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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<resp>General Editor, </resp>
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<date>2011-08-15</date>
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<idno type="nines">rce305</idno>
<idno type="edition">letterEEd.26.296</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>British Library, Add MS
                        30927.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="296" type="letter">
<head>296. Robert Southey to <ref target="people.html#SoutheyTom">Thomas
                        Southey</ref>, <date when="1798-03-15">15 March [1798]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> Southey/ H.M.S. Mars/ Spithead/ or elsewhere/
                        Single<lb/>Stamped: BRISTOL<lb/>MS: British Library, Add MS
                        30927<lb/>Unpublished.</note>
</head>
<p rend="indent1"> You see my dear Tom that <ref target="people.html#FrickerEdith">Edith</ref> has been my scribe upon this occasion.<note n="1" place="foot" resp="editors">This suggests that there was a verse enclosure, in Edith’s
                        hand, with this letter. If so, it does not seem to have survived.</note> I
                    have another half written, which will be finished next week &amp; then
                    Scribarella shall set to work again.</p>
<p rend="indent1"> I am sorry you think it necessary when you say you have given
                    away the poems, to promise never to do so any more. I have always copies enough
                    for you, &amp; I would wish you to dispose of them as freely as I myself. When
                    my new edition<note n="2" place="foot" resp="editors">
<title>Joan of Arc</title>
                        (1798).</note> is ready, of which the first volume is this day compleated,
                    you shall be supplied again.</p>
<p rend="indent1"> Charles Fox, “who sung the banished man of Ardebeil,” is now
                    preparing the seven most striking of <ref target="people.html#HillHerbertUncle">my Uncles</ref> sketches for the Engraver.<note n="3" place="foot" resp="editors">Southey is quoting his own ‘To A. S. Cottle’, in Amos Simon
                        Cottle, <title>Icelandic Poetry, or the Edda of Saemund Translated into
                            English Verse</title> (Bristol, 1797), p. 35. Joseph Cottle published
                        Charles Fox (1740?–1809; <title>DNB</title>), <title>’Aks-i partaw. A Series
                            of Poems: Containing the Plaints, Consolations, and Delights of Achmed
                            Ardebeli</title> (1797). Fox was also an artist and it would seem he was
                        preparing some sketches, probably of Portuguese scenes, by Southey’s uncle,
                            <ref target="people.html#HillHerbertUncle">Herbert Hill</ref>, for
                        publication.</note> they are to be in Aqua tinta, &amp; the book<note n="4" place="foot" resp="editors">The volume of <ref target="people.html#HillHerbertUncle">Herbert Hill’s</ref> sketches did
                        not appear.</note> to go to the press as soon as I am ready with the
                    corrections.</p>
<p rend="indent1"> The old scoundrel Chilton<note n="5" place="foot" resp="editors">Mr Chilton (first name and dates unknown) was the owner of the
                        boarding-house at 8 Westgate Buildings, Bath, and therefore Margaret
                        Southey’s landlord; see <title>The New Bath Directory</title> (Bath,
                        [1792]), p. 29.</note> is still off &amp; on with <ref target="people.html#SoutheyMargaret">my Mother</ref> about the lease – have
                    it he will, I believe there is no doubt of that, but he always skulks from any
                    attempt to fix a meeting &amp; settle it. <ref target="people.html#SoutheyMargaret">My Mother</ref> came over to dine in
                    the <ref target="places.html#CollegeGreenBristol">College Green</ref> some ten
                    days ago, &amp; I saw her at <ref target="places.html#Cottles">Cottles</ref>. on
                    Saturday I go over &amp; remain till the following Monday. – by the by direct to
                        <ref target="people.html#CottleJoseph">Cottle</ref>
<hi rend="ital"> Wine</hi> Street for the future; he is removed to where
                        Coward<note n="6" place="foot" resp="editors">Unidentified.</note> lived,
                    &amp; a most noble shop has he gained by the exchange. </p>
<p rend="indent1">
<ref target="people.html#LloydCharles">Lloyds</ref> book<note n="7" place="foot" resp="editors">Charles Lloyd, <title>Edmund Oliver</title> (1798).</note>
                    comes on but slowly, I now correct the proofs for him, the second volume is only
                    advanced 88 pages. You have I suppose learnt from him that he has begun another
                    novel, &amp; that <ref target="people.html#LambCharles">Lamb</ref> has finished
                        one.<note n="8" place="foot" resp="editors">Charles Lamb, <title>A Tale of
                            Rosamund Gray and Old Blind Margaret</title> (1798). Lloyd’s new novel
                        may well have been <title>Isabel</title>, which was not published until
                        1820.</note> The poems which he is about to print, it is his intention to
                    dedicate to me, they are all, as indeed expressed in the title, Blank
                        Verse.<note n="9" place="foot" resp="editors">Charles Lamb and Charles
                        Lloyd, <title>Blank Verse</title> (1798). Lloyd’s contributions were
                        dedicated to Southey.</note>
</p>
<p rend="indent1"> God bless you. tell me your last number of the M Magazine. I hope
                    to send you S<hi rend="sup">t</hi>. Patricks Purgatory<note n="10" place="foot" resp="editors">Southey’s ‘St Patrick’s Purgatory’ was published anonymously
                        in the <title>Morning Post</title>, 8 May 1798.</note> next week. </p>
<closer>
<salute rend="indent1">
<ref target="people.html#FrickerEdith">Ediths</ref> love.</salute>
<salute rend="indent2"> yr affectionate brother</salute>
<signed rend="indent3"> Robert Southey</signed>
</closer>
<postscript>
<p>15 March </p>
<p>You will have the earliest possible news of <ref target="people.html#ProbyWilliam">Ld. Proby</ref>.</p>
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