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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Bodleian Library, MS Eng.
                        Lett. c. 22.  Previously  published: Kenneth Curry (ed.), New
                            Letters of Robert Southey, 2 vols (London and New York, 1965),
                        I, pp. 27–30.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="53" type="letter">
<head>53. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1793-07-14">14–21 July
                        1793</date>
<note place="foot" resp="editors" type="headnote">Address:
                        Grosvenor Charles Bedford Esq<hi rend="sup">r</hi>/ Old Palace Yard/
                        Westminster/ single sheet<lb/>Stamped: BRISTOL<lb/>Postmark: [partial]
                        AJY<lb/>Watermark: G R in a circle and figure of Britannia<lb/>Endorsements:
                            Rec<hi rend="sup">d</hi>. July 23<hi rend="sup">d</hi>. 1793; wrote to
                        R.S./ July 21<hi rend="sup">st</hi>./ 1793<lb/>MS: Bodleian Library, MS Eng.
                        Lett. c. 22<lb/>Previously published: Kenneth Curry (ed.), <title level="m">New
                            Letters of Robert Southey</title>, 2 vols (London and New York, 1965),
                        I, pp. 27–30.</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>
<ref target="places.html#CollegeGreenBristol">College Green Bristol.</ref>
</placeName>
</address>
<date when="1793-07-14">Sunday 14<hi rend="sup">th</hi> July. 1793.</date>
</dateline>
<dateline rend="right">
<date when="1793-07-21">ditto. 21</date>
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</opener>
<p rend="indent1"> travelling in a stage coach my dear friend is not the way to meet
                    with adventures. you may sometimes fall in with striking characters but if you
                    go from Oxford they will in general be strikingly bad. Radford<note n="1" place="foot" resp="editors">Arundel Radford (d. 1824), a student at Exeter
                        College, Oxford, BA 1796.</note> of Exeter the man with the large tuft was
                    as good as the rest so you may guess the capacities of my fellow travellers. in
                    short the journey was hot &amp; unpleasant. the horses were obliged to be
                    bled &amp; I was brute enough to remain in the coach.</p>
<p rend="indent1"> in the evening I walked round Bath in hope of meeting one whom I
                    earnestly wishd to see<note n="2" place="foot" resp="editors">Possibly Southey’s
                        first reference to Edith Fricker, his future wife.</note> — my hopes were
                    raised to the highest pitch when I thought I recognised the dress but
                    disappointment soon checked them &amp; the rest of the evening passed
                    heavily &amp; sadly. the next morning I rose at five &amp; walked
                    thirteen miles home to breakfast. here I am the most insulated being existing
                    with the most unbounded <hi rend="ital">continental</hi> views.</p>
<p rend="indent1"> the militia are here &amp; the crowd of dissolute people
                    continually about them inspire me with ideas which I wish to moralize upon with
                        <ref target="people.html#SewardEdmund">Edmund Seward</ref>. I cannot see so
                    many children of both sexes wasting away their youth or abusing it in learning
                    every vice without experiencing some sensations too Rousseau-ish to be
                    practicable &amp; I almost fear, too good to be general. yesterday night I
                    saw a woman digging a grave &amp; every hour I see others, like so many
                    furies occupied, reeking with the sulphur of Phlegethon,<note n="3" place="foot" resp="editors">In Greek mythology, Phlegethon was one of the five rivers of
                        the underworld.</note> hanging upon the soldiers — oh <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> the red robes of
                    slaughter militate very strongly against my ideas. when I see men at least
                    negatively good &amp; certainly useful taken from the plough to learn the
                    trade of murder I wonder where the thunder sleeps —</p>
<p rend="indent1"> Joan of Arc continues to occupy my thoughts — I have rudely ran
                    over a plan &amp; probably by the end of this month you will see part of the
                    first book, with me. the magnetic powers of the natale solum<note n="4" place="foot" resp="editors">The Latin translates as ‘place of birth’; in
                        Southey’s case, Bristol.</note> act only repulsively towards me, &amp; I
                    shall quit Bristol as soon as possible. I look forwards with much pleasure to
                    the days I shall pass at <ref target="places.html#Brixton">Brixton</ref>. <ref target="people.html#HillHerbert">my Uncle</ref> is at present at his living
                    in Herefordshire — &amp; soon after his return my travels commence. from
                    hence to <ref target="places.html#Brixton">Brixton</ref> — to <ref target="places.html#MountsfieldRye">Rye</ref> &amp; home.</p>
<p rend="indent1"> The most tiresome part of Joan is finished — collecting &amp;
                    arranging materials to this method of proceeding I had been little accustomed
                    but now that done nothing but straight-forward work remains. the blank verse
                    flows easily from the pen — as for machinery there was no ready made to assist
                    me — so I een people the airy vast with unembodied sprites &amp; allot the
                    Genius of Liberty to defend the French from Ambition — Hatred — Slaughter
                    &amp; England. no railing Bedford — — Ambition Hatred Envy Slaughter
                    Injustice &amp; England — were they not allied in Henrys<note n="5" place="foot" resp="editors">Henry V (1386/7–1422; reigned 1413–1422; <title level="m">DNB</title>).</note> time? but when the honest man names a
                    halter, thieves will rub their necks.</p>
<p rend="indent1"> take my sketch</p>
<p rend="indent1"> Dunois after his defeat by Fastolffe is carried off much wounded
                    by his horse. Joan (what a poetical name!) heals him. account of her mission. as
                    they journey to Charles Dunois relates the transactions of the war. meeting of
                    the friendly fiends of England. danger of the travellers. temple of Liberty.
                    vision of days unborn. interview with Charles. doctors of theology examine her.
                    miracles at the tomb of Orlando. consecration of her banner &amp;c. the
                    dreadful situation of Orleans related by a female fugitive. Joan enters Orleans
                    in triumph. strong sallies. death of Salisbury <del rend="strikethrough">&amp; the Talbots</del>. Joan wounded. story of Theodore her lover. the
                    Genii send Love to annoy Joan. love of Dunois. Theodore slain in defending her.
                    Fastolffes defeat. &lt;Talbots slain&gt; coronation at Rheims.</p>
<p rend="indent1"> You knows the little regard I pay to the despotism of Aristotle —
                    yet this plan is pretty regular. some critic (is it not Addison?) <note n="6" place="foot" resp="editors">Joseph Addison (1672–1719; <title level="m">DNB</title>). Southey is paraphrasing ideas found in Addison’s <title level="m">Notes Upon the Twelve Books of Paradise Lost</title> (1719), a
                        collection of essays originally published in <title level="j">The
                            Spectator</title>.</note> observes that an Epic poem ought to be
                    national — with all due deference the nationality is of much the same use as a
                    tolling bell or a storm of thunder &amp; lightning upon the stage — a trick
                    to catch the vulgar. the business of an Author should be to <del rend="strikethrough">write</del> deserve popularity — if undeserved it is
                    only disgraceful. I am well convinced that if my Joan of Ark possesed the fire
                    of Homer the judgement of Virgil &amp; the sublimity of Milton, it would
                    still be neglected. but what should Diogenes regard out of his tub? <note n="7" place="foot" resp="editors">The Greek philosopher Diogenes (c. 400–325 BC),
                        founder of Cynicism. He allegedly lived in a tub. Southey used the pseudonym
                        ‘Diogenes’ in a letter published in the <title level="j">Monthly
                            Magazine</title>, 2 (December 1796); see Letter 177.</note> the
                    approbation of a few friends contents me &amp; for the rest whether <del rend="strikethrough">the libraries or</del> Posteritys favour rewards or
                    Posteritys posteriors disgrace me will be equally indifferent. </p>
<p rend="indent1"> will you favour me with some verses on my birthday August 12<hi rend="sup">th</hi>? this is not modestly begging a compliment. they are too
                    stale upon such occasions. turn prophet &amp; describe my behaviour on the
                    bench or the scaffold in the pulpit or the cart. you may felicitate me on being
                    born on the Prince’s birthday<note n="8" place="foot" resp="editors">Southey
                        shared a birthday with George, Prince of Wales (the future George IV), who
                        was born on 12 August 1762.</note> as you know how proud this trifling
                    alliance with Royalty <del rend="strikethrough">g</del>makes me. but this is
                    carrying coals to Newcastle. say what you will only spare compliments as I have
                    begged the verses.</p>
<p rend="indent1"> I shall perhaps soon try an ode on Beauty. from the sentiments
                    upon this head which you think I entertain, you will not expect much. but
                    remember <ref target="people.html#BedfordGrosvenorCharles">Bedford</ref> the
                    shallower the brook, the greater the noise. in treating of general Beauty I
                    shall certainly have particular in my eye but for Sacharissas Laura’s Geraldines
                    Myras &amp;c go to those who talk more &amp; mean less.</p>
<p rend="indent1"> this is a very author-like letter — &amp; should I die before
                    my plans were compleated would cause perhaps some speculation</p>
<p rend="indent1"> what would not that man deserve who should invent a camera
                    obscura to retain every &lt;idea&gt; as it is formed — you would have
                    had a quire of letters from me had I been possessed of it before now — I had so
                    much to say upon the lower classes of life lost to society by the total neglect
                    of education — upon hope &amp; disappointment — authors — travelling
                    Tristram Shandy<note n="9" place="foot" resp="editors">Laurence Sterne
                        (1713–1768; <title level="m">DNB</title>), <title level="m">The Life and
                            Opinions of Tristram Shandy, Gentleman</title> (1759–1767).</note>
                    &amp;c — but this world of ideas is dissolved — or at least so scattered as
                    to require preternatural power to congregate the scattered atoms — (to corporate
                    the skattered apples <ref target="people.html#ThorpMr">M<hi rend="sup">r</hi>
                        T.</ref> would call this.)</p>
<p rend="indent1"> I hope soon to hear of the fall of Marat<note n="10" place="foot" resp="editors">Jean Paul Marat (1743–1793), Swiss-born French revolutionary.
                        He was stabbed to death in his bath on 13 July 1793.</note> Robespierre<note n="11" place="foot" resp="editors">The French Jacobin leader Maximilien
                        François Marie Odenthalius Isidore de Robespierre (1758–1794), whose
                        downfall did not occur until 26 July 1794.</note> Thuriot<note n="12" place="foot" resp="editors">Jacques Alexis Thuriot de la Rozière
                        (1753–1829), French revolutionary and Jacobin who turned against Robespierre
                        in July 1794.</note> &amp; David.<note n="13" place="foot" resp="editors">Jacques Louis David (1748–1825), French artist, revolutionary
                        and friend of Robespierre.</note> the fall of Condè<note n="14" place="foot" resp="editors"> Condè and Valenciennes had been captured by allied forces in
                        July 1793.</note> vexed me but they are only tenants for half a year
                    &amp; must pay dear rent. vivè La Republique! — my Joan is a great democrat
                    or rather will be.</p>
<p rend="indent1"> did you ever read Harriss life of Cromwell?<note n="15" place="foot" resp="editors">William Harris (1720–1770; <title level="m">DNB</title>), <title level="m">The Political Beacon: or the Life and
                            Character of Oliver Cromwell</title> (1770).</note> I am idiot enough
                    sometimes to think of Milton as a republican as well as poet. then in comes
                    Vanity fills up the outline &amp; draws two as pretty companions as any in
                    Campione’s window<note n="16" place="foot" resp="editors">The Oxford book and
                        print seller Aboadio Campione (fl. 1777–1796).</note> when Reason snatches
                    the brush &amp; daubs over the picture.</p>
<p rend="indent1"> I wonder if M<hi rend="sup">r</hi> Nichol<note n="17" place="foot" resp="editors">George Nicol (1740–1828; <title level="m">DNB</title>), printer and bookseller.</note> would print a few odes for
                    me? he is very welcome to half a dozen if they are worthy of handing down to our
                    posteriors — </p>
<p rend="indent1"> I want <ref target="people.html#CollinsCharles">Collins</ref> to
                    pun with sadly — here I waste my punning on the desart air. three weeks ago what
                    a party we were — now here there &amp; every. some few years hence it will
                    be so in life. you scribbling law. <ref target="people.html#CollinsCharles">CC</ref>
<del rend="strikethrough">preaching</del> declaiming upon musty statutes —
                    Seward <hi rend="ital">practising</hi> religion. &amp; for me — sailing with
                    every wind along the ocean of life without helm pilot victualling or port —</p>
<p rend="indent2"> remember me to <ref target="people.html#BedfordHoraceWalpole">your brother</ref>
</p>
<p rend="indent1"> &lt;Quo me cum que ferit &amp;c. <note n="18" place="foot" resp="editors">Southey is adapting Horace (65–8 BC), <title level="m">Epistles</title>, Book 1, no. 1, line 15. The Latin translates
                        as ‘wherever [it] strikes me’.</note>&gt;</p>
<p rend="indent4"> I will write to him soon.</p>
<closer>
<salute rend="indent5">yrs.</salute>
</closer>
<closer>
<signed rend="indent8">RS.</signed>
</closer>
<postscript>
<p>let me hear soon from you.</p>
<p>I must fold my letters before I write for the future this is so ungēnteel a
                            shape.<note n="19" place="foot" resp="editors">I must ... shape:
                            Inserted next to the address on fol. 2 v.</note>
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