<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Carl Stahmer</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2009-03-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce225</idno>
<idno type="edition">letterEEd.26.225</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2009-02-20">March 15, 2009</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Robert H. Taylor Collection, Princeton University
                        Library.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="#EEd.26.1.names"/>
<catRef scheme="#places" target="#EEd.26.1.places"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2009-03-10" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-03-02" n="3">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#LM" when="2009-02-20" n="2">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-02-20" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>TEI Encoding</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="225" type="letter">
<head>225. Robert Southey to <ref target="people.html#FrickerEdith">Edith
                        Southey</ref>, <date when="1797-06-21">[c. 21 June 1797]</date>
<note place="foot" resp="editors" type="headnote">Address: For/ M<hi rend="sup">rs</hi> Southey/ at M<hi rend="sup">rs</hi> Barnes’s/ Burton near
                        Ringwood/ Hampshire<lb/>Postmark: FJU/ 21/ 97<lb/> Endorsement: June 21,
                        1797.<lb/>MS: Robert H. Taylor Collection, Princeton University
                        Library<lb/>Unpublished.</note>
</head>
<p rend="indent1"> I am unlucky my dear Edith — &amp; have not yet found <ref target="people.html#AikinJohn">D<hi rend="sup">r</hi> Aikin</ref>. I shall
                    make another attempt this evening &amp; least I may be again unsuccessful
                    take a note in my pocket requesting him to leave the money for me tomorrow
                    morning in case he should again be out. I am much tired &amp; more vexed —
                    the vexation I cannot help as it is on account of you — as for being tired I
                    have enough practical philosophy not to mind stiff knees, aching thighs, swoln
                    feet &amp; blistered heels.</p>
<p rend="indent1"> I have no money to do any business. this is provoking as I am
                    walking about to see people &amp; pass by the shops at which my business
                    would lie. I saw the Hendersons<note n="1" place="foot" resp="editors">Possibly
                        connected to the actor John Henderson (c. 1747–1785; <title level="m">DNB</title>).</note> at Brixton yesterday, &amp; like the younger
                    much. they were going to Lymington I persuaded them not.</p>
<p rend="indent1"> I saw <ref target="people.html#MayJohn">John May</ref> this
                    morning &amp; had much conversation with him. he explained the latter part
                    of his letter — &amp; this explanation led to the subject of society till I
                    had given him my opinion upon the subject; his mind was prepared for it by
                    having a witness of much wretchedness &amp; depravity, &amp; it seemed
                    to impress him strongly. I shall see him again tomorrow. I dine at Grays Inn to
                    day — with <ref target="people.html#CarlisleAnthony">Carlisle</ref> tomorrow —
                    &amp; if I get my money &amp; my place at Christ Church in the next day.
                    if I can only secure the first article you shall receive another letter with the
                    necessary inclosure on Friday but I hope to come myself. you know <ref target="people.html#FrickerEdith">Edith</ref> with what reluctance I ever
                    absent myself one hour from you &amp; will easily conceive the vexation I
                    feel. this vexation I know to be useless &amp; half subdue. we are more the
                    masters of our own feelings than we are willing to confess.</p>
<p rend="indent1">
<ref target="people.html#BiddlecombeCharles">M<hi rend="sup">r</hi>
                        Biddlecombe</ref>
<del rend="strikethrough">had</del> explained to me upon the subject of our
                    conversation that night. our rough friend in the boat told truth. &amp; his
                    reason for so strongly objecting to your becoming an inmate at the parsonage is
                    because the Lady<note n="2" place="foot" resp="editors">Lady
                        Strathmore, Mary Eleanor Bowes (1749–1800; <title level="m">DNB</title>),
                        heiress, botanist and author of a five act play, <title level="m">The Siege
                            of Jerusalem</title> (1769). Her first husband was John Lyon
                        (1737–1776), 9th Earl of Strathmore and Kinghorne, her second the
                        fortune-hunter Andrew Robinson Stoney (1747–1810). In 1789, her abusive
                        marriage to Stoney ended in an acrimonious and scandalous divorce. The
                        sexual and domestic scandal that tarnished her reputation can be seen in
                        James Gillray’s (1756–1815; <title level="m">DNB</title>) <title level="m">The Injured Count, S-</title> (c. 1786), which depicts Lady
                        Strathmore drinking gin with her servants and suckling two cats (a reference
                        to the rumour that she was fonder of her pets than of her son).</note> has
                    not been a better women than she ought to be — nor quite so good. Morbleu!</p>
<p rend="indent1"> I saw Montagu.<note n="3" place="foot" resp="editors">Basil
                        Montagu (1770–1851; <title level="m">DNB</title>), lawyer and author,
                        illegitimate son of John Montagu, 4th Earl of Sandwich (1718–1792; <title level="m">DNB</title>) and the actress Martha Ray (d. 1779; <title level="m">DNB</title>). Montagu, like Southey, was a member of Gray’s
                        Inn, and was called to the Bar in 1798. He was a friend of William
                        Wordsworth and Samuel Taylor Coleridge, and in 1795, Wordsworth and his
                        sister, Dorothy, undertook the upbringing of his two-year old son by his
                        first wife.</note> he tells me <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> is with <ref target="people.html#WordsworthWilliam">Wordsworth</ref>.</p>
<p rend="indent1"> I am writing to you with the utmost haste, in momentary
                    expectation of <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref>. who is to call for me here. I am again at <ref target="people.html#CarlisleAnthony">Carlisles</ref>. he has the worst pens
                    in the world — &amp; they like our constitution — too bad to be mended —
                    &amp; like the barren fig tree &amp; our ministers — fit only to be hewn
                    down &amp; cast into the fire.<note n="4" place="foot" resp="editors">
<title level="m">Matthew</title> 7: 179 and 2: 18–21.</note>
</p>
<p rend="indent1">
<ref target="people.html#WynnCharlesWW">Wynn</ref> is in regimentals a private
                    horse man — &amp; about to enter parliament. he gave me the deed, settling
                    160£ for life. payable quarterly on the 20 of January April July &amp;
                    October.</p>
<p rend="indent1">
<ref target="people.html#WynnCharlesWW">Wynn</ref> wants to hang the
                        sailours<note n="5" place="foot" resp="editors">Sailors who had participated
                        in the naval mutinies at Nore and Spithead of April-June 1797.</note> — I
                    &amp; <ref target="people.html#CarlisleAnthony">Carlisle</ref> want to hang
                    their betrayers &amp; judges — &amp; there are probably people in London
                    who would like to hang us. <ref target="people.html#ThomasWilliamBowyer">Thomas</ref> is not returned — they heard from him the sixth of this month
                    &amp; daily expect him. this is unfortunate. <ref target="people.html#DyerGeorge">George Dyer</ref> is not in town.</p>
<p rend="indent1"> It is long since I have been so greatly fatigued — &amp; yet
                    it has no effect upon my spirits. they are as regular as ever. this nasty dinner
                    to day will occasion me a needless walk, but I shall never bear the name of
                    Broad Street Buildings again for <ref target="people.html#AikinJohn">D<hi rend="sup">r</hi> Aikins</ref> sake. the distance is terrible. you will
                    however have the comfort of supposing by the time this reaches you that all my
                    jobs are over, &amp; that I am at rest for the rest of my stay in London. if
                    it be possible I hate it worse than ever; &amp; feel already a horrible
                    &amp; loathing reluctance ever again to inhabit so detestable a place. God
                    bless you my dear <ref target="people.html#FrickerEdith">Edith</ref>. I am tired
                    &amp; vexed but in a very few days all the fatigue &amp; vexation will
                    be over &amp; I shall be comfortably settled. now &amp; then when my
                    feet give an extraordinary ache or I tread upon a rough stone I think I am the
                    happiest fellow living when at home — &amp; curse the Grays Inn dinner.</p>
<closer>
<salute rend="indent2"> yr affectionate</salute>
<signed rend="indent4"> Robert Southey.</signed>
</closer>
</div>
</body>
</text>
</TEI>
