<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce397</idno>
<idno type="edition">letterEEd.26.388</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>National Library of Wales, MS
                        4811D.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="388" type="letter">
<head>388. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1799-03-13">13 March
                        1799</date>
<note place="foot" resp="editors" type="headnote">MS: National Library of Wales, MS
                        4811D<lb/>Unpublished.</note>
</head>
<opener>
<dateline rend="right">
<date when="1799-03-13">March 13. 99.</date>
</dateline>
<salute>My dear Wynn</salute>
</opener>
<p rend="indent1"> I was heartily rejoiced at your Uncles &amp;
                    Brothers escape.<note n="1" place="foot" resp="editors">Wynn’s older brother, Sir Watkin Williams Wynn
                        (1772–1840; <title>DNB</title>), and uncle, Thomas
                        Grenville (1755–1846), had survived the shipwreck of the
                            <hi rend="ital">Proserpine</hi> off Heligoland on 31
                        January 1799.</note> it never occurred to me till your
                    letter arrived that you might be mistaken for your brother.
                    − of <ref target="people.html#FrickerGeorge">Ediths
                        brother</ref> we have no account − &amp; I have little
                    hope. − he was bound from Porto to Dublin &amp; off both
                    coasts many vessels have been wrecked. What a life is a
                    Sailors!</p>
<p rend="indent1"> I congratulate you on vacating Old Sarum<note n="2" place="foot" resp="editors">Wynn had been returned
                        unopposed as MP for Montgomeryshire on 14 March 1799. He
                        had previously represented the notorious rotten borough
                        of Old Sarum.</note> for a more respectable seat − &amp;
                    the pauper<note n="3" place="foot" resp="editors">In his
                        ‘Inscription. For a Monument at Old Sarum’,
                            <title>Morning Post</title>, 1 May 1799, Southey
                        claimed that the town only contained one old pauper, who
                        had the right to return two MPs. In fact, Old Sarum had
                        no inhabitants at all and the handful of electors were
                        all non-resident.</note> also is to be congratulated −
                    as I suppose he will cram another thirty pounds for your
                    successor. </p>
<p rend="indent1"> As you are in Wales I have not sent my
                        Poems<note n="4" place="foot" resp="editors">
<title>Poems</title> (1799).</note> to London for
                    you. would you have them sent by way of Shrewsbury with the
                    same directions as this Letter?</p>
<p rend="indent1"> In the summer I must go [MS torn] to the sea
                    &amp; should on all accounts prefer the coast of N[MS torn]
                    the distance, for which reason I think rather of [MS torn]
                    become a very weather-cock &amp; feel these easte[MS torn]
                    sickly vegetable. I wish the coast of Arion<note n="5" place="foot" resp="editors">Arion was a legendary Greek
                        musician saved by dolphins when he jumped into the sea
                        to avoid being murdered by his ship’s crew. Southey
                        could, therefore, be referring to the coast of western
                        Greece, the site of the story.</note> &amp; [MS torn]
                    heights were nearer. mountain exercise &amp; sea [MS torn]
                    brace me again − but at present I sadly want bracing.</p>
<p rend="indent1"> The first act of Queen Mary<note n="6" place="foot" resp="editors">Southey’s proposed tragedy,
                        set during the reign of Mary I (1516–1558; reigned
                        1553–1558; <title>DNB</title>). See <title>Common-Place
                            Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 190–192.</note> puzzles me.
                    I have the beginning − but the succeeding scenes do not
                    occur to please me.</p>
<p rend="indent1"> Pray have you seen in the Courier a song for
                    the Prince of Wales Catch Club by Robert Southey Esq.!<note n="7" place="foot" resp="editors">‘On a Golden Cup, with
                        Embossed Figures, Dedicated to the God of Mirth by the
                        Harmonic Club’, <title>Courier</title>, 11 March
                        1799.</note> there may be a maker of songs undoubtedly
                    by that name, but I wish he would contrive to distinguish
                    himself from me, who am not a maker of songs.</p>
<p rend="indent1"> What think you of S<hi rend="sup">t</hi>
                    Januarias adopting the new principles.<note n="8" place="foot" resp="editors">The reference is obscure. St
                        Januarius (d. c. 305?), Bishop of Benevento and martyr,
                        was the patron saint of Naples, which had become a
                        French client-republic in January 1799. A popular
                        conservative uprising followed, directed by Cardinal
                        Fabrizio Ruffo (1744–1827). Southey may be referring to
                        these events.</note>
<del rend="strikethrough">do you think</del> the Archbishops
                    have not figured very respectably in this age of
                    revolution.</p>
<p rend="indent1"> We are growling at the Income Bill. it is
                    better than the triple assessment − but framed with almost
                    inconceivable absurdity.<note n="9" place="foot" resp="editors">Income tax had been announced at the rate
                        of 10% for incomes over £200 pa in December 1798. This
                        replaced the ‘Triple Assessment’ of 1798, which had
                        increased existing taxes on houses, carriages etc. by
                        multiples of between two and five, depending on
                        taxpayers’ wealth.</note> if you &amp; I could but
                    change eyes how differently would the prospect [MS torn]
                    alike to both. the farmers like the bill for it does not
                    fall [MS torn]mmercial men growl the most, &amp; those who
                    on [MS torn]ectably . it is particularly hard on those who
                    from [MS torn]y be saving something for a family. what will
                    be [MS torn]ures? there is need to fast &amp; pray for a few
                    [MS torn] illumination to keep the people in good
                    humour.</p>
<closer>
<salute rend="indent1"> God bless you − </salute>
<salute rend="indent2"> yrs affectionately</salute>
<signed rend="indent3"> R Southey</signed>
</closer>
</div>
</body>
</text>
</TEI>
