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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
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<name>Southey, Robert, 1774-1843</name>
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<idno type="nines">rce251</idno>
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<sourceDesc>
<p>National Library of Wales, MS
                    4811D.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="251" type="letter">
<head>251. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1797-08-24">24 August 1797</date>
<note place="foot" resp="editors" type="headnote">Address: To/ C W Williams Wynn
                            Esq<hi rend="sup">r</hi>/ Wynnstay/ near Wrexham/ Denbighshire/
                        Wales<lb/>Stamped: RINGWOOD<lb/>Postmark: BAU/ 25/ 97<lb/> Endorsement: Aug.
                        24/ 1797<lb/>MS: National Library of Wales, MS
                    4811D<lb/>Unpublished.</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>
<ref target="places.html#Burton">Burton</ref>.</placeName>
</address>
<date when="1797-08-24"> 24 Aug. 97.</date>
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<p rend="indent1"> I have amused myself with abusing the Reverend Robert
                        Banyard,<note n="1" place="foot" resp="editors">‘Banyard’ is possibly a
                        nickname for <ref target="people.html#NaresRobert">Robert
                        Nares</ref>.</note> &amp; he has amused himself with abusing me — but
                    the balance is so much in my favour, that all his future reviews can never make
                    it equal. thank you for Miss Anna Sewards delectable composition<note n="2" place="foot" resp="editors">Anna Seward (1747–1809; <title level="m">DNB</title>), ‘Written by Anna Seward, After Reading Southey’s <title level="m">Joan of Arc</title>’, published in the <title level="j">Morning Chronicle</title>, 5 August 1797.</note> — it shall be well
                    preserved for you.</p>
<p rend="indent1"> the word “incumbent”<note n="3" place="foot" resp="editors">Robert Southey, <title level="m">Joan of Arc, An Epic Poem</title> (Bristol
                        and London, 1796), pp. 32, 62, 389.</note> is I think appropriate —
                    peculiarly so. as for ‘magnanimates”<note n="4" place="foot" resp="editors">Robert Southey, <title level="m">Joan of Arc, An Epic Poem</title> (Bristol
                        and London, 1796), p. 391.</note> it is a piece of bad money that I borrowed
                    — so you must acquit me of coining &amp; bring in a verdict of petty
                    larceny. tis in the translation of the huge romance Cleopatra by a Robert
                        Loveday,<note n="5" place="foot" resp="editors">Robert Loveday
                        (1620/21–1656; <title level="m">DNB</title>), <title level="m">Hymen's
                            Præludia, or, Love's Master-Piece</title> (1652, 1654 and 1655), a
                        three-part translation of La Calprenède's (Gaultier de Coste, Seigneur de La
                        Calprenède) (c. 1610–1663), <title level="m">Cléopâtre</title>
                        (1652).</note> who from the recommendatory verses prefixd to his book seems
                    to have possessed more celebrity than diffidence. the idea immediately following
                    that word is from the same work “thus did Juba catch up the shield of death to
                    defend himself from ignominy.”<note n="6" place="foot" resp="editors">Robert
                        Loveday, <title level="m">Hymen's Præludia, or, Love's Master-Piece</title>
                        (1652, 1654 and 1655), p. 88. The quotation appeared in <title level="m">Joan of Arc</title>, 2nd edn, 2 vols, (Bristol, 1798), II, pp.
                        247–248.</note> I mean to acknowledge <del rend="strikethrough">such</del>
                    all such imitations in the new edition, they will rather display my learning
                    than poverty, — &amp; besides an honest man ought not to deck himself in
                    borrowed splendour. magnanimates shall out.</p>
<p rend="indent1"> We shall not agree upon Henry of Monmouths<note n="7" place="foot" resp="editors">Henry V (1386/7–1422; reigned 1413–1422; <title level="m">DNB</title>).</note> character. certainly he lived in the
                    worst of periods — but I do not find in any other man of his warlike reputation,
                    the same cool &amp; inflexible barbarity. the Oldcastle business<note n="8" place="foot" resp="editors">Henry V was involved in the trial and
                        execution of John Oldcastle, Baron Cobham (d. 1417; <title level="m">DNB</title>).</note> I am not fully acquainted with but will refer this
                    morning to the Chronicle; could he not have changed the mode of that poor
                    madmans execution? did I tell you that he made his Agincourt captives wait upon
                    him? — as if to fill up the contrast between his character &amp; that of the
                    Black Prince.<note n="9" place="foot" resp="editors">A comparison of Henry V’s
                        conduct with that of Edward, Prince of Wales, the Black Prince (1330–1376;
                            <title level="m">DNB</title>), who reputedly waited upon the captured
                        French king, John II (1319–1364; reigned 1350–1364).</note>
</p>
<p rend="indent1"> I will send you <ref target="people.html#LloydCharles">Lloyds</ref> poems as reprinted with his others to London. that he should
                    have written &amp; felt as he did for the death of his grandmother would not
                    be wondered at were it known what a woman she was. a cancer killed her — she
                    knew it to be incurable &amp; bore it <del rend="strikethrough">without</del> in secresy for two years — it had eaten away the bone of her
                    thigh before she died — &amp; yet she was never heard to groan or complain —
                    nor ever suffered any person to sit up with her . of such compleat Christian
                    fortitude as the whole of her conduct exhibited I never before heard. by the by
                    Nares has reviewed those poems in an infamous manner. <note n="10" place="foot" resp="editors">Robert Nares’s review of Charles Lloyd’s <title level="m">Poems on the Death of Priscilla Farmer</title> (1796) in the <title level="j">British Critic</title>, 9 (May 1797), 557.</note> he who could
                    read them &amp; then write in that manner upon the subject, must <del rend="strikethrough">be</del> have a heart of very bad stuff. I am glad you
                    like his poems.</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> has not yet sent
                    the books. I condemn his general fickleness as severely as you can do — tho in
                    this case the folly seems to me to have been in taking up the study not in
                    abandoning it. as for being of use to mankind — it is a phrase of very wide
                    signification, &amp; I &amp; <ref target="people.html#ProbyJohnCarysfort">Ld Carysfort</ref> should probably
                    differ much in <del rend="strikethrough">xxxx</del> defining it. <del rend="strikethrough">but</del> I know not what he means to do — but I
                    believe his irresolution will [MS obscured]er leave him, &amp; that he will
                    never be useful to others or happy in himself. I tell him this in my letters,
                    &amp; he half acknowledges it. but he will not mend — &amp; there is a
                    very excellent fellow spoilt.</p>
<p rend="indent2"> God bless you.</p>
<closer>
<salute rend="indent3"> yrs affectionately</salute>
<signed rend="indent4"> Robert Southey.</signed>
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