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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<date>2011-08-15</date>
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<idno type="nines">rce357</idno>
<idno type="edition">letterEEd.26.348</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<p>The Historical Society of
                        Pennsylvania.  Previously  published: A
                            Catalogue of the Collection of Autographs Formed by
                            Ferdinand Julius Dreer, 2 vols
                        (Philadelphia, Pennsylvania, 1890–1893), II, p.
                        126.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="348" type="letter">
<head>348. Robert Southey to <ref target="people.html#DyerGeorge">George Dyer</ref>, <date when="1798-09-18">18 September [1798]</date>
<note place="foot" resp="editors" type="headnote">Address: To/
                        George Dyer/ 6. Cliffords Inn/ Fleet Street. / London/
                        Single<lb/>Stamped: BRISTOL<lb/>Postmark: B/ SE/ 20/
                        98<lb/>MS: The Historical Society of
                        Pennsylvania<lb/>Previously published: <title>A
                            Catalogue of the Collection of Autographs Formed by
                            Ferdinand Julius Dreer</title>, 2 vols
                        (Philadelphia, Pennsylvania, 1890–1893), II, p.
                        126.</note>
</head>
<opener>
<dateline>
<date when="1798-09-18">Tuesday. Sep. 18.</date>
</dateline>
<salute>My dear Sir</salute>
</opener>
<p rend="indent1"> I am very sorry that your Letter should have
                    remained so long unacknowledged. the fact is I have been
                    visiting in Herefordshire &amp; Worcestershire, &amp; amid
                    company, journeying &amp; some employments that follow me
                    every where, I recollected not my unanswered letters at
                    home.</p>
<p rend="indent1"> Your proposals are hanging in <ref target="places.html#Cottles">Cottles</ref> shop.<note n="1" place="foot" resp="editors">George Dyer was at
                        this time seeking to publish a three-volume edition of
                        his ‘Poetical Works’, if he could gather enough
                        subscribers. He was not successful.</note> it is unlucky
                    that most of my friends here are yours also; however I
                    mentioned your proposed volumes to some of them who might
                    not perhaps have otherwise known your intention. We will do
                    what we can, if not what we wish. your list has some 8 or 10
                    names – &amp; it will be some advantage to have a country
                    bookseller in <ref target="people.html#CottleJoseph">Cottle</ref> who will feel a friendly interest in
                    assisting the work.</p>
<p rend="indent1"> I am sorry, in considering only my own
                    gratif&lt;ic&gt;ation that your essays are to be
                        delayed.<note n="2" place="foot" resp="editors">Dyer’s
                        proposed ‘Poetical Works’ would have included ‘Critical
                        Essays, on different Branches of Poetry and Criticism,
                        illustrated from ancient and modern Authors’.</note>
                    whenever you take the subject of metre into consideration I
                    shall beg you to weigh the merits of some regular blank
                    stanzas in which I think I have been succesful, &amp; which
                    you perhaps may have seen in the Morning Post without
                    suspecting their author. four lines seem to me the best
                    length for a lyric stanza. I have disposed them thus
                    differently in different odes. you know the Ode to
                        evening<note n="3" place="foot" resp="editors">William
                        Collins (1721–1759; <title>DNB</title>), ‘Ode to
                        Evening’ (1746).</note>
<del rend="strikethrough">is</del> consist of 10.10.6.6.
                    10.6.6.10. —. 8.6.6.10. —. 8.8.10.6. — 6.6.10.6. —
                    6.10.10.6. — 8.6.10.6. —.</p>
<p rend="indent1"> In such metres neither the lines or stanzas
                    must run into each other, &amp; the regular harmony must be
                    as perceptible to the ear as to the eye. I have yet other
                    arrangements to try. these odes<note n="4" place="foot" resp="editors">Southey’s recent contributions to the
                            <title>Morning Post</title> included ‘Ode. The
                        Delivery of Holland’, 18 July 1798’; ‘Ode. The Spanish
                        Armada’, 26 July 1798; ‘Ode. The Martins’, 7 August
                        1798; and ‘Ode: The Death of Wallace’, 7 September
                        1798.</note> (for you see I am again ode-writing) form
                    part of a very extensive work in which I have made some
                        progress.<note n="5" place="foot" resp="editors">The
                        ‘Kalendar’, a sequence modelled on Ovid’s (43 BC–AD 17)
                            <title>Fasti</title>, was never completed.</note>
                    &amp; will not appear in the volume with the Vision, now
                    going to press.<note n="6" place="foot" resp="editors">
<title>Poems</title> (1799), which included the
                        ‘Vision of the Maid of Orleans’.</note>
</p>
<p rend="indent1"> If my figure-schemes are not sufficiently
                    comprehensible, tell me so, &amp; I will send a specimen of
                    each. you would perhaps find them useful in your essay on
                    metre, for tho as yet unique, I think they will not always
                    be so</p>
<p rend="indent1"> Have you seen a volume of Lyrical Ballads
                    &amp;c? no authors name – but by <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; <ref target="people.html#WordsworthWilliam">Wordsworth</ref>.<note n="7" place="foot" resp="editors">
<title>Lyrical Ballads, With a Few Other
                            Poems</title> (1798).</note>
</p>
<p rend="indent1"> Allen has written to me from Portugal. he
                    requests me to call on you, &amp; express his sincere
                    thankfulness &amp; attachment. <del rend="strikethrough">on</del> he also wants some account, which you probably
                    can give me for him, of the expence of <del rend="strikethrough">taking</del> graduating as M.B. at
                        Cambridge<note n="8" place="foot" resp="editors">George
                        Dyer had studied at Emmanuel College, Cambridge, taking
                        his BA in 1778, so he might be expected to have some
                        knowledge of the costs of graduating from the
                        university.</note> – as he is of sufficient standing to
                    take that degree there; could get a transfer from Oxford,
                    &amp; would then have the chance of a higher situation with
                        <del rend="strikethrough">x</del> 25 Shillings a day, in
                    the army.</p>
<p rend="indent1"> You perhaps know that <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; <ref target="people.html#WordsworthWilliam">Wordsworth</ref>
                    are going, or gone, to Germany.<note n="9" place="foot" resp="editors">Wordsworth and Coleridge left for Germany
                        on 16 September 1798. Wordsworth returned in late April
                        1799 and Coleridge in July 1799.</note>
</p>
<p rend="indent1">
<ref target="people.html#FrickerEdith">Edith</ref> is much
                    better, she desires to be remembered to you.</p>
<p rend="indent1"> I did not see your friend Miss Greenly<note n="10" place="foot" resp="editors">Possibly Elizabeth
                        Greenly (1771–1839), daughter and heiress of William
                        Greenly of Titley Court in Herefordshire. In 1811 she
                        married Admiral Sir Isaac Coffin (1759–1839,
                            <title>DNB</title>).</note> in Herefordshire. you
                    have I suppose seen my asinine honours in the Anti Jacobine
                        Magazine.<note n="11" place="foot" resp="editors">Southey had been caricatured as an ass in James Gillray
                        (1757–1815; <title>DNB</title>), ‘The New Morality’,
                            <title>Anti-Jacobin Review and Magazine</title>, 1
                        (1798), between 114 and 115.</note>
</p>
<closer>
<salute rend="indent1"> God bless you.</salute>
<salute rend="indent2"> yrs very truly</salute>
<signed rend="indent3"> Robert Southey</signed>
</closer>
<postscript>
<p>I hope to see you in November, when I shall be for some
                        few days in town.</p>
</postscript>
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