868. Robert Southey to Richard
Duppa [fragment], 14 December 1803
*
Greta Hall, Keswick,
Dec. 14. 1803.
Dear Duppa,
I have not had the heart to write to you, though the long silence
has lain like a load upon my conscience. When we parted I had as much present
happiness as man could wish, and was full of all cheerful hopes: however, no
man, if he be good for any thing, but is the better for suffering. It has long
been my habit to look for the good that is to be found in every thing, and that
alchemy is worth more than the grand secret of all the adepts.
I had almost completed my arrangements for removing to Richmond
at Christmas, and here we are at the uttermost end of the north, and here for
some time we shall probably remain; how long, God knows. I am steady in my
pursuits, for they depend upon myself; but my plans and fortunes, being of the
τά ούκ έφ
ήμίυ, [1] are more mutable; they are fairly afloat, and
the winds are more powerful than the steersman. Longman caught the alarm – the
Bonaparte [2]
ague or English influenza – after I left town, and sent to me to postpone my
Bibliotheca, [3] at the very time when I wished the
engagement off my mind, not being in a state of mind to contemplate it with
courage. He shall now wait my convenience, and I shall probably finish off my
own works of choice here, where, living cheaper, I have more leisure. My
History [4] is in a state of rapid progression. The last time I saw
Mr. —— in town he gave me a draft for fifty pounds as his subscription, he said,
to this work. I tell you this because you know him, and, therefore, not to tell
you would make me feel ungrateful for an act of uncommon liberality, done in the
handsomest way possible. I little thought, at the time, how soon an unhappy
circumstance would render the sum needful. This work I am alternating and
relieving by putting Madoc [5] to the press, and my
annual job of reviewing interrupts both for awhile; but, happily, this job
comes, like Christmas, but once a year, and I have almost killed off my
contemporaries.
Haslitt, [6]
whom you saw at Paris, has been here; a man of real genius. He has made a very
fine picture of Coleridge
for Sir George Beaumont, [7] which is said to be in
Titian’s [8] manner; he has also painted Wordsworth, but so dismally,
though Wordsworth’s face
is his idea of physiognomical perfection, that one of his friends, on seeing it,
exclaimed, ‘At the gallows – deeply affected by his deserved fate – yet
determined to die like a man;’ and if you saw the picture, you would admire the
criticism. We have a neighbour here who also knows you – Wilkinson, [9] a clergyman, who draws, if not with much
genius, with great industry and most useful fidelity. I have learnt a good deal
by examining his collection of etchings.
Holcroft, [10] I
hear, has discovered, to his own exceeding delight, prophetic portraits of
himself and Coleridge
among the damned in your Michael Angelo. [11] I have found out a more
flattering antetype of Coleridge’s face in Duns Scotus. [12] Come you yourself and judge of the resemblances. Coleridge and our lakes and
mountains are worth a longer journey. Autumn is the best season to see the
country, but spring, and even winter, is better than summer, for in settled fine
weather there are none of those goings on in heaven which at other times give
these scenes such an endless variety.
.
.
.
.
.
You will find this
house a good station for viewing the lakes; it is, in fact, situated on perhaps
the very finest single spot in the whole lake country, and we can show you
things which the tourists never hear of.
. .
.
.
.
.
.
.
.
Edith desires to be remembered to
you; she is but in indifferent health. I myself am as well as I ever was. The
weather has been, and is, very severe, but it has not as yet hurt me; however,
it must be owned the white bears have the advantage of us in England, and still
more the dormice. If their torpor could be introduced into the human system, it
would be a most rare invention. I should roll myself up at the end of October,
and give orders to be waked by the chimney-sweeper on May-day.
God bless you.
Yours affectionately,
R. Southey.
Notes* MS: MS untraced; text is taken
from Charles Cuthbert Southey (ed.), Life and Correspondence of Robert
Southey, 6 vols (London, 1849-1850) Previously published:
Charles Cuthbert Southey (ed.), Life and Correspondence of Robert
Southey, 6 vols (London, 1849-1850), II, pp. 237-239 [in
part]. BACK [1] ‘What
is not in my power’. BACK [2] Napoleon Bonaparte
(1769-1821, First Consul 1799-1804, Emperor of the French 1804-1814). BACK [3] Southey’s plan for a
‘Bibliotheca Britannica’, a chronological history of all
literature published in Britain. BACK [4] Southey’s unfinished ‘History
of Portugal’. BACK [5] Southey had
completed a version of Madoc in 1797-1799 and was revising it
for publication. It did not appear until 1805. BACK [6] William Hazlitt, writer and artist, had visited the Lake
District in 1803. After an encounter with a local girl, whom he reputedly
spanked, his stay came to an abrupt and highly controversial end. BACK [7] Sir George Beaumont, art patron and
painter, had commissioned portraits of Coleridge, Hartley Coleridge and
William Wordsworth from Hazlitt. BACK [8] Tiziano Vecelli (c.
1473/1490-1576), Italian painter. BACK [9] Joseph Wilkinson (1764-1831), Canon of Carlisle
Cathedral and producer of Select Views in Cumberland, Westmoreland
and Lancashire (1810). In late 1803 he was living at
Ormathwaite, near Keswick. BACK [10] Thomas Holcroft
(1745-1809; DNB), radical, dramatist and novelist. BACK [11] Richard Duppa, A Selection of Twelve Heads from the Last Judgement
of Michael Angelo (1801). BACK [12] John Duns Scotus (c. 1265-1308; DNB),
Franciscan friar and theologian. Coleridge had been studying his
works. BACK |
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