My dear Grosvenor
You ask me why the Devil rides on horseback –
“The Prince of Darkness is a gentleman. & that would be
reason enough. but moreover the history doth aver that he
came on horseback for the Old Woman, [1] & rode before her, & that the
colour of the horse was black. should I falsify the history
& make Apollyon a pedestrian? besides Grosvenor,
Apollyon is cloven footed, & I humbly conceive that a
biped – & I never I
understood his damnable majesty to be otherwise – that a
biped I say would walk clumsily upon cloven feet. neither
hath Apollyon wings according to the best representations
& indeed how should he? for were they of feathers like
the Angels – they would be burnt in the everlasting fire.
& were they of leather like a bats they would be
shrivelled. I conclude therefore that wings he hath not. yet
do we find from sundry reputable authors & divers
histories that he transporteth himself from place to place
with exceeding rapidity. now as he cannot walk fast or fly,
he must have some conveyance stage coaches to hell there are
none tho the road be much frequented. balloons would burst
at setting out, the air would be so xxx rarified by the heat. but
horses x he may have &
of a particular breed.
I am learned in Dæmonology & could say
more but this sufficeth. I should advise you not to copy the
ballad because the volume will soon be finished. I expect to
bring it with me on Ash Wednesday [2] to town. Wynn furnished
me with the subject of an excellent parody. [3]
I know not whether I should say any thing or
not upon the first part of your letter. it was never my
intention to give you pain. I saw you was offended by the
note that accompanied Berchtold’s book [4] but noticed it not, thinking it would
pass away. forget it.
I am better – but they tell me that constant
exercise is indispensable – & that at my age & with
my constitution I must either shake off the complaint now,
or it will stick to me for ever. Ediths health
requires care, our medical friend dreads the effect of
London upon both. when my time is out in our present house
(at Midsummer) we must go to the sea awhile. I thought I was
like a Scotch fir – could grow anywhere – but I am sadly
altered & my nerves in a vile state. I am almost ashamed
of my own feelings – but they depend not upon volition.
these things throw such a joy over the prospect of life! I
cannot see my way – it is time to be in an office – but the
confinement would be ruinous. you know not the alteration I
feel. I could once have slept with the seven sleepers [5] without a miracle – now – the
least sounds wakes me &
with alarm. however I am better.
I should like to pass a day with you when I
come to town. Thursday Fr. & Sat. I dine at the inn. if
you are in town Saturday I will walk over with you after
dinner – & return with you Monday & to Bristol that
night. otherwise I will leave town by Saturdays mail. let me
know where you shall be then. is Duppa in town?
–
Ediths
remembrance.
God bless you
yrs affectionately
R Southey.
I had almost forgot. do you know anything
of [MS torn] Alfred? [6] what progress he has made
in it? & what metre? perhaps Miss Miles [7] knows. I am
curious – because I think, in spite of the sack &
the laurel [8] – that
our Bristol poem will be the best. this I know, that it
will be the better for competition. [9] the Naucratia [10] is very heavy, & Pye too old to
improve.
Monday 21 Jany 1799.
Notes
* Address: To/ G C Bedford Esqr/ Exchequer/ London/
Single
Postmark: [partial] B/ JA/ 99
Endorsement: 21 Janry 1799
MS: Bodleian
Library, MS Eng. Lett. c. 23
Previously published:
Charles Cuthbert Southey (ed.), Life and
Correspondence of Robert Southey, 6 vols
(London, 1849–1850), II, pp. 8–9 [in
part]. BACK
[1] ‘A Ballad Shewing how an Old Woman
Rode Double and Who Rode Before Her’ and an
accompanying engraving published in
Poems, 2 vols (Bristol, 1799), II, pp.
[143]-160. BACK
[3] ‘The Surgeon’s Warning’,
published in Southey’s Poems, 2 vols
(Bristol, 1799), II, pp. [161]–173. BACK
[4] Leopold, Graf von Berchtold
(1759–1809), Nachtrict von dem im St
Antons-Spitale in Smirna mit dem allerbesten Erfolg
gebrauchten einfachen Mittel (1797). Southey
had presumably returned the copy he had requested
Bedford to send him on 26 August 1798 (Letter 343) with
a note that offended his friend. The note has not
survived. BACK
[5] The seven sleepers of
Ephesus, who, according to Christian legend, slept for
over a century. BACK
[6] Joseph Cottle’s Alfred, An
Epic Poem, in Twenty Four Books (1800);
an example, like Southey’s Joan of
Arc (1796), of a Bristolian-produced
epic. BACK
[7] Unidentified; probably a
friend of the Bedford family. BACK
[8] The
laurel wreath and a butt (108 gallons) of sack per
annum were rewards associated with the Poet
Laureate; at this time the ex-politician Henry James
Pye (1745–1813; DNB). BACK
[9] Cottle’s epic had
competition in the form of Henry James Pye’s
Alfred, an Epic Poem in Six Books
(1801). BACK
[10] Henry James Pye,
Naucratia; or, Naval Dominion
(1798). BACK