. 1790s) a bookseller in High Holborn, who specialised in German
                        books.</note> [MS torn]German bookseller to Hambro — Rotterdam — &amp;
                    [MS obscured] Paris — &amp; a present from one literary man to another does
                    not come within the penalties of the Traitrous Correspondence bill.<note n="16" place="foot" resp="editors">The Traitorous Correspondence Act of 1793 was
                        designed to prevent British citizens from aiding France in any
                    way.</note>
</p>
<closer>
<salute rend="indent3"> farewell.</salute>
<signed rend="indent4"> R Sou[MS torn]</signed>
</closer>
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