<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce376</idno>
<idno type="edition">letterEEd.26.367</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>British Library, Add
                        MS 34046.  Previously  published: Letters from
                            the Lake Poets, Samuel Taylor Coleridge, William
                            Wordsworth, Robert Southey, to Daniel Stuart
                        (London, 1889), pp. 439–441.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="367" type="letter">
<head>367. Robert Southey to <ref target="people.html#StuartDaniel">Daniel Stuart</ref>
                    [fragment], <date when="1799-01-03">3 January
                        1799</date>
<note place="foot" resp="editors" type="headnote">Address: [partial] Strand/
                        London<lb/>Stamped: BRISTOL<lb/>MS: British Library, Add
                        MS 34046<lb/>Previously published: <title>Letters from
                            the Lake Poets, Samuel Taylor Coleridge, William
                            Wordsworth, Robert Southey, to Daniel Stuart</title>
                        (London, 1889), pp. 439–441.</note>
</head>
<opener>
<salute>My dear Sir</salute>
</opener>
<p rend="indent1"> Whether or no the following dramatic fragment
                    is upon too invidious a subject, you must be a better judge
                    than me. if you think so throw it behind the fire. I wrote
                    it with a feeling of interest that makes me think it
                    good.</p>
<closer>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> R. Southey.</signed>
</closer>
<lb/>
<postscript>
<p rend="indent5"> Dramatic fragment.</p>
<p rend="indent3"> The scene in Holland. the time about
                            1570.<note n="1" place="foot" resp="editors">The
                            ‘Dramatic fragment’ is set in the Netherlands during
                            a period of acute discontent against Spanish rule,
                            which was to lead to open rebellion in
                        1572.</note>
</p>
<p rend="indent6"> ____</p>
<lg type="stanza">
<l rend="indent4"> Ellis.</l>
<l rend="indent5"> Not complain?</l>
<l rend="indent3"> Endure in silence? suffer with beast
                            patience</l>
<l rend="indent3"> Oppressions such as these?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Klaus.</l>
<l rend="indent5"> Nay – an it please you</l>
<l rend="indent3"> Rail on – rail on! no doubt when you
                            are feeling</l>
<l rend="indent3"> The vengeance of the state, twill
                            comfort you</l>
<l rend="indent3"> Amid your dungeon miseries to
                            reflect</l>
<l rend="indent3"> How valiantly you talkd! – you know
                            Count Roderick –</l>
<l rend="indent3"> He would be railing too.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Ellis</l>
<l rend="indent5"> And what has followed?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Klaus</l>
<l rend="indent3"> I saw him in his dungeon. tis a
                            place</l>
<l rend="indent3"> Where the hell-haunted murderer might
                            almost</l>
<l rend="indent3"> Rejoice to hear the hangman summons
                            him.</l>
<l rend="indent3"> By day he may divert his solitude</l>
<l rend="indent3"> With watching thro the grate the
                            snow-flakes fall,</l>
<l rend="indent3"> Or counting the long icicles above
                            him,</l>
<l rend="indent3"> Or he may trace upon the ice-glazed
                            wall</l>
<l rend="indent3"> Lines of most brave sedition! &amp;
                            at night</l>
<l rend="indent3"> The frosty moon beam for his
                            meditation</l>
<l rend="indent3"> Lends light enough. he told me that
                            his feet</l>
<l rend="indent3"> Were ulcered with the biting cold. –
                            I would</l>
<l rend="indent3"> Thou hadst been with me Ellis.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Ellis.</l>
<l rend="indent6"> But does Philip<note n="2" place="foot" resp="editors">Philip II
                                (1527–1598; King of Spain 1556–1598).</note>
</l>
<l rend="indent3"> Command these things? or knowingly
                            permit</l>
<l rend="indent3"> The punishment to go before the
                            judgement?</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Klaus.</l>
<l rend="indent3"> Knowest thou not with what confidence
                            the King</l>
<l rend="indent3"> Reposes upon Alva?<note n="3" place="foot" resp="editors">Fernando Alvarez de
                                Toledo, Duke of Alba (1507–1582), Governor of
                                the Spanish Netherlands 1567–1573.</note> &amp;
                            admit,</l>
<l rend="indent3"> As sure I trust, to hear &amp; to
                            redress</l>
<l rend="indent3"> Injustice be with him one act, the
                            groans</l>
<l rend="indent3"> Of misery reach not to the royal
                            ear.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Ellis.</l>
<l rend="indent3"> But sure Count Rodericks service
                            –</l>
</lg>
<lg type="stanza">
<l rend="indent4"> Klaus.</l>
<l rend="indent6"> Powerful plea!</l>
<l rend="indent3"> He served his country &amp; his
                            country paid him</l>
<l rend="indent3"> The wages of his service. why but
                            late</l>
<l rend="indent3"> A man that in ten several fields had
                            fought</l>
<l rend="indent3"> His countrys battles, by the hangmans
                            hand</l>
<l rend="indent3"> Died like a dog. &amp; for a venial
                            crime –</l>
<l rend="indent3"> A deed that could not <del rend="strikethrough">xxx</del> trouble with one
                            doubt</l>
<l rend="indent3"> A dying man. at Lepanto<note n="4" place="foot" resp="editors">A naval battle in
                                1571 off the coast of western Greece, in which a
                                coalition fleet defeated the Ottoman
                                Navy.</note> he had shared</l>
<l rend="indent3"> The danger of that day whose triumph
                            broke</l>
<l rend="indent3"> The Ottomans power, &amp; this was
                            pleaded for him;</l>
<l rend="indent3"> Six months they stretchd him on the
                            rack of hope,</l>
<l rend="indent3"> Then took his life.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Ellis.</l>
<l rend="indent5"> I would I were in England!</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent4"> Klaus.</l>
<l rend="indent3"> Aye get thee home again! you
                            islanders</l>
<l rend="indent3"> Live under such good laws, so mild a
                            sway,</l>
<l rend="indent3"> That you are no more fit to dwell
                            abroad</l>
<l rend="indent3"> Than a doting mothers favorite to
                            endure</l>
<l rend="indent3"> His first school hardships. We in
                            Holland here</l>
<l rend="indent3"> Know tis as idle to exclaim
                            against</l>
<l rend="indent3"> These state oppressions, as with
                            childish tears</l>
<l rend="indent3"> To weep in the stone, or any other
                            curse</l>
<l rend="indent3"> Wherewith Gods wrath afflicts
                            &lt;us&gt;, &amp; for struggling –</l>
<l rend="indent3"> Why twould be like an idiot in the
                            gout</l>
<l rend="indent3"> Stamping for pain!<note n="5" place="foot" resp="editors">Published in
                                    <title>Annual Anthology</title> (Bristol,
                                1800), pp. 273–276.</note>
</l>
</lg>
<lb/>
<p>[MS missing]</p>
<lg type="stanza">
<l rend="indent3"> Or if, the drudge of house maids
                            daily toil,</l>
<l rend="indent3"> Cobwebs &amp; dust thy pinion white
                            besoil,</l>
<l rend="indent4"> Departed Goose! I neither know nor
                            care,</l>
<l rend="indent3"> But this I know that thou wert very
                            fine</l>
<l rend="indent3"> Seasoned with sage &amp; onions &amp;
                            port wine.<note n="6" place="foot" resp="editors">The closing lines of Southey’s ‘Sonnet. To a
                                Goose’, published <title>Morning Post</title>,
                                10 January 1799.</note>
</l>
</lg>
<p rend="indent5"> ––––––</p>
<p rend="indent9">
<date when="1799-01-03">Jan<hi rend="sup">y</hi>. 3.
                            99.</date>
</p>
</postscript>
</div>
</body>
</text>
</TEI>
