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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<idno type="nines">rce429</idno>
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<p>National Library of Wales, MS
                        4811D.  Previously  published: Kenneth Curry (ed.), New Letters of
                            Robert Southey, 2 vols (London and New York, 1965), I, pp.
                        195–197.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="420" type="letter">
<head>420. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1799-07-08">8 July 1799</date>
<note place="foot" resp="editors" type="headnote">Address: To/ C W Williams Wynn
                            Esq<hi rend="sup">r</hi>/ 5 Stone Buildings/ Lincolns Inn/
                        London<lb/>Stamped: BRISTOL <lb/>Postmarks: FREE/ JY/ 9/ 99; B/ JUL 9/
                        99<lb/>Endorsement: July 9/ 99<lb/>MS: National Library of Wales, MS
                        4811D<lb/>Previously published: Kenneth Curry (ed.), <title>New Letters of
                            Robert Southey</title>, 2 vols (London and New York, 1965), I, pp.
                        195–197.</note>
</head>
<opener>
<salute>My dear Wynn</salute>
</opener>
<p rend="indent1"> I will send a book for Richards.<note n="1" place="foot" resp="editors">Probably Sir Richard Richards (1752–1823;
                        <title>DNB</title>), an eminent lawyer in Chancery.</note> as however my
                    miscellaneous volume<note n="2" place="foot" resp="editors">The <title>Annual
                            Anthology</title>, the first volume of which was published in
                        1799.</note> will be ready in a fortnight, it is not worthwhile to send this
                    in a seperate parcel.</p>
<p rend="indent1"> Have you seen <ref target="people.html#BedfordGrosvenorCharles">Grosvenors</ref> Ballad of the Hags Disaster?<note n="3" place="foot" resp="editors">Sent by Southey to Wynn on 14 October 1799 (Letter
                        446).</note> there is a great deal of merit in it – but unluckily the point
                    lies in some </p>
<p rend="center">* * * * *</p>
<p>&amp; might perhaps offend some readers. <ref target="people.html#BedfordGrosvenorCharles">Grosvenor</ref> I think has
                    never written any thing better. If Lewis<note n="4" place="foot" resp="editors">The poet and playwright, Matthew Gregory Lewis (1775–1818;
                            <title>DNB</title>), author of the controversial Gothic novel,
                            <title>The Monk</title> (1796).</note> likes to write for the M Magazine
                    Lenora, he may have it I believe. the translators direction is <ref target="people.html#TaylorWilliam">Wm Taylor</ref> Junr – Surry Street.
                        Norwich.<note n="5" place="foot" resp="editors">Taylor’s translation of
                        ‘Lenora’, first published anonymously in the <title>Monthly
                        Magazine</title>, 1 (March 1796), 135–137, was used by Lewis in <title>Tales
                            of Wonder</title>, 2 vols (London, 1801), II, pp. 469–482.</note> he is
                    aware how very superior this translation is <del rend="strikethrough">xxxxxx</del> to any <del rend="strikethrough">xx xxx</del> other. the Pious
                    Painter stares me reproachfully in the face whenever I open my desk – I must
                    finish it off.<note n="6" place="foot" resp="editors">The first part of
                        Southey’s ballad ‘The Pious Painter: A Catholic Story’ had appeared
                        anonymously in the <title>Morning Post</title>, 2 November 1798. The second
                        was published anonymously in the same newspaper on 26 July 1799. Both were
                        reprinted in Southey’s <title>Annual Anthology</title> (Bristol, 1799), pp.
                        240–247.</note> about Martha<note n="7" place="foot" resp="editors">‘The
                        Circumstance on which the Following Ballad is Founded Happened not Many
                        Years Ago in Bristol’, <title>Morning Post</title>, 11 June 1799, retitled
                        ‘The Mad Woman’, <title>Annual Anthology</title> (Bristol, 1800), pp.
                        70–73.</note> I know not what to think, the opening is impressive – but it
                    flags. I do not copy the Well of St Keyne as you will have it so shortly in
                        print.<note n="8" place="foot" resp="editors">First published anonymously in
                        the <title>Morning Post</title>, 3 December 1798, and reprinted in Southey’s
                            <title>Annual Anthology</title> (Bristol, 1799), pp. 229–232.</note>
</p>
<p rend="indent1"> In reviewing the fourteen books of Madoc which are written I find
                    that one part of my plan has utterly faild, that of identifying Madoc with Mango
                        Capac.<note n="9" place="foot" resp="editors">Manco Capac, in legend the
                        first Inca. The connection between Madoc and Capac was suggested in John
                        Williams (<hi rend="ital">c</hi>.1732–1795; <title>DNB</title>), <title>The
                            Natural History of the Mineral Kingdom</title>, 2 vols (Edinburgh,
                        1789), II, pp. 424–425.</note> no one circumstance in the history of the
                    Peruvian legislator is applied, or applicable to the Welshman. it could only be
                    managed by drowning all the fleet except Madoc &amp; his sister – &amp; I have
                    not the heart to drown so many poor fellows. this must therefore be abandoned,
                    &amp; of course the more rational idea pursued that Florida was the country
                    reached by Madoc.<note n="10" place="foot" resp="editors">For the idea that
                        Madoc settled in Florida, see John Williams (1727–1798), <title>An Enquiry
                            into the Truth of the Tradition, Concerning the Discovery of America, by
                            Prince Madog ab Owen Gwynedd, About the Year, 1170</title> (London,
                        1791), p. 48.</note> there cannot be a more compleat proof how thoroughly I
                    have failed in my old plan than when I tell you that this alteration will not
                    require the sacrifice of more than three hundred lines! the manners &amp;
                    superstitions of the North Americans are more strongly charactered than those of
                    the Southern tribes. I have not indeed the Andes, but my story led me not among
                    them – &amp; if I lose the Condors, I get among the Crocodiles.</p>
<p rend="indent1"> You have I suppose seen the Anti-Jacobine Review.<note n="11" place="foot" resp="editors">The <title>Anti-Jacobin Review and
                            Magazine</title>, 3 (June 1799), 120–128, reviewed <title>Joan of
                            Arc</title> (1798) and <title>Poems</title> (1799).</note> I am
                    surprized at its lenity. there is little abuse, &amp; the passages which <del rend="strikethrough">hxx</del> they adduce as so many counts in their
                    indictment, are fair specimens of the poetry. the Critical also, where I have
                    most miserable helpmates &amp; correctors by the by, discovers a resemblance
                    between the Old Woman &amp; Lenora.<note n="12" place="foot" resp="editors">
<title>Critical Review</title>, 26 (June 1799), 162.</note> because I
                    suppose there is a horse in both – &amp; of the same breed perhaps. you remember
                    why Macedon is like Monmouth.<note n="13" place="foot" resp="editors">See
                            <title>Henry V</title>, Act 4, scene 7, lines 24–39.</note>
</p>
<p rend="indent1"> I have taken a little house in Hampshire, near Christ Church for
                        <ref target="people.html#SoutheyMargaret">my Mother</ref>. we shall not get
                    possession till Michaelmas.<note n="14" place="foot" resp="editors">29 September
                        1799.</note> in the meantime I purpose going to the Devonshire coast,
                    whither we shall set out in about a week or ten days. our new mansion will be
                    about seven pounds ten shillings – a year – <del rend="strikethrough">xx
                        xx</del> &amp; at this rate we may well keep it for a long vacation retreat
                    – where I go &amp; wash off London filth in the sea.</p>
<p rend="indent1"> I am better, sensibly to myself, &amp; visibly to those around
                    me.</p>
<closer>
<salute rend="indent1"> God bless you.</salute>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> R. Southey.</signed>
</closer>
<postscript>
<p>
<date when="1799-07-08">Monday July 8. 99</date>
</p>
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