502. Robert Southey to William
Taylor, [started ‘some weeks’ before and
continued on] 26 March [1800]
*
My dear friend
Your Wortigerne reached me, [1] & it has given me much pleasure. the Anthology [2] I
find has not room for it. are you willing to annex it, with all due doubtfulness
of prefatory scepticism, to the Rowleys of Chatterton in the new edition? [3] I should
<think> nothing misplaced that gave additional value to the volumes, &
this your fragment assuredly would do. As for the proof it contains of the
possibility of writing such poems now, there needs no new evidence. But the
poetry is very – very fine –, & its masquerade-spelling will become familiar
to the reader who has previously decyphered Chattertons. If you think this a fit
mode of publication, I will save you the trouble of making a glossary. – A few
evenings since my friend Rickman
amused himself in examining the fac-simile in Rowley, & copying out all the
es in the twelve lines. he found no less than 27 genera, each totally different from the other & many of
them impossible to have ever been used in writing (except with a design of
producing a strange unsightliness) from the various manners in which it was
necessary to hold the pen in tracing them. These es I shall
place at the bottom of the fac-simile.
Sir Herberts letter I saw in the
Gentlemans Magazine [4] just before your information respecting him arrived. in my
reply [5] I have not noticed xxxxxxxxxx xxxxxxx
xxx xxxx xxxxxxxxxxx admitted no personality, his own letter
sufficiently proves the truth of my statement. do you know that he is distantly
related to me? [6]
Harry bears also the name
Herbert from the same xxxxxx <origin>, a
name which has continued in my
mothers family since they branched from the Croft stock.
Your epigrams [7]
frightened Cottle. he deprecated
their insertion lest they should intimidate all correspondents. I laughed &
argued – but not effectually – & as the risque of the Anthology is Cottles, did not feel justified in
using my voice potential. Wherever you print them, do not suppress the chilly
River. [8] the Inscription is
a bad one & deserves no mercy. & were it better, you know not the little
value I set upon these trifles. I expect soon to send you the Anthology &
with it the Noah; [9] which has been
detained too long & used too little.
I wait with unpleasant anxiety the letters from Lisbon which will
decide my destination. Lisbon I hope will be the place, old recollections
attract me there, & the prospect of employment in the History of the
Kingdom, [10] important enough to excite ardour, &
sufficiently interesting to prevent lassitude. – Burnett is at Mrs McDonalds. 5. Nicholsons Street.
–––––
March. 26. – This unfinished sheet has remained
like an evil conscience, for some weeks in my desk. I
hav my destination is now settled. we are in all the bustle of
preparing for a twelvemonths absence from England, & purpose leaving this
place in a fortnight on our way to Falmouth, & Lisbon. If I were not
villainously sick at sea – the whole anticipation would be pleasant – but the
certainty of intestine commotions excites qualms already –
Between the setting foot on board a ship and leaving it in port
the interim is like a phantasma or a hideous dream! – My intention is seriously
to undertake the History of Portugal, & to qualify myself for the task by
travelling over the whole of the little Kingdom, & well understanding the
site of every place whereof it may be my office to write. no country possesses a
better series of chronicles. I shall visit the various Convent Libraries &
hunt out all scarcer documents. twelvemonths well employed will suffice for the
collection of materials – & if otherwise – I am not limited to time. One
thing I shall especially attempt in writing history. to weave the manners of the
times, as far as can properly be done into the narrative – instead of crowding
the volumes with appendix chapters. rather in this point to resemble the old
chroniclers than the modern historians.
You will direct to me with the Reverend Herbert Hill. Lisbon.
your gossamery paper, which I have sometimes growled <at> for letting the
ink thro, will suit well the post office of a country where an extravagant price
is charged by weight. remember that as for society – such as suits my habits –
Lisbon is always in a state of famine – & that the receipt of a letter in a
foreign country is a joy which lasts for a week. My intention is, if peace
permits, to return thro the South of Spain & over the Pyrenees to Calais.
surely there will not be another years war – & I would wait some months for
peace beyond xxx the proposed limits of my stay.
Much however depends upon the effects which the climate may produce upon me.
experiments upon health [MS torn] important in their result not to excite some
anxiety. my complaint is probably not organic, but it remains to be proved
removable, & only from climate can I expect this.
In the course of ten days you will receive the Anthology. I will
send it to Harry in his
parcel, & he can forward it thro Yarmouth. for the third volume I shall delegate my authority. I am
sorry my name was given in the Reviews & Monthly Magazine, [11] In
reviewing anonymous works myself, when I have known the authors, I have never
mentioned them, taking it for granted they had sufficient motives for avoiding
this publicity.
Let me hear from you before my departure.
God bless you.
yrs affectionately
Robert Southey.
10. Stokes Croft
. Bristol.
Notes* Address: To/ Mr Wm Taylor Junr/ Surry
Street/ Norwich./ Single Postmarks: BRISTOL/ MAR 26 1800; B/ MAR
27/1800 Endorsement: Ansd 1 April MS:
Huntington Library, HM 4828 Previously published: J. W. Robberds (ed.),
A Memoir of the Life and Writings of the Late William Taylor of
Norwich, 2 vols (London, 1843), I, pp. 339–343; Adolfo Cabral
(ed.), Robert Southey: Journals of a Residence in Portugal 1800–1801
and a Visit to France 1838 (Oxford, 1960), pp. 68–69 [in
part]. BACK [1] William Taylor’s unfinished play ‘Wortigerne’, in the style
of Thomas Chatterton’s (1752–1770; DNB) pseudo-medieval
writings, which he attributed to the 15th-century Bristol priest, Thomas
Rowley. BACK [3] Southey and Cottle’s edition of the
Works of Thomas Chatterton (1803). BACK [4]
Gentleman’s
Magazine, 70 (February–April 1800), 99–104, 222–226,
322–325. BACK [5] See Robert Southey to the
Editor of the Gentleman’s Magazine, 20 March [1800], Letter
497. BACK [6] Southey’s mother’s
grandmother (Margaret) was a member of the Croft family (Robert Southey to
John May, 1 August 1820). The name ‘Herbert’ was traditional in the Croft
family in honour of the first baronet, Sir Herbert Croft (1651–1720).
Southey named his eldest son Herbert (1806–1816), presumably in honour of
his maternal ancestors. BACK [7] William
Taylor’s epigrams on all the poems in Annual Anthology
(1799); see Taylor to Southey, 16 February 1800, J.W. Robberds (ed.),
A Memoir of the Life and Writings of the Late William Taylor of
Norwich, 2 vols (London, 1843), I, pp. 332–334. BACK [8] Taylor’s epigram on Southey’s
‘Inscription I, For the Banks of the Hampshire Avon’, Annual
Anthology (Bristol, 1799), pp. 67–68. BACK [9] Johann Jakob Bodmer
(1698–1783), Noachide (1752), which Southey had borrowed from
Taylor. Southey probably did not finish it until 26 March 1800, and then
dismissed it as a ‘bad poem’ (Common-Place Book, ed. John
Wood Warter, 4 series (London, 1849–1850), IV, p. 2). BACK [10] Southey’s unfinished
‘History of Portugal’. BACK [11] Southey had been named as the editor of the
Annual Anthology in the Monthly Magazine,
8 (December 1799), 1052; and in numerous other periodicals, including the
Critical Review, 28 (January 1800), 82–89. BACK |
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