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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<resp>General Editor, </resp>
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<idno type="nines">rce383</idno>
<idno type="edition">letterEEd.26.374</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<p>.  Previously 
                        published: Charles Cuthbert Southey (ed.), Life
                            and Correspondence of Robert Southey, 6 vols
                        (London, 1849–1850), II, pp. 10–12 [in
                    part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="374" type="letter">
<head>374. Robert Southey to <ref target="people.html#MayJohn">John May</ref>, <date when="1799-01-22">22 January
                        1799</date>
<note place="foot" resp="editors" type="headnote">Address: To/ John May Esq<hi rend="sup">r</hi>/ 4. Bedford Square/ London./ Single
                        <lb/>Postmark: B/JA/24/99<lb/> Endorsement: 1799 N<hi rend="sup">o</hi> 31/ Robert Southey/ No place 22
                        Jan/ rec<hi rend="sup">d</hi>: 26 d<hi rend="sup">o</hi>/ ans<hi rend="sup">d</hi>: 24 February <lb/>MS:
                        Boston Public Library, MS C.1.22.2<lb/>Previously
                        published: Charles Cuthbert Southey (ed.), <title>Life
                            and Correspondence of Robert Southey</title>, 6 vols
                        (London, 1849–1850), II, pp. 10–12 [in
                    part].</note>
</head>
<opener>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> Your letter gave me much pleasure in all its
                    parts, except where it took away the hope of seeing you
                    here. that Count Rumford<note n="1" place="foot" resp="editors">The natural philosopher and
                        philanthropist Benjamin Thompson, Count Rumford
                        (1753–1814; <title>DNB</title>).</note> was likely to
                    promote our scheme,<note n="2" place="foot" resp="editors">Probably either Southey and May’s ‘garden scheme’, a
                        convalescent home to assist the poor after their
                        discharge from hospital (see Robert Southey to Charles
                        Watkin Williams Wynn, [25 March] 1798, Letter 298); or a
                        second project to assist the indigent (see Robert
                        Southey to Charles Watkin Williams Wynn, 3 August 1798,
                        Letter 340).</note> &amp; that you had assisted the
                    young man<note n="3" place="foot" resp="editors">Presumably
                        the young man who Charles Lamb and Southey had asked May
                        to assist; see Southey to May, [28 December 1798],
                        Letter 363.</note> I was very glad to learn. be good
                    enough to direct the great coat to <ref target="people.html#CottleJoseph">Cottle</ref> – Wine
                    Street. Bristol.</p>
<p rend="indent1"> Since my last, my dramatic ideas have been
                    fermenting, &amp; have now perhaps settled. at least among
                    my various thoughts &amp; outlines there is one which
                    pleases me, &amp; with which <ref target="people.html#WynnCharlesWW">Wynn</ref> seems well
                    satisfied. I am not willing to labour in vain, &amp; before
                    I begin would consult well with him &amp; you, the only
                    friends who know my intention.</p>
<p rend="indent1"> The time chosen is the latter part of Queen
                        Marys<note n="4" place="foot" resp="editors">Mary I
                        (1516–1558; reigned 1553–1558; <title>DNB</title>). For
                        Southey’s plan for the play see <title>Common-Place
                            Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 190–192.</note> reign. the
                    characters, Sir Walter, a young convert to the reformation,
                    Gilbert the man who has converted him. Stephen the cousin of
                    Sir Walter &amp; his heir in default of issue, a bigotted
                    Catholic. Mary the betrothed of Walter, an amiable Catholic
                    &amp; her Confessor, a pious excellent man. Gilbert is
                    burnt, &amp; Walter by his own enthusiasm &amp; the bigotry
                    &amp; interested hopes of his cousin condemned, but saved by
                    the Queens death. the story thus divides itself. 1. to the
                    discovery of Walters principles to Mary &amp; the Confessor.
                    2. the danger he incurs by his attentions to the accused
                    Gilbert. 3 Gilberts death. 4. Walters arrest – 5 the death
                    of the Queen.</p>
<p rend="indent1"> In Mary &amp; her Confessor I design
                    Catholics of the most enlarged minds. sincere, but
                    tolerating, &amp; earnest to save Walter. even to hastening
                    his marriage, that the union with a woman of such known
                    sentiments might divert suspicion. Gilbert is a sincere –
                    but bigotted man: one of the old reformers ready to suffer
                    death for his opinions, or to inflict it. Stephen so violent
                    in his hate of heresy, as half to be ignorant of his own
                    interested motives in seeking Walters death. but it is from
                    delineating the progress of Walters mind that I expect
                    success.</p>
<p rend="indent1"> At first he is restless &amp; unhappy,
                    dreading the sacrifices which his principles require. the
                    danger of his friend &amp; his death excite an increasing
                    enthusiasm. the kindness of the Priest &amp; Marys love
                    overcome him – he consents to temporize – &amp; is arrested.
                    then he settles into the suffering &amp; steady courage of a
                    Xtian. to this I feel equal &amp; long to be about it. I
                    expect a good effect from the evening hymn to be sung by
                    Mary. &amp; from the death of Gilbert. from the great window
                    Mary &amp; the Confessor see the procession to the stake
                    &amp; hear the Te Deum. they turn away when the fire is
                    kindled &amp; kneel together to pray for his soul. the light
                    of the fire appears thro the window – &amp; Walter is
                    describing as performing the last offices of kindness to is
                    martyred friend.</p>
<p rend="indent1"> You will perceive that such a story can only
                    excite good feelings. its main tendency will be to occasion
                    charity towards each others opinions. the story has the
                    advantage of novelty. the only martyrdom plays I know are
                    mixed with much nonsense. the best is Corneilles
                        Polyeucte.<note n="5" place="foot" resp="editors">Pierre
                        Corneille (1606–1684), <title>Polyeucte</title> (1643),
                        centred on the martyrdom of St Polyeuctus (d. AD
                        259).</note> in English we have the bad ones from
                    Massinger &amp; Dryden.<note n="6" place="foot" resp="editors">
<title>The Virgin Martyr</title> (1622),
                        now attributed to Philip Massinger (1583–1640;
                            <title>DNB</title>) and Thomas Dekker (c. 1572–1632;
                            <title>DNB</title>), deals with the martyrdom of St
                        Dorothea of Caesarea (d. c. 311). It influenced John
                        Dryden (1631–1700; <title>DNB</title>), <title>Tyrannick
                            Love, or The Royal Martyr</title> (1670), which
                        dealt with the martyrdom of St Catherine of Alexandria
                        (d. c. 305).</note>
</p>
<p rend="indent1"> When I see you I will tell you more – the
                    little thoughts for minuter parts – which are almost two
                    minute to relate formally in a letter. I come to town the
                    week after next again. the thought of [MS torn] journey is
                    more tolerable as I expect relief from the exercise, for
                    very great exercise is necessary. I <del rend="strikethrough">have</del> &lt;do&gt; not &amp;
                    will not neglect my health tho it requires a very
                    inconvenient attention. my medical guide<note n="7" place="foot" resp="editors">Possibly <ref target="people.html#BeddoesThomas">Thomas
                            Beddoes</ref>, whom Southey is known to have
                        consulted at this time.</note> tells me that with my
                    habit, the disorder must be flung off now, or it will adhere
                    to me thro life.</p>
<closer>
<salute rend="indent1"> God bless you.</salute>
<salute rend="indent2"> yrs affectionately</salute>
<signed rend="indent3"> R Southey.</signed>
</closer>
<postscript>
<p rend="right">
<date when="1799-01-22">Tuesday night. Jan<hi rend="sup">y</hi>. 22. 1799.</date>
</p>
<p>&lt;<ref target="people.html#FrickerEdith">Ediths</ref>
                        love, she has been unwell.&gt; I daily expect to send
                        the Letters.<note n="8" place="foot" resp="editors">The
                            second edition of Southey’s <title>Letters Written
                                During a Short Residence in Spain and
                                Portugal</title>, published in 1799.</note> the
                            Poems<note n="9" place="foot" resp="editors">The
                            expanded, two-volume edition of Southey’s
                                <title>Poems</title>, published in 1799.</note>
                        await some corrections.</p>
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