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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
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<name>Southey, Robert, 1774-1843</name>
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<idno type="nines">rce386</idno>
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<p>National
                        Library of Wales, MS 4811D.  Previously  published:
                        Kenneth Curry (ed.), New Letters of Robert
                            Southey, 2 vols (London and New York, 1965),
                        I, pp. 180–181.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="377" type="letter">
<head>377. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1799-02-04">4 February
                        [1799]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ C W Williams Wynn Esq<hi rend="sup">r</hi> M.P./ 5. Stone Buildings/ Lincolns
                        Inn/ London<lb/>Postmarks: BRISTOL/ FEB 4 99; [partial]
                        FE/ 99<lb/>Endorsements: Feb<hi rend="sup">y</hi>. 4/
                        1799; M<hi rend="sup">r</hi>. Wynn<lb/>MS: National
                        Library of Wales, MS 4811D<lb/>Previously published:
                        Kenneth Curry (ed.), <title>New Letters of Robert
                            Southey</title>, 2 vols (London and New York, 1965),
                        I, pp. 180–181.</note>
</head>
<opener>
<salute>My dear Wynn</salute>
</opener>
<p rend="indent1"> I hoped to have seen you instead of writing
                    again – but in fact I am not well enough to venture upon the
                    journey, &amp; it is better to err on the prudent side than
                    to venture too much. the season is against me – I want the
                    cold bath – I am relaxed &amp; incapable of much exertion.
                    if you were the physicians wig instead of the judges, you
                    should have a detail of all my physical feelings. </p>
<p rend="indent1"> this is very unfortunate. month after month
                    passes away &amp; I am already at an age when a man ought to
                    be <del rend="strikethrough">settle</del> travelling on in
                    his road. I want to be so settled as to look on to no
                    removal.</p>
<p rend="indent1"> however to a pleasanter subject. I thought
                    you knew <del rend="strikethrough">that</del> that all my
                    lesser ballads were reserved for the Anthology or
                        Gleanings.<note n="1" place="foot" resp="editors">The
                        first volume of the <title>Annual Anthology</title>
                        appeared in 1799.</note> The <del rend="strikethrough">x</del> Cross Roads which I repeated to you &amp; a
                    story of a Sailor conscience haunted for flogging a negro to
                    death a circumstance which occurred here, make all the
                    ballads besides those you know in the volume.<note n="2" place="foot" resp="editors">‘The Cross Roads’ and ‘The
                        Sailor, who had Served in the Slave-Trade’,
                            <title>Poems</title>, 2 vols (Bristol, 1799), II,
                        pp. [89]–102, [103]–114.</note> On these things I bestow
                    not much correction. on a great work like Madoc I should
                    think ten years labour well bestowed. <note n="3" place="foot" resp="editors">Southey had first thought of
                        writing about Madoc in 1789. His poem was not published
                        until 1805.</note>
</p>
<p rend="indent1"> Are you satisfied with the plan of Queen
                        Mary?<note n="4" place="foot" resp="editors">Southey’s
                        proposed tragedy, set during the reign of Mary I
                        (1516–1558; reigned 1553–1558; <title>DNB</title>); see
                            <title>Common-Place Book</title>, ed. John Wood
                        Warter, 4 series (London, 1849–1850), IV, pp.
                        190–192.</note> &amp; do you think it better than my old
                        Banditti<note n="5" place="foot" resp="editors">A plan
                        or idea for a work (probably a play) which has not
                        survived. It was possibly modelled on Johann Christoph
                        Friedrich von Schiller (1759–1805), <title>Die
                            Raüber</title> (1781).</note> – Pedro the Just<note n="6" place="foot" resp="editors">Another unexecuted or
                        lost work. Pedro I (1320–1367; King of Portugal,
                        1357–1367); his lover Inez de Castile (1325–1355) was
                        murdered on the orders of his father. When he became
                        King he personally killed two of the murderers, while
                        one more escaped. He was alleged to have arranged for
                        Inez’s corpse to be crowned Queen. For Southey’s plan
                        see <title>Common-Place Book</title>, ed. John Wood
                        Warter, 4 series (London, 1849–1850), IV, pp.
                        189–190.</note> – or the Pythoness?<note n="7" place="foot" resp="editors">The Pythia was the title
                        given to the priestess of Apollo at Delphi, who was
                        famous for her prophecies, uttered under the influence
                        of vapours rising from the earth. Southey planned – but
                        did not execute – a drama based on an episode from
                            <title>Biblioteke</title>, 16.26, about the
                        abduction of the Pythia by Echecrates the Thessalian;
                        see Southey to John May, 3 December 1798, Letter
                        358.</note> I like it &amp; think I have thought of it
                    long enough to begin.</p>
<p rend="indent1"> To the pious painter, the story of which I
                    found in the Pia Hilaria, there is a sequel in Le Grands
                    book which must be balladized in a second part – how the
                    Devil was even with him.<note n="8" place="foot" resp="editors">The first part of ‘The Pious Painter’ was
                        published anonymously in the <title>Morning
                        Post</title>, 2 November 1798; the second appeared in
                        the same newspaper on 26 July 1799. Southey’s sources
                        were Angelinus Gazaeus (1568–1653), <title>Pia
                            Hilaria</title> (London, 1657), pp. 31–36 and Pierre
                        Jean Baptiste Le Grand d’Aussy (1737–1800),
                            <title>Fabliaux</title>, 4 vols (Paris, 1779–1781),
                        IV, p. 51.</note> Cornelius Agrippa<note n="9" place="foot" resp="editors">‘A Ballad of a Young Man
                        that would Read Unlawful Books and How he was Punished’,
                            <title>Annual Anthology</title> (Bristol, 1799), pp.
                        198–200.</note> is bad enough – a better far is what
                    perhaps you have not seen – The Well of S<hi rend="sup">t</hi> Keyne.<note n="10" place="foot" resp="editors">Southey’s ballad, first published anonymously in the
                            <title>Morning Post</title>, 3 December 1798.</note>
                    the Saints are very kind to me. S<hi rend="sup">t</hi>
                    Isidro – (not <hi rend="ital">Isidore</hi>) has furnished me
                    with a legend which will work up into a somewhat terrific
                    &amp; grotesque.<note n="11" place="foot" resp="editors">Probably ‘The Wedding Night’, <title>Morning
                            Post</title>, 18 December 1799. St Isidore of
                        Seville (c. 560–636) was a well-known Spanish
                        saint.</note> I loppd off the <hi rend="ital">other</hi>
                    botch &amp; merely made it The Parson &amp; the
                        Undertaker.<note n="12" place="foot" resp="editors">Published as ‘The Surgeon’s Warning’ in
                            <title>Poems</title>, 2 vols (Bristol, 1799), II,
                        pp. [161]–173.</note> It might perhaps have been The
                    Undertaker that beast &amp; my brother the Priest. but the
                    Poet is like the Law &amp; de minimis<note n="13" place="foot" resp="editors">The Latin translates as ‘on
                        trivialities’.</note> it takes no notice.</p>
<p rend="indent1"> God bless you. you are I suppose like us knee
                    deep in snow – but ours is clean snow – &amp; I can study a
                    Lapland description.</p>
<closer>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> R Southey.</signed>
</closer>
<postscript>
<p>
<date when="17988-02-04">Monday 4 Feb<hi rend="sup">y</hi>.</date>
</p>
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