378. Robert Southey to Grosvenor
Charles Bedford, [started
before and continued on] 10 February 1799
*
Well Grosvenor our meeting is delayed, which
is not well. do not however be alarmed, – the journey might
not possibly have hurt me but I did not feel equal to it,
the fatigue appeared tremendous to me in my present state,
& I was fearful of fixing a cough which I am getting rid
of. the advice I have is good, & perfectly
understandable – it comes too from a man on whom I can rely
– & were there any occasion, which there certainly is
not, for higher authority, I frequently see Beddoes.
Thank you for your letter, the trouble of
copying the Barber was needless, as I could have done it
from the Magazine. [1] it was leave to print it
that I askd. [2] do you know for what I wanted it? for a
volume like the Almanachs of the Muses, once famous in
France, & now more famous in Germany, where the best of
their living writers appear as Editors. help me if you can
to a title – I thought of Poetical Gleanings – & help me
to any thing else. [3] Your Barber is incomparable in its
way – it was a happy thought – & as well executed as
conceived. the plan of the Witch [4] is
better than the execution, but it will make a fine ode. the
hymn [5] I do not like; it is
difficult to write a good hymn & when they are very good
they are good for nothing – except to sing at church. of
your other pieces send me what you think best & the more
you send the better – I will find as many faults as I can
& mend them on xx xxxx
xxxx with your xxxxx leave as well as I can. oh what signature shall you
chuse? your name – or initials – or will you be the
Translator of Musæus? [6]
Early in the <next> week I expect to
send you my Poems. [7]
Should you survive me Grosvenor, I not only
wish my letters but all my papers to be consigned to you –
Excepting letters you will not find much to burn, for I have
made magnificent bonfires. but it is possible that you may
essentially serve the relations I may leave, by editing what
you may find. it is my hope this summer to finish Madoc –
but to keep it at least ten years. [8] so if I die during that period, there will
be that. however I should rather live to print it myself –
& you see I take care to avoid the slightest danger of
injuring myself.
When I come to town in May it will be to keep
the two terms – & for part of that time I can gladly be
your guest. I look on with little pleasure to a journey – my
time passes pleasurably in uniform employments, to-day like
yesterday, tomorrow like to-day. indisposition affects my
spirits but little, & that only at night when it keeps
me waking – from the advance of spring, tonic medicines
& the cold bath, I expect assistance, & still more
from the sea & the exercise to which the shore will
tempt me.
–––––
Sunday Feby. 10.
This has been for some days delayed – I have
nothing to add except that I continue to be unwell &
hope benefit from this thaw, which soaks thro every part of
our old house. I will write with the Poems which will be
finished tomorrow – so that by the end of the week I may
safely promise them. God bless you.
I am setting off thro a fine snow-soup for my
walk.
yrs affectionately
R Southey.
Notes
* Address: To/
G. C. Bedford Esqr/ Exchequer/
London/ Single
Postmarks: BRISTOL/ FEB10/ 99; B/ FE
/11/ 99
Endorsement: 10. Feby
1799
MS: Bodleian Library, MS Eng. Lett. c.
23
Unpublished. BACK
[1] Bedford’s ‘The Rhedecynian Barbers, An Ode’,
‘Monthly Magazine, 3 (May 1797), 328,
under the signature ‘P.H.’ (‘Peter the Hermit’, a
psedonym used by Bedford during his and Southey’s time
at Westminster School). BACK
[2] It
appeared as ‘The Rhedycinian Barbers’, Annual
Anthology (Bristol, 1799), pp. 44–47, signed
‘G.C.B.’. BACK
[3]
The Annual Anthology, published in
1799 and 1800. BACK
[4] ‘The Witch of Endor’ was an early work;
see Southey to Grosvenor Charles Bedford, [before 15
October 1794], The Collected Letters of Robert
Southey. Part 1, Letter 108. It did not
appear in the Annual Anthology. BACK
[5] Unidentified; not published in the Annual
Anthology. BACK
[6] Bedford’s translation of The Loves of Hero and
Leander had appeared in 1797. In the
Annual Anthology (1799) he used the
signature ‘G.C.B.’ BACK
[8]
Madoc was published in
1805. BACK