<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce294</idno>
<idno type="edition">letterEEd.26.285</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Letter is written on corrected proof sheets of
                        Southey’s Joan of Arc, 2nd edition, 2 vols (Bristol and
                        London, 1798), I, pp. 57–64. Bristol Reference Library,
                        B20873.  Previously  published: Kenneth Curry (ed.), New Letters of
                            Robert Southey, 2 vols (London and New York, 1965), I, pp.
                        158–159.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="285" type="letter">
<head>285. Robert Southey to <ref target="people.html#CottleJoseph">Joseph
                        Cottle</ref>, <date when="1798-01-19">[19 January 1798]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> Cottle/ High Street/ Bristol/ Single<lb/>Postmark: D.J.A./ 19/
                        98<lb/>Endorsement: (<del rend="strikethrough">101</del>) <hi rend="ital">117</hi>
<lb/>MS: Letter is written on corrected proof sheets of
                        Southey’s <title>Joan of Arc</title>, 2nd edition, 2 vols (Bristol and
                        London, 1798), I, pp. 57–64. Bristol Reference Library,
                        B20873<lb/>Previously published: Kenneth Curry (ed.), <title>New Letters of
                            Robert Southey</title>, 2 vols (London and New York, 1965), I, pp.
                        158–159.</note>
</head>
<p rend="indent1"> If there were room here, or if I had time at present, I should
                    reply somewhat fully to the first part of your letter. I can however sincerely
                    congratulate you on the intelligence it gave me. </p>
<p rend="indent1"> I have never told you how <hi rend="ital">very unhandsome</hi> I
                    think the conduct of <ref target="people.html#WordsworthWilliam">Wordsworth</ref> &amp; his <ref target="people.html#WordsworthDorothy">sister</ref> to <ref target="people.html#LloydCharles">Charles Lloyd</ref>,
                    respecting the passage which he has omitted, I never heard of so mean &amp;
                    overbearing an act of vanity.<note n="1" place="foot" resp="editors">The meaning
                        of this passage is obscure. It possibly refers to something in Lloyd’s
                        novel, <title>Edmund Oliver</title> (1798).</note>
</p>
<p rend="indent1"> You say nothing of Rose<note n="2" place="foot" resp="editors">The Bristol printer and bookseller John Rose (fl. 1781–1803).</note> &amp;
                    the 2<hi rend="sup">nd</hi> Volume.<note n="3" place="foot" resp="editors">Southey was working on the two-volume edition of his <title>Poems</title>
                        published in 1799. Volume 1 was a third, revised edition of the collection
                        originally published in 1797; volume 2 was a new addition, and contained
                        poems written since 1797.</note> the second half she[MS torn] from
                    &lt;this&gt; [MS torn] begin the poem. I wish to let the 2<hi rend="sup">nd</hi>
                    Vol. be begun by another printer, if it were only to let <ref target="people.html#BiggsNathaniel">Biggs</ref> know that I think he has
                    behaved very ill to us.</p>
<p rend="indent1"> I have not received the Hurri[MS torn]<note n="4" place="foot" resp="editors">William Gilbert, <title>The Hurricane: A Theosophical and
                            Western Eclogue</title> (1796).</note> because I mean to apply for <ref target="people.html#LloydCharles">Lloyds</ref> novel,<note n="5" place="foot" resp="editors">Charles Lloyd, <title>Edmund Oliver</title>
                        (1798).</note> &amp; it is not well to make many of those applica[Ms
                    torn]</p>
<p rend="indent1"> [MS torn] have writt[MS torn] some lines to my <ref target="people.html#HillMargaret">Cousin Margaret</ref> at Bath, which I
                    think you would like. in my next volume of poems, a large department will be
                    under the title of Metrical Letters.<note n="6" place="foot" resp="editors">
<title>Poems</title>, 2 vols (Bristol, 1799), II, pp. 85–88 contained
                        one ‘Metrical Letter, Written from London’. It was addressed to Southey’s
                        ‘Cousin Margaret’.</note> &amp; I have planned several which I much wish to
                    begin. at present the analysing Lope de Vegas most famous, &amp; indeed best,
                    poem takes up some time.<note n="7" place="foot" resp="editors">Probably
                            <title>Jerusalem Conquistada</title> (1609) by Lope Felix de Vega Carpio
                        (1562–1635).</note> it is in 20 huge books – but I see land. this book is
                    from the Redcross Library.<note n="8" place="foot" resp="editors">Southey had
                        been using Dr Williams’s Library, London, established by a bequest from
                        Daniel Williams (c.1643–1716; <title>DNB</title>).</note>
</p>
<p rend="indent1"> The books I have reviewed are The Minister.<note n="9" place="foot" resp="editors">Southey’s review of Johann Christoph Friedrich
                        von Schiller (1759–1805), <title>The Minister: a Tragedy. In Five Acts.
                            Translated from the German ... by M. G. Lewis</title> (1797) appeared in
                            <title>Critical Review</title>, 22 (January 1798), 103–104.</note>
<hi rend="sup">x</hi>Trifles in Verse &amp; <hi rend="sup">x</hi>Critical
                    Trifles by Stewart. Christs Hospital. First Flights. Vales of Wever. <hi rend="sup">x</hi>William &amp; Ellen. Scath of France. Trans. of Catullus.
                    of the Kisses of Bonefonius. Cheethams Poems. <hi rend="sup">x</hi>The Church.
                    Trip to Portsmouth.<note n="10" place="foot" resp="editors">Southey’s reviews of
                        the following appeared in <title>Critical Review</title>, 21 (December
                        1797): Charles Edward Stewart (c. 1751–1819), <title>A Collection of Trifles
                            in Verse</title> (1797) and <title>Critical Trifles, in a Familiar
                            Epistle to John Fisher</title> (1797), 463; Eaglesfield Smith (c.
                        1770–1838; <title>DNB</title>), <title>William and Ellen, A Tale</title>,
                        (1796), 463–464; John Sharpe (1769–1859), <title>The Church, A Poem</title>
                        (1797), 460–463. His reviews of the following were published in
                            <title>Critical Review</title>, 22 (January 1798): Eaglesfield Smith,
                            <title>The Scath of France: or, The Death of St. Just and His Son, A
                            Poem. To Which is Added, Sir Mordac and Balma, &amp;c.</title> (1797),
                        101; Thomas Skinner Surr (c. 1770–1847; <title>DNB</title>), <title>Christ’s
                            Hospital, A Poem</title>, (1797), 102; John Gisborne (1770–1851;
                            <title>DNB</title>), <title>The Vales of Wever, a Loco-Descriptive
                            Poem</title> (1797), 100–101; <title>A Trip to Portsmouth and the Isle
                            of Wight from London, in Rambling Verses</title> (1797), 103;
                            <title>Belinda; or, the Kisses of Joannes Bonefonius of Auvergne</title>
                        (1797), 103; John Heyrick Jnr (d. 1797), <title>First Flights, containing
                            Pieces in Verse on Various Occasions</title> (1797), 102–103; <title>The
                            Poems of Caius Valerius Catullus, in English Verse</title> (1795),
                        65–67; Robert Farren Cheetham (1777/8–1801), <title>Odes and
                            Miscellanies</title> (1796), 84–86.</note> &amp; Britains Genius.<note n="11" place="foot" resp="editors">Christopher Anstey (1724–1805;
                            <title>DNB</title>), <title>Britain’s Genius; a Song: to the Tune of
                            ‘Come and Listen to My Ditty.’ – Occasioned by the Late
                            Mutiny on Board His Majesty’s Ships at The Nore</title> (1797), reviewed
                        by Southey in <title>Critical Review</title>, 22 (March 1798), 354.</note>
                    with two selections The Leaser, &amp; the Temple of Apollo.<note n="12" place="foot" resp="editors">Southey’s reviews of the following appeared in
                            <title>Critical Review</title>, 22 (February 1798): <title>The Leaser,
                            being a Selection of the Best Poetic Effusions and Translations of that
                            Immortal Bard, Alexander Pope</title> (1797), 231; William Hodgson
                        (1745–1851; <title>DNB</title>), <title>The Temple of Apollo: being a
                            Selection of the Best Poems, from the Most Esteemed Authors</title>
                        (1797), 231.</note> I have x marked those already printed last month. God
                    bless you.</p>
<closer>
<salute rend="indent1"> yrs affectionately</salute>
<signed rend="indent2"> R Southey.</signed>
</closer>
<postscript>
<p>Friday.</p>
</postscript>
</div>
</body>
</text>
</TEI>
