<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce333</idno>
<idno type="edition">letterEEd.26.324</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>British Library, Add MS
                        34046.  Previously  published: Letters from the Lake Poets, Samuel
                            Taylor Coleridge, William Wordsworth, Robert Southey, to Daniel
                            Stuart (London, 1889), p. 442 [in part, ‘Descriptive Fragment’
                        only published].Dating note: Dating from Southey’s reference to his
                        journey from Norwich to London, which took place during the night of 8–9
                        June 1798.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="324" type="letter">
<head>324. Robert Southey to <ref target="people.html#StuartDaniel">Daniel
                        Stuart</ref> [fragment], <date when="1798-06-08">[c. 8 June
                        1798]</date>
<note place="foot" resp="editors" type="headnote">Address:
                        [partial] nd/ ndon<lb/>Stamped: NORWICH<lb/>MS: British Library, Add MS
                        34046<lb/>Previously published: <title>Letters from the Lake Poets, Samuel
                            Taylor Coleridge, William Wordsworth, Robert Southey, to Daniel
                            Stuart</title> (London, 1889), p. 442 [in part, ‘Descriptive Fragment’
                        only published].<lb/>Dating note: Dating from Southey’s reference to his
                        journey from Norwich to London, which took place during the night of 8–9
                        June 1798.</note>
</head>
<epigraph>
<p rend="indent6"> ______</p>
<p rend="indent1"> The circumstance related in the following lines occurred
                        during the American War.<note n="1" place="foot" resp="editors">The American
                            War of Independence of 1775–1783.</note> no alteration or addition has
                        been made to the story.</p>
<p rend="indent6"> ______</p>
<lg type="stanza">
<l rend="indent3"> The guns have ceased their thunder! – dreadful pause
                            –</l>
<l rend="indent3"> Hark! twas the shout of conquest – &amp; again!</l>
<l rend="indent3"> Louder it rose. the flag of England floats</l>
<l rend="indent3"> Triumphant: from their ranks the victors rush</l>
<l rend="indent3"> They speed them to the spoil: – no human tongue</l>
<l rend="indent3"> Hath told what followed. to the distant shores</l>
<l rend="indent3"> Of England tidings came of victory;</l>
<l rend="indent3"> She heard, &amp; in her bloody annals wrote</l>
<l rend="indent3"> One day of glory more. the conquerors deeds</l>
<l rend="indent3"> A prudent silence veiled, yet one was wrought</l>
<l rend="indent3"> That shall not be forgotten.</l>
<l rend="indent6"> To their prey</l>
<l rend="indent3"> They rushd in scattered troops from house to house.</l>
<l rend="indent3"> A band of four at one were entering</l>
<l rend="indent3"> When from the window came a female arm</l>
<l rend="indent3"> And fired its only weapon; one fell dead,</l>
<l rend="indent3"> The rest burst in &amp; called with oaths for her</l>
<l rend="indent3"> Who did the murder. She came forth &amp; said</l>
<l rend="indent3"> She was the murderer, &amp; she askd for death –</l>
<l rend="indent3"> A Woman – a young Woman, who that day</l>
<l rend="indent3"> Had seen her brother slaughtered, whom that day</l>
<l rend="indent3"> Had widowed.</l>
<l rend="indent5"> They were men &amp; Englishmen:</l>
<l rend="indent3"> And they took counsel or to murder her</l>
<l rend="indent3"> Or glut their lust amid <del rend="strikethrough">t</del>
                            her agonies</l>
<l rend="indent3"> And let her live polluted. There was one</l>
<l rend="indent3"> Amid these ruffians to whom God had given</l>
<l rend="indent3"> A heart that war &amp; sociate wickedness</l>
<l rend="indent3"> Had not corrupted quite. he drew his sword</l>
<l rend="indent3"> And swore that should not be. – in after years</l>
<l rend="indent3"> He told the tale; – aye with a bitterness</l>
<l rend="indent3"> That made his eye look terrible, he told</l>
<l rend="indent3"> How he had done thus much, &amp; cursed himself,</l>
<l rend="indent3"> For he stood by, stood patiently &amp; saw</l>
<l rend="indent3"> His comrades strip even her last garments off</l>
<l rend="indent3"> Then spurn her forth all naked on the world.<note n="2" place="foot" resp="editors">This poem was not published in the
                                    <title>Morning Post</title>.</note>
</l>
</lg>
<p rend="indent5"> ______</p>
<p rend="indent4"> Descriptive Fragment.</p>
<p rend="indent5"> ______</p>
<lg type="stanza">
<l rend="indent6"> —— Every where</l>
<l rend="indent3"> Nature is lovely; on the mountain height,</l>
<l rend="indent3"> Or where the embosomed mountain glen displays</l>
<l rend="indent3"> Secure sublimity, or where around</l>
<l rend="indent3"> The undulated surface gently slopes</l>
<l rend="indent3"> With mingled hill &amp; valley<del rend="strikethrough">,</del> – every where</l>
<l rend="indent3"> Nature is lovely. Even in scenes like these</l>
<l rend="indent3"> Where not a hillock breaks the unvaried plain</l>
<l rend="indent3"> The eye may find new charms that seeks delight.</l>
<l rend="indent3"> At eve I walk abroad: the setting sun</l>
<l rend="indent3"> Hath softened with a rich &amp; mellow hue</l>
<l rend="indent3"> The cool, fresh, air; below, a bright expanse,</l>
<l rend="indent3"> The waters of the Broad lie luminous.</l>
<l rend="indent3"> I gaze around – the unbounded plain presents</l>
<l rend="indent3"> Ocean immensity, whose circling line</l>
<l rend="indent3"> The bending heaven shuts in.<note n="3" place="foot" resp="editors">Sent to <ref target="people.html#FrickerEdith">Edith
                                    Southey</ref> on 4 June 1798 (Letter 322), as lines 20–36 of a
                                poem addressed to her. This poem was not published in the
                                    <title>Morning Post</title>.</note>
</l>
</lg>
<p>[MS missing]</p>
<lg type="stanza">
<l rend="indent3"> And naked in thy paramours embrace,</l>
<l rend="indent3"> Till the avenging sword awake &amp; strike.<note n="4" place="foot" resp="editors">‘From Filicaia’, lines 12–13,
                                    <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                                (London, 1849–1850), IV, p. 87. These lines were omitted when the
                                poem was published anonymously as ‘Translated from the Italian’ in
                                    <title>Morning Post</title>, 24 July 1798.</note>
</l>
</lg>
<p rend="indent5"> ______</p>
</epigraph>
<p>I write from <ref target="places.html#Norwich">Norwich</ref>. on my way to town
                    where I expect to<note n="5" place="foot" resp="editors">I write ... expect to:
                        This section struck through, probably in another hand.</note> [remainder of
                    MS missing]</p>
</div>
</body>
</text>
</TEI>
