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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<resp>General Editor, </resp>
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<resp>General Editor, </resp>
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<idno type="nines">rce56</idno>
<idno type="edition">letterEEd.26.56</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
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<date when="2009-02-20">March 15, 2009</date>
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<sourceDesc>
<p>Huntington Library, HM 44803 [Unusually, the letter is written on decorated stationery with a pink border patterned with blue dots; it also has a matching envelope.].  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
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											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
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											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="56" type="letter">
<head>56. Robert Southey and <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref> to <ref target="people.html#CollinsCharles">Charles Collins</ref>, <date when="1793-09-16">16 September 1793</date>
<note place="foot" resp="editors" type="headnote">Address: To/ Signor Carlo Collins/ at/ Captain Colquitt’s/ Pipe Grange/ near/ Lichfield/ Staffordshire/ only double<lb/>Postmark: ASE/ 19/ 93<lb/>Seal: Red wax; male figure with illegible motto<lb/>MS: Huntington Library, HM 44803 [Unusually, the letter is written on decorated stationery with a pink border patterned with blue dots; it also has a matching envelope.]<lb/>Unpublished.</note>
</head>
<lb/>
<lg type="stanza">
<l rend="indent3">Mighty mirror of the age</l>
<l rend="indent3">
<ref target="people.html#CollinsCharles">Pretty Plato</ref> — cubic sage </l>
<l rend="indent3">Soul of music-honourd grace</l>
<l rend="indent3">Of Alma Maters powderd race </l>
<l rend="indent3">With thy breeches made of silk</l>
<l rend="indent3">And thy skin as white as milk</l>
<l rend="indent3">And thy hair so nicely drest</l>
<l rend="indent3">And thy waistcoat of the best</l>
<l rend="indent3">And thy shoes so neatly tied</l>
<l rend="indent3">And thy coat in fashions pride</l>
<l rend="indent3">And thy nice collection fine </l>
<l rend="indent3">Godlike glorious &amp; divine</l>
<l rend="indent3">Connoisseur in every art</l>
<l rend="indent3">Master of the gentle heart</l>
<l rend="indent3">Christ Church pride &amp; Oxford beau</l>
<l rend="indent3">What is there thou dost not know</l>
<l rend="indent3">Hail then thrice &amp; thrice again</l>
<l rend="indent3">Happiest of happy men</l>
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">Happy now to wildly range</l>
<l rend="indent3">In the meadows of Pipe Grange</l>
<l rend="indent3">Pretty Grange &amp; pretty Pipe</l>
<l rend="indent3">Where the Plums &amp; Peaches ripe</l>
<l rend="indent3">Clustring dropping all around</l>
<l rend="indent3">On the flower enamel’d ground</l>
<l rend="indent3">Jack the second<note n="1" place="foot" resp="editors">Johannes Secundus (1511–1536), whose <title level="m">Liber Basiorum</title> (<title level="m">Book of Kisses</title>) was published in 1541.</note> in thy hand</l>
<l rend="indent3">Under some elm take thy stand</l>
<l rend="indent3">On with Ovid’s<note n="2" place="foot" resp="editors">Publius Ovidius Naso (43 BC–AD 17), whose works included the <title level="m">Amores</title>, <title level="m">Heroides</title>, <title level="m">Ars Amatoria</title>, <title level="m">Fasti</title> and <title level="m">Tristia</title>. His surviving poems are all written in elegiac couplets, with the exception of the <title level="m">Metamorphoses</title>, which is in hexameters.</note> pretty metre</l>
<l rend="indent3">Pleasure smiling in each feature</l>
<l rend="indent3">On the Pucelle of Voltaire<note n="3" place="foot" resp="editors">
<title level="m">La Pucelle</title> (1755–1762), a mock-epic poem by Voltaire (1694–1778).</note>
</l>
<l rend="indent3">On a soft Italian air!</l>
<l rend="indent3">Humming gently like the bee</l>
<l rend="indent3">On every branch of every tree</l>
<l rend="indent3">Pretty humming pretty air</l>
<l rend="indent3">Ruby apple golden pair </l>
<l rend="indent3">[end of section in Bedford’s hand]</l>
<l rend="indent3">Pretty songster as you sing</l>
<l rend="indent3">Walking in a fairy ring</l>
<l rend="indent3">All the birds approaching near </l>
<l rend="indent3">Modulations sweet shall hear</l>
<l rend="indent3">Coming from this Orpheus<note n="4" place="foot" resp="editors">In Greek mythology, a singer whose song has more than human power.</note> new</l>
<l rend="indent3">Gently breathing forth from you.</l>
<l rend="indent3">And the winds shall cease to blow</l>
<l rend="indent3">And the rivers cease to flow</l>
<l rend="indent3">Touchd by notes so sweet the owl</l>
<l rend="indent3">Shall in concert learn to howl</l>
<l rend="indent3">Lost in wonder look at you</l>
<l rend="indent3">And drop his eyelids soft &amp; blue.</l>
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">And the weasel there shall steal</l>
<l rend="indent3">And learn to squeak &amp; learn to squeal</l>
<l rend="indent3">The Dolphin there in evening still</l>
<l rend="indent3">Dares the Dam of water mill.</l>
<l rend="indent3">And with open Gills the Trout </l>
<l rend="indent3">Wonders at the harmonious souls</l>
<l rend="indent3">Rout proceeding from thy bellows</l>
<l rend="indent3">Prettiest of pretty fellows!</l>
<l rend="indent3">Ah! take care lest any fish</l>
<l rend="indent3">To gratify a selfish wish</l>
<l rend="indent3">Snap thee up in luckless hour</l>
<l rend="indent3">Victim of his ruthless power</l>
<l rend="indent3">Never Jonas<note n="5" place="foot" resp="editors">The story of Jonah and the whale is found in the book of <title level="m">Jonah</title>.</note> felt such dread</l>
<l rend="indent3">When Behemoth snapped his head </l>
<l rend="indent3">Snapped his head &amp; shoulders too</l>
<l rend="indent3">Shoulders breeches stockings shoe! </l>
<l rend="indent3">Shoe with pretty ribbon tied</l>
<l rend="indent3">Stocking silk so nicely dyed!</l>
<l rend="indent3">Lucky whale no spur or boot</l>
<l rend="indent3">Was on, to gall thy gapeing throat </l>
<l rend="indent3">[end of section in Bedford’s hand]</l>
<l rend="indent3">Oh may never wondering Jove<note n="6" place="foot" resp="editors">In Roman mythology, the king of the gods.</note>
</l>
<l rend="indent3">Send an eagle from above </l>
<l rend="indent3">To snatch thee taking then no heed</l>
<l rend="indent3">And make another Ganymede<note n="7" place="foot" resp="editors">In Greek mythology, a handsome young boy carried off to Mount Olympus by Zeus. He replaced Hebe (daughter of Zeus and Hera) as cupbearer to the gods.</note>
</l>
<l rend="indent3">Pretty Prince &amp; Pretty Boy</l>
<l rend="indent3">Heavens pride &amp; heavens joy</l>
<l rend="indent3">There thy hand shall fill the cup</l>
<l rend="indent3">And Captain Colquitt<note n="8" place="foot" resp="editors">The naval officer Captain Goodwin Colquitt (dates unknown) was Charles Collins’s uncle by marriage. See John Nichols, <title level="m">The History and Antiquities of the County of Leicester</title>, 4 vols (London, 1795–1815), IV, p. 184.</note> gulp it up</l>
<l rend="indent3">Oh take heed wheneer you walk</l>
<l rend="indent3">Lest the eagle hear you talk</l>
<l rend="indent3">Swooping down with mighty swing</l>
<l rend="indent3">Hear thee sweetly play &amp; sing</l>
<l rend="indent3">And take thee to the Gods above</l>
<l rend="indent3">To sing &amp; play to mighty Jove </l>
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">Ah take care lest any Hebe<note n="9" place="foot" resp="editors">In Greek mythology, the goddess of youth.</note>
</l>
<l rend="indent3">Meet thee when the Goddess Phoebe<note n="10" place="foot" resp="editors">In Greek mythology, another name for Artemis, goddess of the moon.</note>
</l>
<l rend="indent3">Drives her ponies thro the sky</l>
<l rend="indent3">Ponies white &amp; chariot high</l>
<l rend="indent3">Take care lest away she run</l>
<l rend="indent3">With M<hi rend="sup">rs</hi> Collins’ darling son</l>
<l rend="indent3">Horrid thought &amp; dreadful deed</l>
<l rend="indent3">Hebe taking Ganymede!!!</l>
<l rend="indent3">[end of section in Bedford’s hand]</l>
<l rend="indent3">Then what wailings would resound</l>
<l rend="indent3">Over all the woful ground!</l>
<l rend="indent3">So when once the Naiad dame</l>
<l rend="indent3">Of the font where Hylas came</l>
<l rend="indent3">Carried off the lovely boy</l>
<l rend="indent3">Great Alcides<note n="11" place="foot" resp="editors">In Greek mythology, another name for Hercules, father of Hylas.</note> darling joy</l>
<l rend="indent3">Hylas<note n="12" place="foot" resp="editors">In Greek mythology, one of the Argonauts. He was dragged into a spring by a water nymph who had fallen in love with him.</note> Hylas then he cries</l>
<l rend="indent3">Hylas — Echo loud replies.</l>
<l rend="indent3">Charley Charley so would sound</l>
<l rend="indent3">All the rocks &amp; woods around</l>
<l rend="indent3">Charley Charley where art <hi rend="ital">thee</hi>
</l>
<l rend="indent3">Whither whither canst thou be!</l>
<l rend="indent3">Out of hearing out of sight</l>
<l rend="indent3">Gone &amp; lost &amp; vanished quite.</l>
<l rend="indent3">Oh take heed my friend for fear</l>
<l rend="indent3">Some Oread<note n="13" place="foot" resp="editors">In Greek mythology, a mountain nymph.</note> chuse thee for her dear</l>
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">Or some mandrake yideous yelling</l>
<l rend="indent3">Snatch thee to his dismal dwelling </l>
<l rend="indent3">Horrid mandrake horrid scream</l>
<l rend="indent3">Dismal form of dismal dream,</l>
<l rend="indent3">Better sit at home &amp; write</l>
<l rend="indent3">To one &amp; Southey, gentle wights</l>
<l rend="indent3">Then take out your neat casette</l>
<l rend="indent3">And pay the epistolary debt</l>
<l rend="indent3">Turn the sentence neat &amp; pretty</l>
<l rend="indent3">Period round &amp; period witty</l>
<l rend="indent3">Dotted note of admiration</l>
<l rend="indent3">Put into it’s proper station</l>
<l rend="indent3">Rhapsody &amp; dashes long</l>
<l rend="indent3">Meaning clear &amp; sentence strong</l>
<l rend="indent3">Gibbon’s<note n="14" place="foot" resp="editors">Edward Gibbon (1737–1794; <title level="m">DNB</title>).</note> slyness Voltaire’s quaintness</l>
<l rend="indent3">Than these two men sure you aint less.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3">May no bugaboo or ghost</l>
<l rend="indent3">Cause your senses to be lost</l>
<l rend="indent3">No saw head on bloody bones</l>
<l rend="indent3">Sitting on the churchyard stones</l>
<l rend="indent3">Fright thee with it’s saucer eyes</l>
<l rend="indent3">Eyeballs red as cherry pies.</l>
<l rend="indent3">[end of section in Bedford’s hand]</l>
<l rend="indent3">But may gentle slumbers steal</l>
<l rend="indent3">And make you dream &amp; sleep so well</l>
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">B’ye oh <ref target="people.html#CollinsCharles">Charley Collins</ref> b’ye</l>
<l rend="indent3">Lulla-Lulla-Lulla by.</l>
<l rend="indent3">[end of section in Bedford’s hand]</l>
</lg>
<p rend="indent4">	—————</p>
<lg type="stanza">
<l rend="indent3">Pretty Boy so nice &amp; taper</l>
<l rend="indent3">I am sure you’ll like this paper</l>
</lg>
<p rend="indent4">	—————</p>
<lg type="stanza">
<l rend="indent3">[start of section in Bedford’s hand]</l>
<l rend="indent3">Border pink &amp; border cream</l>
<l rend="indent3">That you like it well I ween.</l>
</lg>
<p rend="indent8">	G.C.B. </p>
<p>[end of section in Bedford’s hand]</p>
<p rend="indent8">	R.S.</p>
<p>[start of section in Bedford’s hand]</p>
<lb/>
<p>
<date when="1793-09-16">Sept<hi rend="sup">r</hi>. 16. 1793</date>
</p>
<p rend="indent1">	make my respects to all your good Family. G.C.B. </p>
<lb/>
<p>[end of section in Bedford’s hand]</p>
<closer>
<salute rend="indent1">make my respects to all your good Family.</salute>
</closer>
<closer>
<signed rend="indent11"> R.S.</signed>
</closer>
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