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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Huntington Library, HM 44802.  Previously 
                        published: Roland Baughman, ‘Southey the Schoolboy’, Huntington
                            Library Quarterly, 7 (1944), 276–280 [prose in full, but the
                        verse in part]; Charles Cuthbert Southey (ed.), Life and
                            Correspondence of Robert Southey, 6 vols (London, 1849–1850), I,
                        pp. 188–189 [in part; one paragraph from 7 November 1793 section, which is
                        misdated 30 October 1793].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="64" type="letter">
<head>64. Robert Southey to <ref target="people.html#CollinsCharles">Charles
                        Collins</ref>, <date when="1793-10-30">30 October–7 November
                        1793</date>
<note place="foot" resp="editors" type="headnote">Address: X <hi rend="underline">post</hi>/ Charles Collins Esq<hi rend="sup">r</hi>-/
                        Christ Church/ Oxford/ Single<lb/>Stamped: BRISTOL<lb/>Endorsements: Nov 9.
                        ——; Answered Dec 23<lb/>MS: Huntington Library, HM 44802<lb/>Previously
                        published: Roland Baughman, ‘Southey the Schoolboy’, <title>Huntington
                            Library Quarterly</title>, 7 (1944), 276–280 [prose in full, but the
                        verse in part]; Charles Cuthbert Southey (ed.), <title level="m">Life and
                            Correspondence of Robert Southey</title>, 6 vols (London, 1849–1850), I,
                        pp. 188–189 [in part; one paragraph from 7 November 1793 section, which is
                        misdated 30 October 1793].</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>Bristol. <ref target="places.html#CollegeGreenBristol">College Green</ref>.</placeName>
</address>
<date when="1793-10-30">Wedn. &lt;October&gt; 30. 1793.</date>
</dateline>
</opener>
<p rend="indent5"> ——————</p>
<lg type="stanza">
<l rend="indent2">To those sage banks where lay-hymnd Isis glides</l>
<l rend="indent2">Where sober Science in each dome presides </l>
<l rend="indent2">With virtuous Wisdom loves the cell to share </l>
<l rend="indent2">And trim the midnight lamp with studious care —</l>
<l rend="indent2">Where mighty Taste despotic Genius rules</l>
<l rend="indent2">And monkish Aristotle curbs the schools </l>
<l rend="indent2">Unworthy offering to his X church friend</l>
<l rend="indent2">The <ref target="places.html#BalliolOxford">Balliol</ref>
                        truant this presumes to send</l>
<l rend="indent2">These lines produced by Indolence &amp; Haste </l>
<l rend="indent2">Formd by no rules &amp; fashioned by no Taste —</l>
<l rend="indent2">Like the new spring whose waves along the mead </l>
<l rend="indent2">Meandring gayly on their course proceed</l>
<l rend="indent2">Paint with springs earliest flowers the moss mixd
                        &lt;grass&gt;</l>
<l rend="indent2">And owe their beauties to the scenes they pass.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> No more my friend shall Fancy range</l>
<l rend="indent3"> To pretty Pipe &amp; pretty Grange</l>
<l rend="indent3"> Nor sportive Folly shall beguile us </l>
<l rend="indent3"> To liken you to little Hylas<note n="1" place="foot" resp="editors">In Greek mythology, Hylas was one of the Argonauts. He
                            was dragged into a spring by a water nymph, who had seen and fallen in
                            love with him.</note>
</l>
<l rend="indent3"> Nor warn you of the dolphins dwelling</l>
<l rend="indent3"> Or the mandrake hideous yelling</l>
<l rend="indent3"> Or Fashions rage that you bewitches</l>
<l rend="indent3"> To wear those beastly black silk breeches</l>
<l rend="indent3"> Nor since our cautions are not reckond</l>
<l rend="indent3"> Will I declaim on Jack the Second.<note n="2" place="foot" resp="editors">Johannes Secundus (1511–1536), whose <title level="m">Liber Basiorum</title> (<title level="m">Book of Kisses</title>)
                            was published in 1541.</note>
</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">No no my friend in serious mood again</l>
<l rend="indent2">Gently I take the unoffending pen</l>
<l rend="indent2">Believe me <ref target="people.html#CollinsCharles">Collins</ref> I will laugh no more</l>
<l rend="indent2">At X church taste or Oxfords monkish lore</l>
<l rend="indent2">But humbly gaze at distance &amp; adore —</l>
<l rend="indent2">So Egypts pious children bow the knee </l>
<l rend="indent2">And own the presence of their deity</l>
<l rend="indent2">Give the good priest the destind price of sin</l>
<l rend="indent2">And fear the Monkey or the ass within.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Will you my friend one hour so idly waste</l>
<l rend="indent2">So deign to spend the time designd for taste </l>
<l rend="indent2">So from your learned lofty height descend</l>
<l rend="indent2">To write a line to please a <ref target="places.html#BalliolOxford">Balliol</ref> friend —</l>
<l rend="indent2">Tell <ref target="people.html#WynnCharlesWW">Wynn</ref> that I
                        can now at last remind</l>
<l rend="indent2">A book he left at Westminster behind</l>
<l rend="indent2">The Gesta Romanorum<note n="3" place="foot" resp="editors">A
                            collection of Latin anecdotes and tales, probably compiled in the late
                            thirteenth or early fourteenth centuries. The book referred to is likely
                            to be the 1703 edition listed in the sale catalogue of Southey’s
                            library, <title level="m">Sale Catalogues of Libraries of Eminent
                                Persons</title>, gen. ed. A. N. L. Munby, vol. 9 <title level="m">Poets and Men of Letters</title>, ed. Roy Park (London, 1974), p.
                            56.</note> — nor neglect</l>
<l rend="indent2">To make to <ref target="people.html#CombeEdward">Majesty</ref>
                        my dear respect</l>
<l rend="indent2">Say to the King thus says his subject now</l>
<l rend="indent2">(But first bend down &amp; make a duteous bow)</l>
<l rend="indent2">I wrote to him a very long epistle</l>
<l rend="indent2">And shall be glad to hear from him at Bristol.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Of such nonsense enough — to a metre more gay</l>
<l rend="indent2">Less absurd must I bend my unsettled wild way</l>
<l rend="indent2">I cannot stalk on in so serious a stile</l>
<l rend="indent2">And with nonsense &amp; folly the moments beguile — </l>
<l rend="indent2">Tell <ref target="people.html#CombeEdward">the King</ref> he
                        must write &amp; acknowledge my letter</l>
<l rend="indent2">Tell <ref target="people.html#WynnCharlesWW">Wynn</ref> of the
                        book. &amp; remain not my debtor</l>
<l rend="indent2">But spread on the table your pretty casette</l>
<l rend="indent2">Shake your hands shrug your shoulders &amp; &lt;pay
                        the due debt.&gt;</l>
<l rend="indent2">And moreover tell <ref target="people.html#WynnCharlesWW">Wynn</ref> — but stop — let me see </l>
<l rend="indent2">Ευργκα
                            Ευργκα<note n="4" place="foot" resp="editors">The Greek can be translated as ‘I’ve
                            found it, I’ve found it’, recorded by Plutarch as Archimedes’ cry upon
                            discovering the formula for displacement of bodies in water.</note> — a
                        good simile </l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">As the smith in his furnace throws in the old metal</l>
<l rend="indent2">Nails pot hooks swords razors pot gridiron &amp;
                        kettle</l>
<l rend="indent2">Whatever lies near they melt up in one stew</l>
<l rend="indent2">And make what went in old — come out neat &amp; new —</l>
<l rend="indent2">So tell my good friend I have melted my odes</l>
<l rend="indent2">But as they are now coming on on the roads</l>
<l rend="indent2">I can send none to Oxford — nor indeed were they
                        &lt;here&gt;</l>
<l rend="indent2">That I should transcribe them to him is quite clear</l>
<l rend="indent2">Since he’s grown wise &amp; prudent &amp; like not to
                        write</l>
<l rend="indent3"> To old correspondents &amp; friends</l>
<l rend="indent2">But to one who has never been blest with his sight</l>
<l rend="indent3"> Each week an epistle he sends.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Tis a fortnight ago since from <ref target="places.html#Brixton">Brixton</ref> departed</l>
<l rend="indent2">I trudgd on my way quite dismayd &amp; dishearted</l>
<l rend="indent2">Unwilling to go yet unable to stay</l>
<l rend="indent2">To Bristol I bent as commanded my way</l>
<l rend="indent2">And doubtful of loitering this term thus in waste</l>
<l rend="indent2">Was obliged to mount coach &amp; put on in great
                        haste.</l>
<l rend="indent2">Since that period my baggage is kept on the roads </l>
<l rend="indent2">All my cloaths — Joan of Arc<note n="5" place="foot" resp="editors">The first version of Southey’s epic had been written at
                            the Bedford family’s home in Brixton in summer-autumn 1793.</note> &amp; my
                        excellent odes</l>
<l rend="indent2">And should some nasty beast whose taste is not quite ripe</l>
<l rend="indent2">With my valued productions first read &amp; then wipe</l>
<l rend="indent2">I shall lose all my senses — run stark staring mad</l>
<l rend="indent2">At his usage so vile &amp; my fortune so bad </l>
<l rend="indent2">O Joan Joan Joan Joan Joan Joan Joan Joan Joan Joan </l>
<l rend="indent2">Thy loss sure would melt een a hard heart of stone</l>
<l rend="indent2">To lose thee when finishd — to think that a rascal </l>
<l rend="indent2">So vilely should use my delectable task all.</l>
<l rend="indent2">Wear my cloaths — in his pockets should carry my Joan</l>
<l rend="indent2">And read it &amp; use it when he is alone —</l>
<l rend="indent2">And moreover — oh pity the sorrowful notes</l>
<l rend="indent2">I shall soon — very soon be un vrai sans culottes!</l>
<l rend="indent2">Such misfortunes are mine such sad Fate me bewitches </l>
<l rend="indent2">You go without linings — but yet you have breeches</l>
<l rend="indent2">But for me — sad to say — as my brogues are wore out </l>
<l rend="indent2">I both breeches &amp; linings shall soon be without</l>
<l rend="indent3"> Alas Alas</l>
<l rend="indent3"> All breeches are but grass</l>
<l rend="indent2">So enough of my sorrows &amp; follies God knows</l>
<l rend="indent2">(Tis a rhyme of your own) &amp; I’ll now write in
                        prose</l>
<l rend="indent2">But remember my friend — you have once used your pen</l>
<l rend="indent2">And I beg you will send me some verses again.</l>
</lg>
<p>
<date when="1793-11-07">Thurs. Nov. 7.</date>
</p>
<p rend="indent1"> a long time my dear friend has elapsed since I began my letter
                    with those villainous verses which can only amuse you from their badness. you
                    know me too well to suspect me of dispraising myself to gain a compliment. the
                    lines are bad &amp; I can write better. but Nemo omnibus horis &amp;c.
                        <note n="6" place="foot" resp="editors">Part of the commonplace ‘No man is
                        wise at all times’.</note> I wrote them with agreable company in the room to
                    whom most of my attention was diverted &amp; <ref target="people.html#CollinsCharles">C Collins</ref> will excuse the faults
                    occasioned by politeness.</p>
<p rend="indent1"> in this interval however my baggage has arrived &amp; no poor
                    devil at the foot of the gallows was more overjoyd at a reprieve than I was at
                    the recovery. I have begun to transcribe Joan of Arc — read Enfield History of
                        Philosophy.<note n="7" place="foot" resp="editors">William Enfield
                        (1741–1797; <title level="m">DNB</title>), <title level="m">History of
                            Philosophy, From the Earliest Times to the Beginning of the Present
                            Century</title>, 2 vols (1791), was an abridgement and translation of
                        Johann Jacob Brucker’s <title level="m">Historia Critica
                            Philosophiae</title>. Southey borrowed both volumes from the Bristol
                        Library Society, volume one between 22–25 October 1793 and volume two
                        between 25–28 October 1793.</note> Gillies History of Greece<note n="8" place="foot" resp="editors">John Gillies (1747–1836; <title level="m">DNB</title>), <title level="m">The History of Ancient Greece</title>, 2
                        vols (1786). Southey borrowed volume two from the Bristol Library Society
                        between 28 October and 4 November 1793 and volume one between 29 January and
                        10 February 1794.</note> V.2<hi rend="sup">nd</hi> &amp; begun Adam
                        Smith<note n="9" place="foot" resp="editors">Adam Smith (c. 1723–1790;
                            <title level="m">DNB</title>), <title level="m">An Inquiry into the
                            Nature and Causes of the Wealth of Nations</title>, 2 vols (1776).
                        Southey borrowed volume one from the Bristol Library Society between 4 and
                        18 November 1793 and volume two between 18 and 25 November 1793.</note>
                    since my return so you see Bristol does not make me idle. I may not form a taste
                    here but I can increase a stock of useful knowledge and you know the prettiest
                    nosegays are formed of various flowers. Oxford would have been very dull this
                    term to me as none of my <ref target="places.html#BalliolOxford">Balliol</ref>
                    friends reside &amp; it &lt;is&gt; with them that I mostly live. we
                    shall meet again in January &amp; college will have something like novelty
                    to recommend it. with my friends at Christ Church I could not have lived always
                    — they are but very few &amp; have numerous acquaintance so this term must
                    have past mostly in solitude. at Bristol I can be as well employed, at least in
                    my own opinion &amp; you know, to me, that is the most material. </p>
<p rend="indent1"> Time passed pleasantly at <ref target="places.html#Brixton">Brixton</ref>. the last Sunday <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> went with me to
                        <ref target="places.html#MaizeHill">Maize Hill</ref> intending to breakfast
                    with your good family. I rose in time but you know our friends invincible
                    indolence. he never left <ref target="places.html#Brixton">Brixton</ref> till
                    near nine &amp; then with mulish obstinacy would go wrong &amp; put up
                    the chaise a mile out the way, so that we found your father &amp; mother
                    drest for church &amp; troubled them for a second breakfast. we returned to
                    dinner in spite of the friendly intreaties of M<hi rend="sup">r</hi> &amp;
                        M<hi rend="sup">rs</hi> C &amp; indeed of &lt;our&gt; own wishes
                    but <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> had
                    promised to return &amp; as I had prophesied, repented of his promise. the
                        <ref target="people.html#BedfordHoraceWalpole">Doctor</ref> was not with
                    us.</p>
<p rend="indent1"> I am in hopes to see Horace at Balliol the next term — he seems
                    to have fixd his choice unalterably. in fact for what profession is he fit but
                    the church? at <ref target="places.html#Brixton">Brixton</ref> he is ruining
                    himself as you well know — contracting habits peevishness &amp;
                    particularities all which a little society would cure him of. I want to rub him
                    down — you to perform the same friendly office upon me &amp; <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> upon you — each
                    sees his neighbours mote — thus wags the world away. when you write to him<del rend="strikethrough">self</del> &lt;touch&gt; upon this subject
                    &amp; tell him what service a few years at college would do him. he will
                    sweat away his consitution &amp; abilities in the collection room unless he
                    very soon is settled.</p>
<p rend="indent1"> if you should happen to meet <ref target="people.html#BurnettGeorge">Burnet</ref> I will be much obliged to
                    you to enquire if any letters are expecting me at <ref target="places.html#BalliolOxford">Balliol</ref>. I expect one which I wish
                    much to receive. will you be good enough if you chance to see him, to take the
                    letters &amp; direct them — scratch out the old direction &amp; put <ref target="people.html#TylerElizabeth">Miss Tylers</ref> Bristol.</p>
<p rend="indent1"> remember me to <ref target="people.html#WynnCharlesWW">Wynn</ref>
                    &amp; tell him of the Gesta Romanorum which I will bring to Oxford next
                    term. I have much for his perusal. perhaps all my writings are owing to my
                    acquaintance with him he saw the first &amp; I knew the value of his praise
                    too much to despise it — for head &amp; heart I do not know his equal. <ref target="people.html#WynnCharlesWW">Wynn</ref> will like many parts of my
                    Joan but he will shake his head at the subject, with propriety if I had designd
                    it for publication — but as the amusement of my leisure I heeded no laws but
                    those of inclination. he will be better pleasd to hear I have waded thro the
                    work of correcting &amp; expunging my literary rubbish. there is something
                    very vain in thus writing of myself, but I know the regard which <ref target="people.html#WynnCharlesWW">Wynn</ref> entertains for me whilst he
                    sees the vanity will make him pleasd with the intelligence.</p>
<p rend="indent1"> is <ref target="people.html#LambThomasDavis">Lamb</ref> arrived
                    at Oxford — desire <ref target="people.html#CombeEdward">his Majesty</ref> to
                    give me a little information relative to our friend <ref target="people.html#LambThomasDavis">Tom</ref>. I wrote <ref target="people.html#CombeEdward">the King</ref> a long letter but whether he
                    ever receivd it I know not. <ref target="people.html#CombeEdward">his
                        Highness</ref> will honour Bath with his presence at Xmas I suppose if so we
                    may perhaps meet. &amp; now when I have enquired for <ref target="people.html#PeckwellRobertHenry">Peckwell</ref> &amp; <ref target="people.html#ButtJohnMarten">Martin Butt</ref> I have run thro the
                    list of my friends</p>
<p rend="indent1"> let me hear from you as soon as you can spare time. you have at
                    last if not a rational certainly a harmless letter, &amp; did you know the
                    self satisfaction we felt at our joint production you would certainly endure a
                    little horse raillery for the sake of so delighting your friends.</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> &amp; I
                    used to fall out about politics (that is quarrel amicably) he is as visionary as
                    I am &amp; the old fable of the pot &amp; the kettle may well be applied
                    to us. as for the <ref target="people.html#BedfordHoraceWalpole">Doctor</ref> he
                    would stare thro his spectacles in silence. I must laugh at him upon the subject
                    &amp; you know how he dreads my raillery — Southey Southey for Gods sake
                    dont put that in the life &amp;c &amp;c — o nunquam reditura dies!<note n="10" place="foot" resp="editors">The Latin translates as ‘O day never to
                        return’.</note> but I &lt;shall&gt; grow as learned as you &amp;
                    quote scraps like <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref>.</p>
<p rend="indent1">
<ref target="people.html#BedfordHoraceWalpole">Horace</ref> means to leave off
                    spectacles if he comes to Oxford — he now understands the theory of
                    shortsightedness &amp; talks of it most eruditely — of course we laugh at
                    him — then comes pish fool blockhead contemptible stuff, &amp; I laugh the
                    more. but <ref target="people.html#BedfordHoraceWalpole">Horace</ref> has a
                    thousand good qualities to counterbalance a few failings occasiond by seclusion.
                    do you know I have almost cured him of rhapsodizing — now you will exclaim
                    Physician cure thyself — I am dosing myself with philosophy &amp;
                    calculations to get rid of the rhapsody fever — &amp; you will see some of
                    this is written in a lucid interval — I am now going out &amp; must dress —
                    laugh at the expression in me — but I must change my cloaths so farewell.</p>
<closer>
<salute rend="indent2">yrs most sincerely</salute>
<signed rend="indent3">RS.</signed>
</closer>
<postscript>
<p rend="indent11">&lt;write in verse since you can no longer&gt;</p>
<p rend="indent11">&lt;plead inability.&gt;</p>
</postscript>
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</body>
</text>
</TEI>
