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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<idno type="edition">letterEEd.26.85</idno>
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<sourceDesc>
<p>.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
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<div n="85" type="letter">
<head>85. Robert Southey to <ref target="people.html#LovellRobert">Robert
                        Lovell</ref>, <date when="1794-04-05">5–6 April 1794</date>
<note place="foot" resp="editors" type="headnote">Address: M<hi rend="sup">r</hi>
                        Robert Lovell/ N<hi rend="sup">o</hi> 25 College Street/ Bristol/ Single
                        Sheet<lb/>Stamped: OXFORD<lb/>Endorsement: R Southey to R Lovell<lb/>MS:
                        Special Collections, Tulane University Libraries, Manuscripts Collection M
                        1105<lb/>Unpublished.</note>
</head>
<epigraph>
<p rend="indent5"> Sonnet</p>
<lg type="stanza">
<l rend="indent2">As slowly Valentine<note n="1" place="foot" resp="editors">A pseudonym used by Robert Lovell.</note> yon dismal knell</l>
<l rend="indent3">Tolls thro the sullen evening’s shadowy gloom,</l>
<l rend="indent3">Alone I love within my silent room</l>
<l rend="indent2">On man &amp; on mortality to dwell.</l>
<l rend="indent2">And as the harbinger of death I hear</l>
<l rend="indent3">Frequent &amp; full—much do I love to muse</l>
<l rend="indent2">On Lifes bewilderd scenes of Hope &amp; Fear</l>
<l rend="indent3">And Passion varying her carnelion hues.</l>
<l rend="indent2">For the sound speaks energic to the soul</l>
<l rend="indent3">And shames the dull declaimers studied breath.</l>
<l rend="indent2">I seem to hear in every hollow toll</l>
<l rend="indent3">‘Soon shall thy cares for ever cease in Death!</l>
<l rend="indent2">Oh! May they soon in Deaths co[MS torn] empire cease</l>
</lg>
<lb/>
<p rend="indent5">Sonnet<note n="2" place="foot" resp="editors">An early version
                            of ‘Sonnet. Written in a Rookery’, <title level="j">Morning
                            Post</title>, 17 February 1798.</note>
</p>
<lg>
<l rend="indent2">Ye sable tenants of the elmey grove</l>
<l rend="indent3">As round the task of instinct ye pursue,</l>
<l rend="indent2">And with light wing along the ether rove</l>
<l rend="indent3">In various business occupied—I view</l>
<l rend="indent2">Your state with envy. you have never known</l>
<l rend="indent3">The ills of mortal life — to you is given</l>
<l rend="indent3">The range of ample earth &amp; boundless heaven</l>
<l rend="indent2">And all that simple Nature asks your own.</l>
<l rend="indent2">Whilst I, condemnd in Life’s tumultuous maze</l>
<l rend="indent3">To mix amid the giddy thoughtless throng.</l>
<l rend="indent2">And swept by Fortune’s wayward winds along, </l>
<l rend="indent2">Tho distant far I see the lucid rays</l>
<l rend="indent2">Gild with each loveliest [MS torn] the distant plain</l>
<l rend="indent2">I only see the joys I am not doomd to attain.<note n="3" place="foot" resp="editors">As slowly ... attain: Verse written in
                                double columns.</note>
</l>
</lg>
</epigraph>
<lb/>
<opener>
<dateline rend="right">
<date when="1794-04-05">Saturday evening. April 5<hi rend="sup">th</hi>
                            1794.</date>
</dateline>
</opener>
<p>Such are the melancholy effusions of a pensive evening hour. I had spent the
                    afternoon with a much esteemd friend — &amp; our future stations in life
                    became the topic of discourse—they drew on the remembrance of present calamity,
                    the miseries of dependance, the bad state of society, &amp; the futility of
                    Rectitude to insure happiness. You will not wonder if all this calld up an
                    unpleasant train of ideas to my mind. I see that the nice susceptibility of
                    Rectitude &amp; firm perseverance of Integrity, rather prevent enjoyment,
                    than procure it. &amp; I feel that Vice &amp; Folly will carry a man
                    thro this world more agreably, whilst the one arms his head &amp; the other
                    his heart against those arrows that rankle most keenly in the sensible breast.
                    surely the love of life must be very strong or the dread of Death very
                    tremendous—for if there be not another world what wretch would remain in this?
                    &amp; if there be who but would venture for a happier life in it? tis
                    growing late &amp; the less is said on this subject the better. good
                    night.</p>
<p rend="indent1"> Of late I have been much in the rhyming mood, &amp; you will
                    have a delectable dose of democracy on the other side. poor Gerald<note n="4" place="foot" resp="editors">Joseph Gerrald (1763–1796; <title level="m">DNB</title>), political reformer, found guilty of sedition in March
                        1794 and transported to Australia in May 1795.</note> cannot possibly
                    survive his <del rend="strikethrough">trial</del> &lt;voyage&gt;.
                        Muir’s<note n="5" place="foot" resp="editors">Thomas Muir (1765–1799; <title level="m">DNB</title>), political reformer who was found guilty of
                        sedition in August 1793 and transported to Australia in May 1794.</note>
                    mother is actually dying of a broken heart. have you seen the very beautiful
                    address from the Sheffield society to these virtuous exiles?<note n="6" place="foot" resp="editors">
<title level="m">A Serious Lecture Delivered at
                            Sheffield February 28 1794 ... to Which are Added a Hymn and
                            Resolutions</title> (1794).</note> Wyndham<note n="7" place="foot" resp="editors">William Wyndham Grenville, 1st Lord Grenville (1759–1834;
                            <title level="m">DNB</title>), politician, Foreign Secretary 1791–1801,
                        Prime Minister 1806–1807. Gerrald and Muir had been convicted under Scottish
                        law, and Wyndham desired that the same law applied in England.</note> wished
                    the same laws were established in England. when William Penn<note n="8" place="foot" resp="editors">In 1670, the Quaker leader William Penn
                        (1644–1718; <title level="m">DNB</title>) was tried for addressing a
                        tumultuous assembly at Gracechurch Street. The judge refused to accept the
                        jury’s ‘not guilty’ verdict and Penn was imprisoned.</note> was tried for
                    speaking seditious words in Gracechurch Street the Recorder declared that it
                    would never be well for England till the Inquisition was introduced. you know
                    the memorable verdict of the jury, &amp; you know the future fate of the
                    founder of Pensylvania. who knows but Muir may prophecy when he says “my
                    imagination sometimes whispers to me, that I shall not be a spectator of
                    inanimate Nature merely, but that I may contemplate an infant empire, a new
                    Europe in embryo.”<note n="9" place="foot" resp="editors">Quotation
                        unidentified.</note>
</p>
<lb/>
<p rend="indent4">To the Exiled Patriots<note n="10" place="foot" resp="editors">Published in part in Samuel Taylor Coleridge’s <title level="m">A Moral and
                            Political Lecture</title> (1795) and <title level="m">Conciones ad
                            Populum</title> (1795). Southey never issued the poem under his own
                        signature, though a variant version appeared in the Galignani brothers’
                        unauthorised edition of his <title level="m">Poetical Works</title>,
                        published in Paris in 1829. The version published in 1829 was possibly
                        supplied by Southey’s erstwhile friend, John Horseman.</note>
</p>
<p rend="indent6"> ————</p>
<lg type="stanza">
<l rend="indent2">Martyrs of Freedom—ye who firmly good</l>
<l rend="indent3"> Stept forth the champions in her glorious cause</l>
<l rend="indent2">Ye who against Corruption nobly stood</l>
<l rend="indent3"> For Justice Liberty &amp; equal laws—</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Ye who have urged the cause of man so well</l>
<l rend="indent3"> Firm when Corruptions torrent swept along—</l>
<l rend="indent2">Ye who so firmly stood … so nobly fell</l>
<l rend="indent3"> Accept one honest Britons grateful song.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Take from one honest heart the meed of praise</l>
<l rend="indent3"> Let Justice strike her high-tond harp for you—</l>
<l rend="indent2">Take from [MS torn] minstrels hand the garland bays </l>
<l rend="indent3"> Who feels your energy &amp; sorrows too.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">But be it yours to triumph in disgrace</l>
<l rend="indent3"> Above the storms of Fate be yours to tower.</l>
<l rend="indent2">Unchanged is Virtue or by time or place</l>
<l rend="indent3"> Unscard is Justice by the throne of power.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">No. by the tyrants heart let fear be known</l>
<l rend="indent3"> Let the Judge tremble who perverts his trust</l>
<l rend="indent2">Let proud Oppression totter on his throne—</l>
<l rend="indent3"> Fear is a stranger to the good &amp; just.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">And is there ought amid the tyrants state</l>
<l rend="indent3"> Or ought in mighty Natures ample reign</l>
<l rend="indent2">So excellently good—so grandly great</l>
<l rend="indent3"> As Freedom struggling with Oppressions chain?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Swells not the soul with ardor at the view?</l>
<l rend="indent3"> Bounds not the breast at Freedoms sacred call?</l>
<l rend="indent2">Ye noble Martyrs! When she feels for you—</l>
<l rend="indent3"> Glows in your cause &amp; crimsons at your fall.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">And shall Oppression vainly think by Fear</l>
<l rend="indent3"> To quench the fearless energy of mind?</l>
<l rend="indent2">And glorying in your fall exult it here</l>
<l rend="indent3"> As tho no freebom soul were left behind?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Thinks the proud tyrant by the pliant law</l>
<l rend="indent3"> The hireling jury, &amp; the judge unjust,</l>
<l rend="indent2">To strike the soul of Liberty with awe</l>
<l rend="indent3"> And scare the friends of Freedom from their trust</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">As easy might the Despots empty pride</l>
<l rend="indent3"> The onward course of rushing ocean stay—</l>
<l rend="indent2">As easy might his jealous caution hide</l>
<l rend="indent3"> From mortal eyes the orb of general day.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">For like that general orbs eternal flame</l>
<l rend="indent3"> Glows the mild force of Virtues constant light</l>
<l rend="indent2">Tho c[MS torn]uded by Misfortune still the same</l>
<l rend="indent3"> For ever constant &amp; for ever bright.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Not till eternal Chaos, shall that light</l>
<l rend="indent3"> Before Oppressions fury fade away—</l>
<l rend="indent2">Not till the sun himself be quenchd in night—</l>
<l rend="indent3"> Not till the frame of Nature shall decay.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Go then—secure in steady Virtue go—</l>
<l rend="indent3"> Nor heed the peril of the stormy seas—</l>
<l rend="indent2">Nor heed the felons name—the felons woe</l>
<l rend="indent3"> Contempt &amp; Pain &amp; Sorrow &amp;
                        Disease:</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Tho cankering Cares corrode the sinking frame</l>
<l rend="indent3"> Tho sickness rankle in the callous breast—</l>
<l rend="indent2">Tho Death himself should quench the vital flame</l>
<l rend="indent3"> Think but for what ye suffer — &amp; be blest.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">So shall your great examples fire each soul</l>
<l rend="indent3"> So in each freeborn breast for ever dwell.</l>
<l rend="indent2">Till man shall rise above the unjust controul</l>
<l rend="indent3"> Stand where ye stood — &amp; triumph where ye fell.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Ages unborn shall glory in your shame</l>
<l rend="indent3"> And curse the ignoble spirit of the time—</l>
<l rend="indent2">And teach their lisping infants to exclaim</l>
<l rend="indent3"> “He who allows Oppression, shares the crime.”<note n="11" place="foot" resp="editors">Martyrs ... crime: Verse written in double
                            columns. The last line quotes Erasmus Darwin (1731–1802; <title level="m">DNB</title>), <title level="m">The Botanic Garden</title>,
                            2 vols (Lichfield, 1789–1791), II, p. 117.</note>
</l>
</lg>
<p rend="indent11">
<hi rend="ital">Caius Gracchus</hi>
<note n="12" place="foot" resp="editors">Gaius Gracchus (154–121 BC), Roman
                        politician who proposed radical agrarian reforms.</note>
</p>
<lb/>
<p>this high seasond ingredient goes to the Salmagundi for swine.<note n="13" place="foot" resp="editors">Daniel Isaac Eaton, (c. 1753–1814; <title level="m">DNB</title>) <title level="m">Pig’s Meat; or, Lessons for the
                            Swinish Multitude</title> (1794–1795). If Southey sent his poem to
                        Eaton, the latter did not publish it.</note> Tiberius Gracchus<note n="14" place="foot" resp="editors">Tiberius Sempronius Gracchus (163–132 BC), elder
                        brother of Gaius Gracchus and also a proponent of reform. This is possibly a
                        pseudonym for Southey’s friend and fellow radical Robert Allen.</note> my
                    brother in democracy writes good verses &amp; if you add your assistance
                    sometimes, we may raise the reputation of the HogWash. How go on the
                    subscriptions in Bristol for the militia? &amp; that for a nobler purpose?
                    The ministerial one was carried here, yesterday nem. con.<note n="15" place="foot" resp="editors">Nemine contradicente; i.e. without
                        objection.</note> &amp; I in the hall!</p>
<p rend="indent1"> I have not yet seen Priestleys reasons for quitting this country.
                    from the review I collect that he compares the present state of Europe with
                    ancient prophecies &amp; foretells the most dismal scenes of devastation.
                        <note n="16" place="foot" resp="editors">Joseph Priestley (1733–1804; <title level="m">DNB</title>), had emigrated to America in April 1794. The
                        reference is to his <title level="m">The Present State of Europe Compared
                            with Antient Prophecies; A Sermon, Preached at the Gravel Pit Meeting in
                            Hackney, February 28, 1794</title> (1794).</note> “Oh I could
                        prophesy”<note n="17" place="foot" resp="editors">
<title level="m">Henry IV,
                            Part One</title>, Act 5, scene 4, line 83.</note> says Hotspur &amp;
                    so say I but to prophecy <del rend="strikethrough">no good</del> evil is
                    melancholy — &amp; good impossible, when indeed after evil. Belsham<note n="18" place="foot" resp="editors">William Belsham (1752–1827; <title level="m">DNB</title>).</note> is elected Pastor in his place &amp;
                    by the little I know of this man he is more qualified to succeed, Joseph
                    Priestley than the generality of dissenting preachers. he is the author of one
                    or two very good works —thoughts on parliamentary reform &amp; Memoirs of
                    the house of Brunswick—Lunenburg.<note n="19" place="foot" resp="editors">William Belsham, <title level="m">Remarks on the Nature and Necessity of a
                            Parliamentary Reform</title> (1793) and <title level="m">Memoirs of the
                            Kings of Great Britain of the House of Brunswic-Lunenberg</title>
                        (1793).</note> my knowledge of this is from the reviews.</p>
<p rend="indent1"> Have you ever seen Bowles’s<note n="20" place="foot" resp="editors">William Lisle Bowles (1762–1850; <title level="m">DNB</title>), author of <title level="m">Fourteen Sonnets, Elegiac and
                            Descriptive. Written During a Tour</title> (1789).</note> poems
                    &amp; more particularly his sonnets? tho he be an Oxford man,[MS torn] name
                    is little known here; &amp; tho [MS torn] first poet the University can now
                    boast. <ref target="people.html#AllenRobert">Allen</ref> has lent a [MS torn]
                    copy of his sonnets, for he printed but few copies &amp; they are a[MS torn]
                    to be obtained. they pleasd me so much that I shall trans[|MS torn] your
                    opinion. —With respect to Madoc the evidence is [MS torn] of respectability
                    agree in affirming that they have conversed with [MS torn] speak the Welsh
                    language as their mother tongue, &amp; who preserve [MS torn] origin. this
                    account was corroborated by the testimony of Bowles [MS torn] Cherokee
                        Chief.<note n="21" place="foot" resp="editors">‘General’ William Augustus
                        Bowles (1763–1805), American loyalist and prominent figure among the Creek
                        Indians, who led an Indian delegation to George III (1738–1820; reigned
                        1760–1820; <title level="m">DNB</title>) in 1790–1791. See John Williams
                        (1727–1798), <title level="m">Further Observations on the Discovery of
                            America, by Prince Madog ab Owen Gwynedd, About the Year 1170</title>
                        (London, 1792), p. 2.</note> however this matters not for a romance. Bare
                    tra[MS torn] is sufficient grounds for a poet. both Mexico &amp; Peru appear
                    to [MS torn] have been in some degree civilized by this adventurous Old Cambr[MS
                    torn] surely the subject is incomparably good. depicture the brothers of [MS
                    torn] each other for the possessing of the Kingdom. Wales deluged with civil [MS
                    torn] state of Europe during the reign of our Henry 2<hi rend="sup">nd</hi>
<note n="22" place="foot" resp="editors">Henry II (1133–1189; reigned 1154–1189;
                            <title level="m">DNB</title>).</note> — [MS torn] manners of Peru — the
                    savage superstition of Mexico &amp; the appearance of Nature in a savage
                        country.<note n="23" place="foot" resp="editors">The first detailed plan of
                        Southey’s <title level="m">Madoc</title>, eventually published in
                        1805.</note> on this topic we will have some conversation. tis probable I
                    shall be in Bristol <del rend="strikethrough">before</del> ‹by next› Sunday but
                    I cannot pronounce with certainty</p>
<p rend="indent1"> My silence on natural history &amp; natural philosophy, arose
                    from ignorance. they are subjects upon which till lately I knew nothing,
                    &amp; now but little. it is not however my nature to sit down contented with
                    ignorance. The study claims my attention; anatomy chymistry &amp; botany
                    will be my chief studies. how much truth is there in the old adage Life is
                    short—Science is long! I experience the truth every day. one book leads on
                    another one study demonstrates the necessity of another, &amp; so we proceed
                    from year to year till Death—compresses all our acquisition into a clod of the
                    valley!</p>
<p rend="indent5">The Rooks<note n="24" place="foot" resp="editors">An early version
                        of ‘Sonnet. Written near a Rookery’, <title level="j">Morning Post</title>,
                        30 January 1798.</note>
</p>
<p rend="indent5"> —————</p>
<lg type="stanza">
<l rend="indent2">Ye sable tenants of the towering tree, </l>
<l rend="indent3"> (That lifts on high its aged top sublime</l>
<l rend="indent3"> Untorn by tempests—undecayed by Time;)</l>
<l rend="indent2">Why from my secret window do I see.</l>
<l rend="indent2">Oer your aerial haunts the battles strife?</l>
<l rend="indent3"> Why thus, with fond &amp; fruitless rage possest</l>
<l rend="indent3"> Tear ye in mutual war each others nest?</l>
<l rend="indent2">Yet is it not the same in mortal life?</l>
<l rend="indent2">See we not still the same sad scenes renewd</l>
<l rend="indent3"> Of Rapines rage, &amp; Envys secret wiles;</l>
<l rend="indent2">And there where Nature bountifully smiles,</l>
<l rend="indent2">See we not heaps of slain, &amp; streams of blood?</l>
<l rend="indent2">Ye Rooks, if ye engage for this slight cause,</l>
<l rend="indent2">War not the Masters of Mankind for straws!</l>
</lg>
<lb/>
<p rend="indent5"> The Knell</p>
<p rend="indent5"> ————</p>
<p>The parting knell was instituted in the darker ages of superstition, from the
                    idea that the sound terrified the Devil from his prey.</p>
<p rend="indent5"> ————</p>
<lg type="stanza">
<l rend="indent2">In days of yore, when Superstitions sway</l>
<l rend="indent3"> Bound blinded Europe in her sacred spell.</l>
<l rend="indent3"> The wizard priest enjoind the parting knell</l>
<l rend="indent2">To fright the hovering devil from his prey.</l>
<l rend="indent2">If some poor rustic died who could not pay,</l>
<l rend="indent3"> Still slept the priest &amp; silent hung the bell.</l>
<l rend="indent2">And if a yeoman died, his children paid</l>
<l rend="indent3"> One bell, to save his parting soul from hell.</l>
<l rend="indent2">And if a Bishop Deaths dread call obeyed,</l>
<l rend="indent3"> Thro all the diocese was heard the toll,</l>
<l rend="indent2">For much the pious brethren were afraid</l>
<l rend="indent2">Lest Satan should receive the good mans soul.</l>
<l rend="indent2">But when Deaths levelling hand lays low the King</l>
<l rend="indent2">(Since Kings in both worlds very well are known)</l>
<l rend="indent2">Thro all his kingdoms every bell must ring</l>
<l rend="indent3"> For Satan comes with legions for his own.<note n="25" place="foot" resp="editors">Ye sable ... his own: Verse written in
                            double columns.</note>
</l>
</lg>
<p rend="indent5"> ————</p>
<p rend="indent1"> You see I am commenced Sonnetteer. The Knell extends sixteen
                    lines in fact the subject is not that of a sonnet. but as I look on this species
                    of poetry as much resembling the Greek Epigrams which are of indefinite length.
                    I see no impropriety either in compressing an idea in less than fourteen lines
                    for simplicity or in lengthening it for perspicuity. Your Warton I much like.
                    tis a good subject well handled.<note n="26" place="foot" resp="editors">Possibly a reference to a poem by Robert Lovell that has not
                        survived.</note>
</p>
<p rend="indent1"> my remembrances to <ref target="people.html#FrickerMary">Mrs
                        L.</ref> &amp;c. if you write immediately I shall receive your letter.
                    This I rather hope than expect.</p>
<closer>
<signed rend="indent11">Caius Gracchus.</signed>
</closer>
<postscript>
<p>
<date when="1794-04-06">Sunday April 6. 1794.</date>
</p>
</postscript>
</div>
</body>
</text>
</TEI>
