790. Robert Southey and Edith
Southey to Mary Barker,
[late May-]1 June 1803
*
D. D. stands for Daughter Drivel
M. S. for Margaret
Snivel.
N.B. she has a cold in her head.
Her mouth it is from ear to ear,
Her forehead bunches out –
She has a cold in her grey eyes,
And her nose is like a snout.
Better late than never if not among the Proverbs of King
Solomon, [1] is one of my proverbs & will
serve as a text to a long delayed letter.
We are still in quest of a house & still without success –
but – whenever you come the better pleased shall we be: My brother is gone to fight the French
& we can offer you his bed – to have offered you half of it you know would
not have been exactly proper. And here is Margaret almost old
enough to learn the rest of her commandments, for you must know I have made a
sort of synopsis of the law & gospel adapted for her tender years &
condensed into one commandment. ‘thou shalt not heydiddlediddle thy father.’ If
you were here I should have one job which would I am sure please you to do for
me – to copy a drawing – a likeness – a portrait, drawn in
India – & from the life of the Simorg. [2]
And I will show you here a clump of trees whose fluted &
twisted trunks, & bare roots, would beyond all comparison form the finest
study for a painter that ever I beheld. & which are worth coming from Congreve to study. do trees grow in
Staffordshire? & I will show you the Boiling Well [3] which no painter can paint & if you attempt any thing in
the Cipriani style [4] – the little naked Loves – I will show
you a live Cupid. [5] And I will show you Garci Ferrandez [6] finished, & K Ramiro & his wicked Wife, [7] & Queen Urraca & the five Martyrs of
Morocco. [8]
One other inducement I know not if it be quite delicate to
mention. a gentleman – a single gentleman – & a great favourite of yours who
you saw in London – & – who admires you greatly, is come to reside in
Bristol – & – if you come to visit us who knows what may happen? I however
do beforehand stipulate & insist that I do have a large portion of the
wedding cake if you should espouse the Author of Alfred. [9]
I have done a world of work here in Bristol. Amadis [10] four volumes – of which two are printed
& the other two printing & all my part done. if you do not like that
book I’ll cut my ears off, if indeed it would not be more proper to
inflict that operation upon yours. & so many dull books I have reviewed that
I have used up all my stock of paper. & some Madoc & some Kehama & a
great deal of History. [11] – Oh – I thought I had something to say. A Lady whom I know & like very
much, has made a curious collection of hand writings. now if you could give me a
scrap – a letter would be better – of Charlotte Smiths [12] – & of Mrs Inchbalds [13] for that collection,
to give her – I should be very much obliged by being thus enabled to oblige
her.
[start of section in Edith Southey’s hand]
I am glad there is no date to this letter for I should be ashamed
were you to know how long it has lain in this unfinished state, & all my
fault, I requested it might be left for me to finish but this god daughter of
yours occupies so much of my time I have no leisure for anything. This is a
pretty scrawl of Southeys & some nonsense I think, notwithstanding, I beg
you will attend to its contents I mean the part which concerns your coming, to
Bristol do lay by your Weasel
[14] & come, bring some of your small
Tackle with you, you will find plenty of employment in this neighbourhood, I
expect you will paint all our pictures, Southey says if he cannot get a Weasel here for you he has no doubt but he can procure a
Ferret there being several Rabbit Warrens near us, how
exceedingly witty he is, How do you like this his first Poem upon Margaret, you must come
to see her, from his description you will think her a little monster. I assure
you she is not so ugly. her eyes are not grey, neither are they sore. her face
is full of intelligence she is almost too lively, she will soon manage me, if
she want anything of me she can help herself. as you are such an excellent
manager of children do come & be here at the weaning, yet no I shall not
wean her these three months & we will not wait so long for your coming as
that. Margaret has cut
one tooth at last. & left off her cap –
[end of section in Edith Southey’s hand]
Miss Snivel in great sooth
Has got a snag tooth.
And by very good hap
She has left off her cap
[start of section in Edith Southey’s hand]
it was not enough for me to tell you in Prose but he must tak xxx pen & tell it you in verse – If I were
you I should be provok xxx burn his letters
before I had read them half thro with his trumpery Poetry. I have been obliged
at last to send Bella [15] home to Cumberland, she has scarcely been
well a month together since we left London, she had the Influenza & has not
been well since I hope you all escaped it at Congreve. we were all ill in the house, except Mary, we lost our good friend &
neighbour Mrs. Danvers, of whom you
must have heard us speak very frequently. I am afraid there was some truth in
what you heard in the stage Coach concerning the Keenans, [16] a very intimate friend of Mrs
Keenans told Southey the reason Mrs. K. did not remain in London with her
husband was because he kept a mistress, drank a good deal, & neglected his
business. if it be true (I fear it is for this young lady corresponds with Mrs
K.) I am exceedingly sorry for her, she expects daily to be confined, dont you
think he must be a great hypocrite?
many persons who saw Southeys picture in the Exhibition [17] were exceedingly pleased with
it, they said there was no occasion to look in the Catalogue for it, it was so
good a likeness. Pray write soon and say when we shall see you, & dont fret
yourself to Fiddle-strings about the subject of your last
letter to me.
God bless you –
E-S
June the first. Margaret is nine months old to day. Mary & Martha send their love to you.
remember me to your Sister. [18]
[end of section in Edith Southey’s hand]
Notes
* Address: To/ Miss Barker/ Congreve/ near
Penkridge/ Staffordshire
Postmark: [partial] TOL 803
MS: MS
untraced; text is taken from Robert Galloway Kirkpatrick Jnr, ‘The Letters
of Robert Southey to Mary Barker From 1800 to 1826’ (unpublished PhD,
Harvard, 1967), pp. 44-48 [where it is dated 1 June
1803]
Unpublished. BACK
[1] Solomon (c. 1011-931 BC,
King of Israel c. 971-931 BC) was traditionally ascribed authorship of the
Book of Proverbs. BACK
[2] In Persian mythology, a fabulous bird; it features in
Thalaba the Destroyer (1801), Book 11. BACK
[3] The Boiling-Well, a spring near Stoke’s Croft, Bristol; described
in Southey’s Thalaba the Destroyer (1801), Book 11, lines
361-373. BACK
[4] Giovanni Battista
Cipriani (1727–1785) introduced the Italian high baroque designs for
ceilings and interiors into England in 1755 and was one of the founding
members of the Royal Academy. BACK
[6] ‘Garci Ferrandez’ was dated ‘Bristol, 1801’ in
Southey’s Poetical Works, 10 vols (London, 1837-1838),
VI, p. 121. However it does not seem to have been published until nearly a
decade after its composition, first appearing in the Edinburgh Annual
Register for 1809, 2 vols (Edinburgh, 1811), II, pp.
637-641. BACK
[7] ‘King Ramiro’, Morning Post, 9
September 1803. BACK
[8] ‘Queen Urraca, And The Five
Martyrs of Morocco’, Morning Post, 1 September 1803. BACK
[9] Joseph Cottle, Alfred, An Epic Poem, in Twenty-Four
Books (1800). BACK
[10] Southey’s translation of Amadis of
Gaul (1803). BACK
[11] Southey had
finished a version of Madoc in 1797-1799 and was revising it
for publication; he had also reached Book 3 of The Curse of
Kehama (1810) and was working on his unfinished ‘History of
Portugal’. BACK
[12] Charlotte Smith (1749-1806; DNB), poet and
novelist, and friend of Mary Barker. BACK
[13] Elizabeth Inchbald (1753–1821;
DNB), novelist and dramatist. BACK
[15] The Southeys’
servant, she died in 1804. BACK
[16] John Keenan (fl. 1780–1819), portrait painter
and miniaturist. Mrs Keenan (dates unknown) was the sister of Daniel
MacKinnon (fl. 1800s), whose Tour through the British West
Indies (1804) was reviewed by Southey in the Annual
Review for 1804, 3 (1805), 50–56. Mrs Keenan apparently went to
Boulogne with Miss Barker in 1819 and was still there with her daughter when
Southey visited Boulogne in 1825. BACK
[17] John Keenan’s portrait of Southey,
exhibited at the Royal Academy in 1803. BACK
[18] Mary
Barker had at least two sisters whose names and dates are
unrecorded. BACK