Kehamiana. 1st
_____
Your first emendation stands [1] – albeit I do hanker to
kick the word “note” out of doors because it is a musical
word – ergo a damned word – a fiddlers word – curse the
fellow – I will lay my life the word must be of the neuter
gender – or even epicœne – but the objection to the
incipient Rose – is a final objection,
& theres an end of it.
Concerning polygamy give me credit till we
meet & I show you my written
chapter upon the system of Mohammed. [2] that is a
system utterly subversive of individual happiness &
general prosperity.
For the opening – I had thought about the
commutation act myself. – & you have given me the detail
– read therefore accord to the Bedford Edition.
My stop is thus – Myriads of torches
fling
Their flaring radiance on the gloom,
Blotting the stars from heaven; –
You may chuse between – rise upward – & ascending – but
the image is wanting – at least, to my eye it is a
tremendous picture – a sort of hell fire light – a yellow
blaze below – & above smoke & blackness.
for chāuntiňg tȟy sōng ǒf prāise – chuse you
which be the most falling to your ear – ănd chāunt tȟe sōng
ǒf prāise – to me the first has a more jelly-bag sort of a
sound.
Multitude I prefer to train – because it is a
bigger word. your association with upright – will be nobody
elses association – I pray you let Arvalan sit still. your
after annotation I will think about
Bright & bridal I
likes.
For in that mighty multitude
Was none who loves the dead. – my stupid
printer made the error, & the stupid reader did not
discover it.
The voice of the coming storm – is perhaps
not loud enough. – reserved for the opinion of the Twelve
Judges. [3]
Come on – is not bald Sir – & if it be
bald Sir tho you put a wig upon the it – it will still be bald at bottom below it. mark you
Sir – what does a big word with a little meaning look like?
– Why like me in a Dutchmans breeches.
A noun substantive can stand by itself – the
Devil must be in it then if two substantives cannot stand
together – arm in arm Grosvenor –
Kehama lights the pile – probatum est. [4]
The xxxxx
remarks which I have not noticed – conclude I do not like –
& as they are not a matter of mere liking – the voice
potential may as well be subintellects. But you will
perceive the use of your remarks by the alterations they
have made – so go on.
The more dramatic – the more lyric narrative
poetry is, the better. this is a main article of my poetical
creed. But Grosvenor I have acquired a relish for the
research – & the reasoning, & the authoritative tone
of history [5] that threatens to blast many a laurel
bud. nor do I merely like it – I look to my history as a
sheet anchor of profit, – as a security of a fair support
for age or sickness & a something to remain behind me,
more substantial than fame. Look now at the allotment of my
time – till twelve my time
labour is sold to this Amadis [6] (N.B. this is a secret
–) I must take exercise – I must eat – I have acquaintance –
alas from 9 – to – 12 – make 5 hours out of the 15 of my
waking day – & eating walking & visiting incroach
sorely greatly upon the
rest. Kehama will fare the better for you. I shall write
sometimes for the sake of the sooner filling a sheet. –
Sometimes I stop for pure vexation that there exist in
England sources of information which are yet beyond my reach
– the views of Hodges [7] – &
Daniel [8]
– & the Costume prints [9] would be actual food for my brain –
the very chyle & blood of my xxx imagination would be digested from them.
there are botanical works for my foregrounds – & these
books I know not where to see – tho they ought to be always
at my elbow –
____
Dear Grosvenor so much was written
immediately on receiving yours – the rest of the first book
is also in great forwardness for you – but for many days my
eyes have suffered such ‘dim suffusion’ [10] that I am enjoined
vigorous absence from book pen ink & paper – & to
increase the comfort of this blind-beetle state one side of
my face is swolen to the size of a salmon jowl – & I
cannot leave the house – So God bless you
RS.
Can you not come on the other half way to
No 12 St
James’s Place Kingsdown? –
Notes
* Address:
To/ G. C. Bedford Esqr/ at J.
Bulleys Esqr/ Forbury/
Reading
Postmark: [partial] 2/ BRISTOL/ NOV 2
02
MS: Houghton Library, bMS Eng 265.1
(4)
Unpublished. BACK
[1] This letter consists of
Southey’s response to Grosvenor Bedford’s criticisms of
the draft of Book 1 of the Curse of
Kehama which had been sent to him on 7
October 1802, Letter 726. BACK
[2] Muhammad (570-632), Prophet of Islam.
Muslim men may have up to four wives. BACK
[3] In the
Book of Judges, the ‘Twelve Judges’
were some of the most famous leaders of Israel after the
death of Joshua. BACK
[4] The Latin translates
as ‘it is proved’. BACK
[5] Southey
was working on his unfinished ‘History of
Portugal’. BACK
[6] Southey’s translation of Amadis of
Gaul (1803). BACK
[7] William Hodges (1744-1797; DNB), the
first English landscape artist to visit India, in
1779-1785; he produced Select Views of
India (1785-1788). BACK
[8] Thomas
Daniell (1749-1840; DNB), visited India
in 1786-1794 with his nephew, William Daniell
(1769-1837), also an artist, and produced six series of
Oriental Scenery (1795-1808). BACK
[9] Possibly Francois Balthazar Solvyns
(1760-1824), A Collection of Two Hundred and
Fifty Coloured Etchings: Descriptive of the Manners,
Customs and Dresses of the Hindoos
(1796-1799). BACK
[10] John Milton (1608-1674;
DNB), Paradise Lost
(1667), Book 3, line 26. BACK