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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>National Library of Wales, MS
                        4811D.  Previously  published: Kenneth Curry (ed.), New
                            Letters of Robert Southey, 2 vols (London and New York, 1965),
                        I, pp. 140–142.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
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											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="249" type="letter">
<head>249. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1797-08-16">16 August 1797</date>
<note place="foot" resp="editors" type="headnote">Address: For/ C W Williams Wynn
                            Esq<hi rend="sup">r</hi>/ 5. Stone Buildings/ Lincolns Inn/
                        London<lb/>Stamped: RINGWOOD<lb/>Postmarks: AU/ 17/ 97; FREE/ AU/ 17/
                        97<lb/> Endorsement: August 16/ 1797<lb/>MS: National Library of Wales, MS
                        4811D<lb/>Previously published: Kenneth Curry (ed.), <title level="m">New
                            Letters of Robert Southey</title>, 2 vols (London and New York, 1965),
                        I, pp. 140–142.</note>
</head>
<opener>
<dateline rend="right">
<date when="1797-08-16">Wednesday. August 16. 1797.</date>
</dateline>
</opener>
<p rend="indent1"> The Poole Mail will convey Coke<note n="1" place="foot" resp="editors">Sir Edward Coke (1552–1643; <title level="m">DNB</title>),
                            <title level="m">Institutes of the Laws of
                        England</title> (1628–1644).</note> to me, &amp; the Christ Church cart
                    leave it at my door.</p>
<p rend="indent1"> I beseech you send me the verses of Miss Anna Seward;<note n="2" place="foot" resp="editors">Anna Seward (1747–1809; <title level="m">DNB</title>), ‘Written by Anna Seward, After Reading Southey’s <title level="m">Joan of Arc</title>’ appeared in the <title level="j">Morning
                            Chronicle</title> on 5 August 1797.</note> they shall be carefully
                    returned. as for her favorite Henry the fifth<note n="3" place="foot" resp="editors">Henry V (1386/7–1422; reigned 1413–1422; <title level="m">DNB</title>).</note> I can only say the more I learn of his character
                    the more detestable it appears. our Edwards were tolerable considering the day
                    they lived in. I have never thought so highly as our historians of the Black
                    Princes waiting at supper upon the captive King,<note n="4" place="foot" resp="editors">The story that Edward, Prince of Wales, the Black Prince
                        (1330–1376; <title level="m">DNB</title>), waited upon the captured French
                        king John II (1319–1364; reigned 1350–1364).</note> it was an ill judged
                    condescension &amp; must have been painful to John. he should have supped
                    with him. but Henry after the battle of Agincourt made <del rend="strikethrough">the</del> his prisoners wait upon him. I find this in an old Chronicler
                    whose name seems almost to have perished. Edmond Howes.<note n="5" place="foot" resp="editors">Edmund Howes (fl. 1602–1631; <title level="m">DNB</title>),
                            <title level="m">The Annales, or Generalle Chronicle of England, Begun
                            First by Maister John Stow, and After Him Continued and Augmented with
                            Matters Forreine and Domesticall unto the End of Yeare 1610, by E.
                            H.</title> (1611).</note> he wrote under Elizabeth James &amp; in the earlier
                    years of Charles &amp; expresses obligations to Sir Edward Coke &amp;
                    Master Camden.<note n="6" place="foot" resp="editors">William Camden (1551–1623;
                            <title level="m">DNB</title>), antiquary.</note>
</p>
<p rend="indent1"> The account you have sent me of the Rebutter in the action at
                    Paris is subsequent to the action of my poem. Burgundys defection appears
                    sufficiently important to justify the anachronism &amp; indeed the business
                    of Orleans first occasioned dissentions between him &amp; Bedford.<note n="7" place="foot" resp="editors"> John, Duke of Bedford (1389–1435; <title level="m">DNB</title>).</note> Surely Wynn if you will look at Bedfords
                    nose, you will see how fit he was to burn the Maid. I have a great
                    physiognomical dislike to him.</p>
<p rend="indent1"> Shakespere mentions the thunder &amp; lightning. I find
                    Gladdisdale there under the name of Sir William Glansdale. <note n="8" place="foot" resp="editors">A character in the first part of <title level="m">Henry VI</title>.</note> but what name can have been
                    metamorphosed into Glacidas? Du Serres<note n="9" place="foot" resp="editors">Jean De Serres (1540–1598), <title level="m">Histoire de France</title>
                        (1598). Southey used the English translation by Edward Grimestone (dates
                        unknown), published in 1607, for the second edition of <title level="m">Joan
                            of Arc</title>.</note> mentions him, &amp; Chapelain<note n="10" place="foot" resp="editors">Jean Chapelain (1595–1674), <title level="m">La
                            Pucelle ou la France Délivrée</title> (1756).</note> kills him at the
                    falling in of the bridge, an incident of which he has made little use, tho so
                    very fine in itself. does there appear to you too much attempt at artifice in
                    suppressing the name of Theodore till his death? the pen of expurgation has
                    passed thro the long speech of stupidity P. 147–148. will you like leopard or
                    libbard? I have used the first.</p>
<p rend="indent1">
<ref target="people.html#LloydCharles">Charles Lloyd</ref> is with me — an
                    unexpected visitor. his poems that made so awkward a folio<note n="11" place="foot" resp="editors">Charles Lloyd, <title level="m">Poems on the
                            Death of Priscilla Farmer</title> (1796).</note> figure are now printed
                    in the pocket size with Coleridges &amp; Lambs.<note n="12" place="foot" resp="editors">
<title level="m">Poems, by S. T. Coleridge, Second Edition.
                            To Which are Now Added Poems by Charles Lamb, and Charles Lloyd</title>
                        (1797).</note>
</p>
<p rend="indent1"> My simily which you like of Azrael,<note n="13" place="foot" resp="editors">Azrael, the archangel of death, appears in Southey’s <title level="m">Thalaba the Destroyer</title> (1801).</note> is not
                    historically or rather fabulously correct. the visit is true but the effects his
                    presence produced I had connected from the Devil in the Duke of Guise<note n="14" place="foot" resp="editors">John Dryden (1631–1700; <title level="m">DNB</title>) and Nathaniel Lee (1649–1692; <title level="m">DNB</title>), <title level="m">The Duke of Guise</title> (1683).</note> who
                    was such an adept in drawing up deeds. I shall not alter it. Hræsvelger puzzled
                    every body — I shall satisfy them by quoting the Vafthrudnismal.<note n="15" place="foot" resp="editors">A poem in the <title level="m">Edda</title>, a
                        verse translation of which appeared in Amos Simon Cottle, <title level="m">Icelandic Poetry, or the Edda of Saemund Translated into English
                            Verse</title> (Bristol, 1797), pp. [3]–39.</note>
</p>
<p rend="indent1"> the 8<hi rend="sup">th</hi> book must conclude with the simily
                    which ends line 684. I shall want the rest to lengthen out the 9<hi rend="sup">th</hi> for which the business with Burgundy affords not enough materials.
                    prolixity is always bad.</p>
<p rend="indent1"> I think <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> much more to blame in beginning his study of law than in
                    abandoning it. he has not time for it — nor, as I think, any adequate motive.
                    true this should have been considered earlier, but he expected more leisure
                    &amp; has been disappointed. with enough at present, <del rend="strikethrough">x</del> the prospect one day of independance, &amp;
                    having no friends who require his assistance, I think it the duty of a wise man
                    rather to improve his mind than his fortune. <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> wants steadiness.
                    he has not even enough to be happy.</p>
<p rend="indent1"> God bless you. I will work like a cart-horse to get to my
                    journeys end.</p>
<closer>
<salute rend="indent2"> yrs affectionately</salute>
<signed rend="indent4"> Robert Southey.</signed>
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