628. Robert Southey to William Taylor,
19 November 1801
*
My dear friend –
I have, perhaps & probably, enough
interest in the Critical Review to insert any puff of decent
praise & long brevity –
but there my interest ends. once I attempted to introduce a
friend there, [1] who would have been a very Goliath or
Samson [2] – but no
notice was taken of my application. at present Hamilton [3] sends me no books – I
conjecture because my account is
far has been long promised to come with them,
& unhandsomely delayed, to use the softest word.
Supposing a new Review were set on foot –
would you like to amuse your leisure by assisting it? I
could I think present such a list of names as would
encourage any bookseller to the adventure – if there were
but an approvable conductor – it is one of the schemes upon
which Coleridge & I have speculated in conversation
– & it made the distinguishing character of our scheme,
that Authors should be allowed to give an account of their
own works first, limited to a certain length, & produce
extracts themselves. a little attention to decency would
secure it an decided
advantage over the existing Journals. Davy would be our
Chemist – for financial – commercial & agricultural
subjects – I think Rickman might be put down – a most original
minded & strong headed man, who is quite my oracle. here
too we might find a nitch for poor Burnett –. a
manager seems the stumbling block – & it is one which I
cannot remove. Phillips [4] would at
once start it – but that would involve it with the
Aikin-family [5] – & we are oil &
vinegar. all the shaking possible could never amalgamate two
particles. this scheme is not uppermost in my head – &
yet I could take an interest in its success.
If reviewing were as it ought to be, merely
analytical, or according to any fair & written Canons of
Criticism – I should be glad to see Henry so
employed. as it is I doubt his knowledge, & should
scruple to introduce a boy of eighteen to such an employment
– if it were in my power. a foolish scruple perhaps when the
work is so foolishly done. I have ever apprehended a
disposition to expence in Henry. he
will be fortunate if it does not involve him hereafter in
distress. Henry I think has talents – not genius. I have
often felt a silent displeasure at his want of reserve – his
forwardness, with his person, that fault will not generally
offend – yet it is likely to make him many every-day
common-place sort of friends, & to repel those whose
friendship is valuable. – If he can make any thing by
writing for hire, of course it would please me – I wish him
to learn to write – & profit is perhaps the only
adequate motive. He is reading Italian – could he criticise
the authors he reads in that language decently enough for
insertion in the Dissenters Obituary – alias, the Monthly
Magazine? some two or three years back there <were>
some Zoilan [6] – but really able papers [7] hewing down the laurels from the graves
of Dante & Petrarch & Ariosto. [8] it would exercise him well to see what
could be said in defence of the Orlando. – I know his love
for such books – to trace the history & progress of that
noble story would amuse him & his notes would swell into
a tolerable size. Turpin [9] – Boyardo [10] in his own
dress & that of Berni [11] –
the scyons round the root of Ariosto – these books would
induce a love of research – the Spanish part of the history
the Ronscesvalles poems [12] – he might look to me for – you have
these hints as they arise, − & will know better than I
can do how fara my scheme is
fit for Henry & whether he be capable of it.
Thallaba – as you will
have the double l – to please your ear – take it in spite of
my eye – has not been monthly-reviewed. I alluded to the
reviews of the Anthology [13] & to the
sprinklings of abuse in other articles – I learn from its
publication that novelty is not always a source of pleasure.
for if my ear be not as unsusceptible of poetry as it is of
music – that metre is more perceptible than common blank
verse – & more readable by common readers, because the
pause is more made out for them.
I design soon to draw out the scheme of my
Hindoo Romance [14] & lay it upon your dissecting table.
fault-finding with the story would be serviceable to it,
& alteration would be attended with little trouble as
the first book is not finished. you & I differ upon one
great article of poetical belief – the use of machinery. in
Milton & in Klopstock [15] (God
forgive me for yoking two such names together! sxxkxx Mxxxx Ulysses [16] <did not> ploughed xxxxt with two more
dissimilar beasts –) the Supernaturals are the agents – the
figures – not the wires. thus also in <the> Romances
of my future manufactory. Indra – Yamen & the Sorgon
Spirits [17] – the two
families of Light & Darkness – the Gods & Heroes of
Valhalla [18] – these are to be
the acting as well as aiding personages of the tale. For
Madoc [19] I assume a higher tone
& demand a higher place.
You think me better situated than at Palermo.
I do not feel the advantage. Southern climate is very much
to me – it blends with all my comforts & makes no
inconsiderable part of them. moreover the utmost probable
hope now is [MS torn] decent income in Ireland – &
surely Sicily is the more interesting & more lovely
Island, in as much as an orange garden is better than a
patch of potatoes in a bog. my wish would be to settle in
Portugal of all other possible situations – but that is not
possible – at least not now – so I take what I can get,
& grumble at nothing but my compulsory residence in
London which I do loathe & abhor with all my moral &
physical feelings.
farewell.
yrs
R Southey.
Thursday. Nov r
19. 1801.
Notes* Address: To/
Mr Wm Taylor
Junr/ Surry Street/ Norwich./
Single Stamped [partial]: BRIDGE St/ Westmin Postmark: [partial] N/
180 Endorsement: Ansd 22
Nov MS: Huntington Library, HM 4832 Previously
published: J. W. Robberds (ed.), A Memoir of the
Life and Writings of the Late William Taylor of
Norwich, 2 vols (London, 1843), I, pp.
383-387. BACK [2] Two
biblical figures: Goliath was a giant (1
Samuel 17), Samson a man of great
strength (Judges 13-16). BACK [3] Samuel Hamilton (fl.
1790s-1810s) owner of the Critical
Review, 1799-1804. BACK [4] Sir Richard Phillips (1767-1840;
DNB), publisher and proprietor of the
Monthly Magazine. BACK [6] Having
the characteristics of Zoilus (c. 400-320 BC), Greek
grammarian and Cynic philosopher who was believed to
have criticised Homer. His name became a byword for
critical severity. BACK [7] See Monthly
Magazine, 8 (August 1799), 440-442; 8
(December 1799), 870-872. The letters were signed
‘G.T.’. BACK [8] Dante Alighieri (c.
1265-1321), Divine Comedy (1308-1321);
Francesco Petrarca (1304-1374), Il
Canzoniere (1327-1368); Ludovico Ariosto
(1474-1533), Orlando Furioso
(1532). BACK [9] Archbishop Turpin, 8th-century Archbishop
of Reims, and reputed author of the 12th-century
forgery, Historia de Vita Caroli Magni et
Rolandi, an early source for the story of
Orlando. BACK [10] Matteo Boiardo (1441-1494), Italian poet,
whose Orlando Innamorato (1495) provided
the early history of the hero of Ariosto’s
Orlando Furioso. BACK [11] Francesco Berni (1497-1536), Italian poet
whose revised version of Boiardo’s Orlando
Innamorato was published in 1541. BACK [12] The battle of Roncesvalles in the
Pyrenees in 778 was a minor affair, in which part of the
rearguard of Charlemagne’s (742-814; King of the Franks
768-814, Holy Roman Emperor 800-814) army was defeated
by local Basque forces. In legend it became the site of
the last stand of the hero, Roland, and the paladins of
Charlemagne (of whom Orlando was one). There is an
alternative Spanish tradition in which Roland was
defeated by the legendary hero Bernardo del Carpio,
whose deeds were most famously commemorated in Bernardo
de Balbuena (1561-1627), El Bernardo
(1624). BACK [13] See Monthly Review, 33
(December 1800), 364-366. Further examples can be found
in the Anti-Jacobin Review, 6 (June
1800), 215-216; and Critical Review, 30
(December 1800), 426-431. BACK [14] For
Southey’s plan for the Curse of Kehama
(1810), see Common-Place Book, ed. John
Wood Warter, 4 series (London, 1849–1850), IV, pp.
12-15. BACK [15] John Milton (1608-1674;
DNB), Paradise Lost
(1667); Friedrich Gottlieb Klopstock (1724-1803),
Der Messias (1748-1773). BACK [16] In various
post-Homeric writings, the Greek hero Ulysses was said
to have yoked a donkey and an ox to his plough in order
to prove he was mad and therefore unfit to take part in
the Trojan wars. BACK [17] In
Southey’s interpretation of Hindu mythology, Indra is
the King of the gods, Yamen is the god of death, and
Sorgon is a paradise; see Common-Place
Book, ed. John Wood Warter, 4 series
(London, 1849–1850), IV, pp. 12-15. BACK [18] Abode
of the gods in Norse mythology. BACK [19] Southey
had completed a version of Madoc in
1797-1799 and was revising it for publication. It did
not appear until 1805. BACK |
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