323. Robert Southey to John May, 6 June
1798
*
Norwich.
June 6. 98
My dear friend
Eager as I am to return home, it will not be
without regret that I shall leave this place. the pleasure I
have felt in William
Taylors society is such as we rarely meet with. I
find in him great genius & still more uncommon
acquirements unsullied with one tincture of vanity. &
his attentions to a blind mother are such as immediately
& irresistibly to compel every one to love him.
He has made me acquainted with the odes of
Klopstock [1] by translating
them to me; & till I heard these I knew nothing of lyric
poetry. all that I had previously seen were the efforts of
imagination. these are the burst of feeling from one who has
fed upon the scriptures till he feel thinks & feels & writes with the
holy enthusiasm of Isaiah. I will show you the finest when
we meet in a literal version. it is the poem alluded to in
Werter when Charlotte during the thunder storm pronounces
the name of Klopstock. [2]
The society of Norwich is almost
proverbially excellent. I have met with many inte persons who interest me,
& received many attentions. Harry is
a great favourite here, & I am glad to see that he has
many such companions as I could have chosen for him. he has
also learnt to be silent in company. William Taylor
x has an excellent mode of
noticing his faults by some good humoured allusion at an
after time. he is much improved – in every thing – even in
health.
I have been chiefly sedentary since we came
here. Burnett
is still confined with his sciatica & this was a motive
& indeed an excuse, for I have books & pen &
paper; & employment always enough. I shall depart on
Friday, & hope to see you on Saturday morning, as you
will hardly leave town before that night. If it be possible
to keep the term on Saturday, I will proceed that night to
Bath – but I am apprehensive that this cannot be done before
Monday. you know not how anxious I am to be at home.
Your brother [3] would have been delighted had he been
with me on Sunday to have seen a picture by Carlo
Dolce. [4] it is St Cecilia when the heads of her parents
are presented to her. I am no judge of paintings & speak
only as to the effect they produce upon me – but I never saw
any picture that so fettered the attention. her countenance
is raised towards heaven – & expresses every thing that
is resigned & holy, mingled with the anguish of human
feelings.
You enquire concerning Lloyd. I hope
that his affairs are going on well. he has seen Sophia, &
her brother [5] whose advice influenced her to
break off all intercourse, now is convinced that her
happiness depends on the renewal of the connection. they
appear together arm in arm. I am very anxious for his
happiness. what you say of him is strictly just. he wants
stability, but I do not believe that there exists a purer
heart. Lambe
has been with
him.
Edith in none
of her letters mentions her own health. & I know that as
far as it depends upon her spirits, my return will be the
best medecine. I am very very anxious to be with her. my mother by
her last account is greatly better. She has been compelled
to exercise in search of a house & it has benefitted
her, tho the search has hitherto been fruitless.
Tom is still at
Taunton with his
uncle – & I hope this visit will produce very
good effects. John
Southey is rich. very rich – & so it come to
one of us it matters not which. [6]
God bless you. remember me to your
brother. [7]
yrs affectionately
Robert Southey.
Notes
* Address: To/ John May Esqr/ 4. Bedford Square/ London
Watermark:
Crown and horseman
Endorsement: 1798 No. 19./ Robert Southey/ Norwich 6 June/ recd: 7 do/ ansd: personally
MS: Harry Ransom
Humanities Research Center, University of Texas,
Austin
Previously published: Charles Ramos,
The Letters of Robert Southey to John May:
1797–1838 (Austin, Texas, 1976), pp. 33–34.
BACK
[1] Friedrich Klopstock (1724–1803), whose odes Taylor had
translated. Taylor later observed that ‘the odes of
Klopstock … constitute his strongest claims on fame’,
Historic Survery of German Poetry, 3
vols (London, 1830), I, p. 264. BACK
[2] Johann von Goethe (1749–1832), Die
Leiden des Jungen Werther (1774), Letter X.
Charlotte thinks of Klopstock during a thunder storm
because his ‘Spring Celebration’ (1759) contains a
famous description of such an event. BACK
[3] Possibly Joseph May (1767–1830); though
as John May had four brothers, identification is not
certain. BACK
[4] Carlo
Dolci (1616–1686). Southey saw this painting at
Sprowston Hall, the home of Sir Lambert Blackwell, Bt
(1732–1801), but there is no legend connected to the
early Christian martyr, St Cecilia, which is similar to
the scene depicted in the painting. BACK
[5] Sophia
Pemberton had been advised by one of her three older
brothers, Samuel (d. 1836), Thomas (d. 1830) and Edwin
(dates unknown). BACK
[6] Southey’s hopes of himself or one of his
brothers inheriting the fortune of their paternal uncle
were misguided. Southey wrote a vitriolic poem on his
uncle’s death in 1806 (in Robert Southey to Charles
Watkin Williams Wynn, 18 October 1806). BACK
[7] Possibly
Joseph May; though as John May had four brothers,
identification is not certain. BACK