<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Carl Stahmer</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2009-03-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce54</idno>
<idno type="edition">letterEEd.26.54</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2009-02-20">March 15, 2009</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Bodleian Library, MS Eng. Lett. c.
                        22.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="#EEd.26.1.names"/>
<catRef scheme="#places" target="#EEd.26.1.places"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2009-03-10" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-03-02" n="3">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#LM" when="2009-02-20" n="2">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2009-02-20" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>TEI Encoding</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="54" type="letter">
<head>54. Robert Southey to <ref target="people.html#BedfordHoraceWalpole">Horace
                        Walpole Bedford</ref>, <date when="1793-07-25">25 July [– c. 5 August]
                        1793</date>
<note place="foot" resp="editors" type="headnote">Address: Horace Walpole
                        Bedford Esq<hi rend="sup">r</hi>/ Old Palace Yard/ Westminster./
                        Single<lb/>Stamped: BRISTOL<lb/>Postmark: AAU/ 5/ 93<lb/>Watermark: Crown
                        with G R underneath and figure of Britannia<lb/>Endorsement: Rec<hi rend="sup">d</hi> Aug<hi rend="sup">t</hi>. 5<hi rend="sup">th</hi>.
                        1793./ B.C.<lb/>MS: Bodleian Library, MS Eng. Lett. c.
                        22<lb/>Unpublished.</note>
</head>
<lb/>
<opener>
<dateline rend="left">
<address>
<placeName>Newport.</placeName>
</address>
<date when="1793-07-25">Friday July 25. 1793</date>
</dateline>
</opener>
<lg type="stanza">
<l rend="indent2">Just arrived here half way between Glocester &amp;
                        Bristol</l>
<l rend="indent2">I sit down to drink cyder &amp; write an epistle —</l>
<l rend="indent2">And find but too sure as I empty each cup</l>
<l rend="indent2">The one goes faster down than the other comes up.</l>
<l rend="indent2">If my stream of verse flowed as clear &amp; as fine</l>
<l rend="indent2">The critics might truly pronounce it divine</l>
<l rend="indent2">The rich golden vein were Potosi<note n="1" place="foot" resp="editors">A mining settlement in Bolivia, famous for its export of
                            silver.</note> for wealth —</l>
<l rend="indent2">I want some more spirit. so <ref target="people.html#BedfordHoraceWalpole">Bedford</ref> your health.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">This morning from home on my road I repair</l>
<l rend="indent2">And at eight o clock mount on a hackney bay mare</l>
<l rend="indent2">Cramm’d my pockets brimful yet contriving to shape there</l>
<l rend="indent2">Clean linen et cætera with pen ink &amp; paper.</l>
<l rend="indent2">Slow &amp; sure as the weather is warm on we pass till</l>
<l rend="indent2">My eye caught the turrets of Thornbury castle</l>
<l rend="indent2">So I tied up my mare at the sign of the swan</l>
<l rend="indent2">Eat some decent cold mutton &amp; instant am gone.</l>
<l rend="indent2">I like these old ruins. my soul loves to cast</l>
<l rend="indent2">Reflections keen eye on the days that are past</l>
<l rend="indent2">View the shadowy forms in their gorgeous array</l>
<l rend="indent2">Pass in Fancy’s review &amp; then vanish away</l>
</lg>
<p rend="indent5"> ________</p>
<p>
<address>
<placeName>Ledbury.</placeName>
</address>
<date when="1793-07-26">Saturday 26.</date>
<time>11 o clock morning.</time>
</p>
<p rend="indent5"> ————</p>
<lg type="stanza">
<l rend="indent2">A hard trotting horse &amp; a smart shower of rain</l>
<l rend="indent2">Are no friends I am sure to the smooth rhyming strain.</l>
<l rend="indent2">No Helicon pours from the black low’ring sky</l>
<l rend="indent2">No Phœbus inspires or assists me to dry.</l>
<l rend="indent2">Heaven would Patience alone as assistant bestow</l>
<l rend="indent2">And Patience affords but cold comfort you know</l>
<l rend="indent2">So half wet &amp; quite hungry my journey I take fast</l>
<l rend="indent2">Till I reach this good place 16 miles on to breakfast.</l>
<l rend="indent2">Of good bread &amp; butter three plates I devour</l>
<l rend="indent2">&amp; drink excellent tea for the space of an hour</l>
<l rend="indent2">Pay a visit — return — &amp; then mending a pen</l>
<l rend="indent2">Sit down solus to scribble my journey again.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">At Glocester last night the cathedrals tall tower</l>
<l rend="indent2">Invites me to loiter away a dull hour</l>
<l rend="indent2">In I go to see pillars &amp; windows &amp; stones</l>
<l rend="indent2">And the tombs that inearth<del rend="strikethrough">s</del>
                        some monarchical bones.<note n="2" place="foot" resp="editors">Edward II
                            (1284–1327; reigned 1307–1327; <title level="m">DNB</title>) is buried
                            at Gloucester cathedral.</note>
</l>
<l rend="indent2">That now levelled by Death (for whom levels he not?)</l>
<l rend="indent2">For the loathly worm provender moulder &amp; rot.</l>
<l rend="indent2">Ye PESTS of MANKIND soon or late ye must come</l>
<l rend="indent2">All divine as ye are to the democrat tomb</l>
<l rend="indent2">Nor fondly conceive that beyond the cold grave</l>
<l rend="indent2">The title profane or the sceptre will save</l>
<l rend="indent2">For if Justice finds out that your deeds have been
                        &lt;evil&gt;</l>
<l rend="indent2">The vicegerent of God goes post haste to the Devil.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">There lies Edward the 2<hi rend="sup">nd</hi>. &amp; <ref target="people.html#BedfordHoraceWalpole">Bedford</ref> I hope none</l>
<l rend="indent2">Will ever again turn a man to a pop-gun —</l>
<l rend="indent2">So now I have said all I’ve treasurd to say</l>
<l rend="indent2">Once more in my pocket I put this away.</l>
</lg>
<p rend="indent5"> ————</p>
<p>
<address>
<placeName>Hereford.</placeName>
</address>
<date when="1793-07-30">Wednesday 30<hi rend="sup">th</hi>.</date>
<time>10 morning.</time>
</p>
<lb/>
<lg type="stanza">
<l rend="indent2">A long way on his road has been past by old Time</l>
<l rend="indent2">Since Occasion (young <ref target="people.html#BedfordHoraceWalpole">Horace</ref>) forbade me to
                        rhyme.</l>
<l rend="indent2">For Hereford city — I mounted my mare</l>
<l rend="indent2">And onward to dinner at leisure repair.</l>
<l rend="indent2">Thick &amp; dark &amp; tremendous deep threatned the
                        sky</l>
<l rend="indent2">And I thought being wet was exceedingly dry.</l>
<l rend="indent2">Down it came. quick I hurried across the wide plain</l>
<l rend="indent2">My old mare went fast but much faster the rain.</l>
<l rend="indent2">So my poor leather breeches in horrible plight</l>
<l rend="indent2">I got into town just laid up for the night.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">I’ll suppose you as tired as myself or my ride</l>
<l rend="indent2">&amp; so (if you please) turn to something beside</l>
<l rend="indent2">On yesterday morning your curious friend goes</l>
<l rend="indent2">To see great children play with their arrows &amp;
                        bows.</l>
<l rend="indent2">(Surely <ref target="people.html#BedfordHoraceWalpole">Horace</ref> no harm for the sake of my verse</l>
<l rend="indent2">Bows &amp; arrows to arrows &amp; bows to reverse
                        —</l>
<l rend="indent2">Since in this topsy turve age we see every day</l>
<l rend="indent2">Men &amp; women turned children &amp; running to
                        play)</l>
<l rend="indent2">Three ways of amusement I quickly discern</l>
<l rend="indent2">And what those 3 ways were pray listen &amp; learn.</l>
<l rend="indent2">On one part of the green one green company stands</l>
<l rend="indent2">With shooting away &amp; diverting their hands</l>
<l rend="indent2">A little away the next company meet</l>
<l rend="indent2">Cutting capers by way of amusing their feet</l>
<l rend="indent2">The third (&amp; the wisest give me leave to tell ye)</l>
<l rend="indent2">Smug &amp; sober sat down &amp; diverted their
                        belly</l>
<l rend="indent2">This play I thought prettiest, nor made a to-do</l>
<l rend="indent2">But sat myself quietly down &amp; fell to.</l>
<l rend="indent2">This each aristocrat must commend who remembers</l>
<l rend="indent2">The fable antique of the belly &amp; members</l>
<l rend="indent2">Tho the business be done by the hands heels &amp; head</l>
<l rend="indent2">Yet the guts gormandizing you know must be fed.<note n="3" place="foot" resp="editors">Just arrived ... be fed: Verse in double
                            columns.</note>
</l>
</lg>
<p>of this enough. I had materials enough in my head to fill up the sheet — but the
                    days of romance are past &amp; a man may travel over the face of this
                    country without meeting one adventure worthy of recording. on my journey I have
                    however been fortunate enough to meet three literary characters. D<hi rend="sup">r</hi> Napleton<note n="4" place="foot" resp="editors">John Napleton
                        (1738/9–1817; <title level="m">DNB</title>), clergyman and educational
                        reformer. His works included <title level="m">Elementa Logicae</title>
                        (1770).</note> the great logician of whom I won enough at cards to pay for
                    his elements of that most execrable science. Watkins<note n="5" place="foot" resp="editors">Thomas Watkins (dates unknown), author of <title level="m">Travels Through Switzerland, Italy, Sicily, the Greek Islands to
                            Constantinople, Through Part of Greece, Ragusa, and the Dalmatian Isles,
                            in a Series of Letters to Pennoyre Watkins Esq. … in the Years 1787,
                            1788, 1789</title> (1792).</note> the traveller &amp; another young
                    man who has published an excellent tour thro France &amp; an appendix
                    explaining his principles tho attached to the monarchical revolution of 89, not
                    by any means to agree with the democracy of the present day. however I may
                    differ in opinion from M<hi rend="sup">r</hi> Shepherd<note n="6" place="foot" resp="editors">The identity of Mr Shepherd is a mystery, but the book he is
                        described as the author of is almost certainly <title level="m">A Tour
                            Through France, Containing a Description of Paris, Cherbourg and
                            Ermenonville; With a Rhapsody, Composed at the Tomb of Rousseau</title>
                        (1789), published under the pseudonym ‘G. Monckton’. A second edition
                        appeared in 1793.</note> (for that is his name) his company pleased
                    &amp; instructed me. I passd two evenings with him &amp; his sister
                    &amp; in that short space of time we were old acquaintance. reserve I am apt
                    to think exists only in fools knaves or politicians (statesmen I mean). men of
                    liberal ideas will not be backward of communicating them &amp; like the
                    needle to the pole attracted by a kind of natural magnet fly from every duller
                    substance to the more powerful metal. how ingeniously I find an excuse for
                    forwardness! but it strikes me as true. look into life you will find two fools
                    bow hem &amp; sit silent whilst two philosophers equally free from
                    politeness &amp; embarrassment are acquainted immediately. <ref target="people.html#BedfordGrosvenorCharles">your brother</ref> &amp;
                        <ref target="people.html#SewardEdmund">Edmund Seward</ref> were not long
                    strangers to each other.</p>
<p rend="indent1"> last night an old man entertained <ref target="people.html#HillHerbert">my Uncle</ref> (NB a clergyman) &amp;
                    myself. neither of whom he had ever seen before with a conversation of which I
                    will endeavour to give you a specimen. I have been riving <hi rend="ital">along
                        with</hi> the Bishop &amp; he is an amazing man. he told me that when he
                    was young he wrote over all the bible because he took such a liking to the
                    Hebrew letters — I had a mind to ask him if there wernt some wrong translations,
                    if it would not have been going too far. I was once very sorry to hear a
                    gentleman say — we was talking <hi rend="ital">along with him</hi> about
                    religion you know — &amp; about the excellent moral system of our church
                    &amp; how good a man would be that lived as the Bible &amp; the
                    scriptures tell him &amp; how good the Bible &amp; the scriptures was
                    &amp; he said God d—n you do you think God would inspire a man to write
                    nonsense — ha ha ha — I was very sorry to hear him talk so — but there he was a
                    friend of Humes.<note n="7" place="foot" resp="edition">David Hume (1711–1776;
                            <title level="m">DNB</title>), philosopher and historian.</note> I was
                    acquainted along with Hume. he was apprenticed to M<hi rend="sup">r</hi>
                        Combe’s<note n="8" place="foot" resp="editors">The old man who was talking
                        to Southey’s uncle, Herbert Hill, seems to have given a very garbled account
                        of David Hume’s brief time in Bristol in 1734, when he was employed by
                        Michael Miller, a local sugar merchant.</note> father (Naktys<note n="9" place="foot" resp="editors">Unidentified.</note> grandfather) in the linen
                    business &amp; being young was put to copy letters — instead of writing
                        Mess<hi rend="sup">r</hi> such a thing — received yours — done the needful.
                    draft honourd &amp;c he used to make English of the letters &amp; so the
                    business would not do for him. but he was a very pleasant man. he used to say he
                    would rather excuse a man for being a Atheist than a Deist — there his essays
                    are very pretty. a friend of mine asked him why he did not write — he said I am
                    too old too fat &amp; too rich. (I have none of these objections to
                    author-ity or-ship) so much for Humes life from one who knew him. I do not
                    believe that he would have pardoned an Atheist. what Hayley<note n="10" place="foot" resp="editors">William Hayley (1745–1820; <title level="m">DNB</title>), poet and biographer.</note> says of Hume I rather think
                    true</p>
<lg>
<l rend="indent2">Already pricked by Reasons searching rays</l>
<l rend="indent2">The waxen fabric of thy fame decays.<note n="11" place="foot" resp="editors">Southey is paraphrasing William Hayley, <title level="m">An Essay on History; in Three Epistles to Edward Gibbon, Esq. With
                                Notes</title> (1780), lines 450–451.</note>
</l>
</lg>
<p>his essays I have never read. upon any other subject it would be arrogant to
                    decide without reading but upon this common sense will speak. however
                    prostituted by villains &amp; disgraced by fools. Xtianity is the purest of
                    moral systems. Deism — will do well for the philosopher whose cool calm passions
                    may be governed by the principles of Reason &amp; Morality — but the minds
                    of the million require a more powerful tie. they must be actuated by hope
                    &amp; fear two master springs admirably touchd by religion. even a Deist
                    will not deny this. the best &amp; wisest of mankind have believed this
                    religion; upon a subject where Reason fails to reason is absurd. it is
                    impossible in favour of any thing where every thing must rest upon supposition.
                    Hume was a vain sophist <del rend="strikethrough">&amp;</del> a partial
                    historian, &amp; a cold friend —</p>
<p rend="indent1"> Rousseau in the present proscription of his opinions has been
                    branded as an Infidel. he was not one. the Savoyard curate<note n="12" place="foot" resp="editors">The fourth chapter of Jean-Jacques Rousseau’s
                        (1712–1778) <title level="m">Émile</title> (1762), ‘The Profession of Faith
                        of a Savoyard Vicar’.</note> speaks his faith — it is &lt;the&gt;
                    creed of rational Xtianity. Voltaire was a man totally devoid of principle — why
                    they are ranked together in the indiscriminate abuse &amp; absurdity of
                    Aristocracy is easy to see. both had abilities &amp; both loved freedom. but
                    this is trespassing upon forbidden grounds &amp; I must take the strait road
                    to the end of my letter.</p>
<p rend="indent1"> dinner is just ready &amp; I even doubt whether this can go
                    to day. the variety of different occupations which filled my time upon my
                    journey must excuse my not having written before. </p>
<p rend="indent1"> your letter did not reach me till the evening before I left
                    Bristol &amp; I arrived at home but last night so you I have wasted no
                    time.</p>
<p rend="indent1"> I have a letter two thirds finished to your brother which I
                    purpose sending by tomorrows post. <ref target="people.html#CollinsCharles">Charles Collinss</ref> I found on my return &amp; have to acknowledge
                    with one from <ref target="people.html#SewardEdmund">Edmund Seward</ref>. when
                    the regiment which had been quarterd at Derby embarked for Valenciennes — many
                    of the <hi rend="ital">men</hi> wept. the King desired them to shout &amp;
                    was answered ‘it will be time enough to shout when we return’. with how very
                    different an account was the public insulted.</p>
<p rend="center">——————</p>
<p rend="indent1"> you will I think see me in the course of ten days but I shall
                    write &amp; say when. when I can exactly fix. let me hear from you in the
                    mean time. I am at Bristol. I long for a bathe. the only good thing at Oxford is
                    the river. Isis — silver slipperd Queen<note n="13" place="foot" resp="editors">Thomas Warton (1728–90; <title level="m">DNB</title>), <title level="m">The
                            Triumph of Isis, A Poem</title> (London, [1749]), pp. 2–3.</note> — is
                    my Goddess. query would not silver-buckled have been more fashionable? —
                    tomorrow your brothers letter goes off.</p>
<closer>
<salute rend="indent2">yrs sincerely</salute>
</closer>
<closer>
<signed rend="indent3">Robert Southey.</signed>
</closer>
</div>
</body>
</text>
</TEI>
