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<title type="main">The Collected Letters of Robert Southey. Part 1: 1791-1797 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Bodleian Library, MS Eng. Lett. c. 22.  Previously  published: Charles Cuthbert Southey (ed.), Life and Correspondence of Robert Southey, 6 vols (London, 1849–1850), I, pp. 205–206 [in part; where it is dated 11 May 1794].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="89" type="letter">
<head>89. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor Charles Bedford</ref>, <date when="1794-05-11">11 [–18] May 1794</date>
<note place="foot" resp="editors" type="headnote">Address: Grosvenor Charles Bedford Esq<hi rend="sup">r</hi>/ New Palace Yard/ Westminster./ Single Sheet<lb/> Stamped: OXFORD<lb/>Postmark: OMA/ 19/ 94<lb/>Watermarks: G R in a circle; figure of Britannia<lb/>Endorsement: 11 May 1794<lb/>MS: Bodleian Library, MS Eng. Lett. c. 22<lb/>Previously published: Charles Cuthbert Southey (ed.), <title level="m">Life and Correspondence of Robert Southey</title>, 6 vols (London, 1849–1850), I, pp. 205–206 [in part; where it is dated 11 May 1794].</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>
<ref target="places.html#BalliolOxford">Balliol</ref>.</placeName>
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<date when="1794-05-11">May.11. 1794.</date>
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<p rend="indent1">	Thank you for your letter &amp; its contents. &amp; thank you likewise for your offer. should chance or business lead you towards Doctors Commons the information you may there receive will perhaps have some weight in my scales of destiny. it rests partly on the will of John Cannon Southey<note n="1" place="foot" resp="editors">Southey’s distant cousin, he was the son of John Southey and the heiress Mary Cannon. Southey’s long-held hopes of inheriting a substantial sum from the estate were in vain.</note> who died in 1768. hope &amp; fear have almost lost their influence over me. if my reversion can be sold for any comfortable independance, I am sure you would rather advise me to seize happiness with mediocrity than lose it in waiting for affluence. my wishes aspire not above mediocrity. they are superior to the desire of tinsel appearances. to look forward to taking orders is but a miserable prospect — tis a profession against which all my principles militate most strongly — but no choice is left me. I am dependant upon my relations for daily bread, &amp; every day do I repine at the education that taught me to handle a lexicon instead of a hammer — &amp; destined me for one of the drones of society. add to this that had I a sufficiency in independance, I have every reason to expect happiness. the most pleasing visions of domestic life would be realized. knowing this I may be allowed sometimes to repine at the situation which debars me. do not show this to any one you know not how dull &amp; inanimate this collegiate life appears. poor <ref target="people.html#WynnCharlesWW">Wynn</ref> too is lamentably in the dumps. he has left his heart in London possibly you may know with whom — but do not mention this to any one, not even to himself. I never laugh at well placed affection. &amp; I know you too well to be apprehensive of ridicule. — should not you be sorry to see me one of an order which I believe pernicious. preaching a religion which I cannot comprehend &amp; earning a scanty subsistence at the expence of integrity? should you not despise me? you ought to — &amp; if such must be my fate I shall despise myself. I shall lose that high sense of integrity &amp; justice &amp; sink even below my own contempt. you see how much of my future tranquillity depends on selling this reversion — yet I am so much in the dark about it that I dare not place any hope where disappointment would wound so severely. tis now three years since a man applied to <ref target="people.html#SoutheyRobertSnr">my father</ref> to purchase it. the offer was made at such a time &amp; in such a manner as to rouse his feelings (naturally strong) &amp; he turned the man out of the house. I have since regretted my absence at the moment, as it might have procured me much information on the subject. when I think on this topic tis rather to cool myself with philosophy than indulge in speculation. twenty is young for a Stoic you will say — but they have been years of experience &amp; observation. they have shown me enough of what is insolently calld the world to disgust me with it — they have shown me that happiness is attainable but withal taught me by repeated disappointments never to build on so sandy a foundation. twill be all the same a hundred years hence is a vulgar adage which has often consoled me. now do I execrate a declamation which I must make. oh! for emancipation from these useless forms this useless life these haunts of intolerance vice &amp; folly!</p>
<lb/>
<p>
<date when="1794-05-17">Saturday. May. 17</date>. So long have various circumstances debarred the conclusion of your letter. in the first place my vile declamation interfered. &amp; then the unexpected arrival of <ref target="people.html#Sewardfamily">John Seward</ref> in his way to Hatthouse. our wishes &amp; intreaties were vain to keep him longer than two days. I rather expect <ref target="people.html#LovellRobert">Lovell</ref> tomorrow. but my disappointment at not hearing from him this morning rather cools my expectation. we lose <ref target="people.html#LightfootNicholas">Lightfoot</ref> very soon. Act term begins the 18<hi rend="sup">th</hi> of June. he may take his degree immediately &amp; depart — but if you will come about that time <ref target="people.html#LightfootNicholas">Nicholas</ref> will delay a week or fortnight with pleasure on that account. in the course of twenty days I depart to visit Edmund Seward &amp; my friends in Worcestershire.</p>
<p rend="indent1">	You ask me who is the translator of Anacreon.<note n="2" place="foot" resp="editors">The Greek lyric poet Anacreon (fl. C6 BC). For Allen’s translation, see Southey to Grosvenor Charles Bedford, 13 April 1794 (Letter 86).</note> his name is <ref target="people.html#AllenRobert">Allen</ref>. he is of University College &amp; I introduced myself to him at the Anatomy school because I much liked his physiognomy. you will be much pleased with him upon all subjects but one where he coincides with my heterodox principles. — what — abuse Lavater!<note n="3" place="foot" resp="editors">Johann Kasparr Lavater (1741–1801), Swiss poet and physiognomist, whose <title level="m">Essays on Physiognomy</title> appeared in English from 1789.</note> my good friend <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref>, Mans countenance may be reduced to rule. the use of the muscles determines their character; hence the sneer of the satirist &amp; the corrugated brow of the philosopher. the face is the exact map of the mind. but it is the best way rather to draw theory from practice than practice from theory in this peripatetic branch of philosophy. Your Anacreon &amp; Æschylus<note n="4" place="foot" resp="editors">Æschylus (525–456 BC), Greek tragic dramatist, reputedly killed when an eagle dropped a tortoise on his bald head, mistaking it for a stone.</note> please me much — unluckily I have neither the one nor the other in the original — &amp; let me add do not want them with such spirited translations. I will however read them as you desire. in your lines ‘Harder than the pointed spear’ the word harder strike me as inappropriate. does the Greek signify the same? something like resistless as the pointed spear, would be more consonant to the intended meaning — your ode Quique pii vates<note n="5" place="foot" resp="editors">The title of the ode is taken from Virgil (70–19 BC), <title level="m">Aeneid</title>, Book 6, line 662. The Latin translates as ‘good bards, whose songs were meet for Phoebus’.</note> is with me but would be unfair to fill up my letter with transcribing your verses. you shall copy it when you visit <ref target="places.html#BalliolOxford">Balliol</ref>. the Elegy I send you was occasiond by a walk with <ref target="people.html#WynnCharlesWW">Wynn</ref>. after strolling beyond our knowledge we saw an old mansion house of the most melancholy appearance. the window shutters broken — the walls slimmed &amp; mouldering — the court pavements overgrown with weeds. in short every thing in excellent repair for a Ghost — &amp; the jack daws who had taken possession. enquiry was made — &amp; we learnt it was the celebrated habitation of old Elwes of <hi rend="ital">miserable</hi> memory.<note n="6" place="foot" resp="editors">John Elwes (1714–1789; <title level="m">DNB</title>), a noted miser.</note> the Elegy will give you more particulars. <ref target="people.html#LovellRobert">Lovell</ref> is writing a companion to it upon a ruined farm house<note n="7" place="foot" resp="editors">Published in Southey and Lovell’s <title level="m">Poems</title> (1795).</note> which you shall see almost as soon &lt;as&gt; I do myself. — have pity upon me for no sooner does the clock strike eleven then up I must go to my mathematical A.B.C. tis very extraordinary but angles &amp; squares &amp; circles always soporificate my senses. if you’ll believe I am yawning at the very idea this moment. the next letter I write will be to <ref target="people.html#BedfordHoraceWalpole">Horace</ref>. I am tired with wishing him at <ref target="places.html#BalliolOxford">Balliol</ref>.</p>
<p rend="indent5">	The Misers Mansion</p>
<lg type="stanza">
<l rend="indent2">Thou mouldering mansion whose embattled side</l>
<l rend="indent3">	Shakes as about to fall at every blast,</l>
<l rend="indent2">Once the gay pile of splendour wealth &amp; pride</l>
<l rend="indent3">	But now the monument of Grandeur past.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Falln fabric pondering oer thy time traced walls</l>
<l rend="indent3">	Thy mouldering mighty melancholy state,</l>
<l rend="indent2">Each object to the musing mind recalls</l>
<l rend="indent3">	The sad vicissitudes of varying fate.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Thy huge towers tremble in the touch of Time</l>
<l rend="indent3">	The rank weeds rustle thro thy spacious courts —</l>
<l rend="indent2">Filld are thy wide canals with loathly slime</l>
<l rend="indent3">	Where battening undisturbd the foul toad sports.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Deep from her dismal dwelling yells the owl —</l>
<l rend="indent3">	The shrill bat flits around her dark retreat —</l>
<l rend="indent2">And the hoarse daw when loud the tempests howl</l>
<l rend="indent3">	Screams — as the wild winds shake her secret seat.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Oer thy sad ruins Memory loves to pause</l>
<l rend="indent3">	Wrapt round in Contemplations shadowy pall</l>
<l rend="indent2">She loves in musing mood to mark the cause</l>
<l rend="indent3">	Whose slow effects defacd thy splendid wall.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Twas here Avaro dwelt — who daily told</l>
<l rend="indent3">	His useless heaps of wealth in selfish joy</l>
<l rend="indent2">Who loved to ruminate oer hoarded gold,</l>
<l rend="indent3">	And hid those stores he dreaded to employ.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">In vain to him benignant Heaven bestowed</l>
<l rend="indent3">	The golden heaps to render thousands blest</l>
<l rend="indent2">Smooth aged Penury’s laborious road</l>
<l rend="indent3">	And heal the sorrows of Afflictions breast.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">He never stretchd the bounteous hand to save</l>
<l rend="indent3">	When hardly struggling with a world of woes</l>
<l rend="indent2">Young Genius sunk in sorrow to the grave</l>
<l rend="indent3">	And rushd to Deaths dark mansion for repose.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">But like the serpent of romance he lay</l>
<l rend="indent3">	Sleepless &amp; stern to guard the golden sight</l>
<l rend="indent2">Watchd with unceasing toil his heaps by day</l>
<l rend="indent3">	And agonized with causeless fears by night.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Ye honest rustics whose laborious toil </l>
<l rend="indent3">	Enrichd the ample fields this churl possest —</l>
<l rend="indent2">Say ye who paid to him the annual spoil</l>
<l rend="indent3">	In all his riches was Avaro blest?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Rose he like you at morn devoid of fear</l>
<l rend="indent3">	His anxious vigils oer his gold to keep</l>
<l rend="indent2">Or sunk he when the noiseless night was near</l>
<l rend="indent3">	As calmly on his couch of down to sleep?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Thou wretch thus curst with poverty of soul</l>
<l rend="indent3">	What boots to thee the blessings Fortune gave?</l>
<l rend="indent2">She gave thee wealth above the worlds controul</l>
<l rend="indent3">	Yet made thee to that useless wealth the slave.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Chilld at thy presence grew the stately walls</l>
<l rend="indent3">	Nor longer echoed to the song of Mirth —</l>
<l rend="indent2">The hand of art no more adornd thy walls</l>
<l rend="indent3">	Nor blazed with hospitable flames the hearth.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">On well-worn hinges turns the gate no more</l>
<l rend="indent3">	Nor social friendship hastes the friend to meet —</l>
<l rend="indent2">Nor when the accustomd guest draws near the door</l>
<l rend="indent3">	Run the glad dogs &amp; gambol round his feet.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Sullen &amp; stern Avaro sat alone</l>
<l rend="indent3">	In anxious wealth amid the joyless hall</l>
<l rend="indent2">Nor heeds with moss the chilly hearth oergrown</l>
<l rend="indent3">	Nor sees the green slime mark the mouldring w[MS torn]</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">For Desolation oer the fabric dwells</l>
<l rend="indent3">	And Time on restless pinion hurried by</l>
<l rend="indent2">Loud from her chimneyd seat the night bird yells</l>
<l rend="indent3">	And thro the shattered roof descends the sky.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Thou melancholy mansion! much mine eye</l>
<l rend="indent3">	Delights to wander oer thy ruind state —</l>
<l rend="indent2">And mark the daw from yonder turret fly</l>
<l rend="indent3">	And muse upon the various turns of Fate.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">For here had Justice reignd — had Pity known</l>
<l rend="indent3">	With genial power to sway Avaros breast</l>
<l rend="indent2">These treasurd heaps which Fortune made his own</l>
<l rend="indent3">	By aiding Misery might himself have blest.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">And Charity had oped her golden store</l>
<l rend="indent3">	To work the gracious will of heaven intent —</l>
<l rend="indent2">Fed from her superflux the craving poor</l>
<l rend="indent3">	And paid Adversity what Heaven had lent.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Then had thy turrets stood in all their state</l>
<l rend="indent3">	Then had the hand of art adornd thy wall</l>
<l rend="indent2">Swift on its well-worn hinges turnd the gate</l>
<l rend="indent3">	And friendly converse cheerd the echoing hall.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Then had the village youth at vernal hour</l>
<l rend="indent3">	Hung round with flowery wreaths thy friendly gate</l>
<l rend="indent2">And blest in gratitude that sovereign power</l>
<l rend="indent3">	Who made the truly good the truly great</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">The traveller then to view thy towers had stood</l>
<l rend="indent3">	Whilst grateful children lispt the owners name —</l>
<l rend="indent2">And calld on Heaven to give thee every good</l>
<l rend="indent3">	And told abroad thy hospitable fame.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent2">Yet much I gather from thy fallen fate —</l>
<l rend="indent3">	I learn tho Heaven with golden heaps should bless</l>
<l rend="indent2">Tho Fortune doom to lordly wealth &amp; state</l>
<l rend="indent3">	That only Virtue leads to happiness.<note n="8" place="foot" resp="editors">Thou mouldering ... happiness: Verse written in double columns.</note>
</l>
</lg>
<p rend="indent6">	————</p>
<p rend="indent1">	I feard your acquaintance with the fair Gypsey would end as suddenly as it begun. the little obscurity your letter throws upon the subject confirms me in this opinion. <del rend="strikethrough">if your paper will admit it xxxx</del> begin the subject next time before the end of your letter. you &amp; I ought to have no secrets — &amp; in truth I believe we have none. <ref target="people.html#CollinsCharles">CC</ref> told me to day that <ref target="people.html#WynnCharlesWW">Wynn</ref> was in love. I smild at his giving me the information who knew so much of <ref target="people.html#WynnCharlesWW">Wynns</ref> sentiments from himself. three years hence <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I hope we shall all be settled — except I should visit Botany Bay before that time.</p>
<p rend="indent1">	“now could I write a great deal more but my paper is out.”<note n="9" place="foot" resp="editors">As was his habit, Southey is probably quoting a letter sent to him by Grosvenor Charles Bedford which has not survived.</note> there is room however for my remembrances to all friends — &amp; to desire a letter from you as soon as business and indolence will permit you to write. take Doctors Commons at your leisure when no other employments of a more agreable nature chances. thank you for a seat in Bedlam.</p>
<closer>
<signed rend="indent4">				Robert Southey.</signed>
</closer>
<postscript>
<p>
<date when="1794-05-18">Sunday afternoon.</date>
</p>
<p>
<ref target="people.html#LovellRobert">Lovell</ref> comes to night. I can tell ABCDEF &amp;G on the pianoforte!!!</p>
</postscript>
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